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Porter Robinson Shares Release Date of Final Nurture Single, Teases Anime Music Video
After Porter Robinson‘s latest Nurture tease, his sophomore album is so close, fans can feel it. Robinson took to social media today to reveal the album’s final single, “Musician.” His posts also shared what looks to be an anime music video for the song, which will officially arrive on streaming platforms on Wednesday, March 3rd. Check out the clip below and pre-save the track here. The anticipation of Nurture has bubbled over in recent months. His diehard fanbase has been clamoring for the record since he first announced it in early 2020, and he delivered on the hype with its first singles, “Get Your Wish” and “Something Comforting.” He then followed up with the dreamy “Mirror” alongside a stunning mixed media video bef...
YVNG JALAPEÑO Shares New Forward-Thinking Bass Track, “Losing Myself” With wilo wilde
A massively talented producer out of Australia, YVNG JALAPEÑO has been making waves within the bass music scene over the past couple of years. His major breakthrough came a couple of years ago, after his viral edit of FISHER’s “Losing It” started being played out by numerous household names, resulting in a slew of exciting new opportunities seemingly overnight. Fast-forward to 2021, and YVNG JALAPEÑO has collaborated with the likes of Just A Gent, Ian Munro, Dabow and more, as well as been enlisted to remix industry mainstays such as Alison Wonderland, QUIX, Zeds Dead and What So Not. Marking his first release of 2021, YVNG JALAPEÑO has now returned to Jauz’s Bite This! imprint to share “Losing Myself” with wilo wilde, the first single off his forthcoming EP on the label. A...
Carl Cox Delivers Second Remix of BreakCode’s “What Lies Beneath”
You know an artist is heading in the right direction when virtually all of the biggest names in electronic music are showing them love. BreakCode is having that moment. The live electronic act is catching everyone’s attention by delivering music quite unlike anything we’ve heard. Case in point: “What Lies Beneath,” a 2019 track that has now received its second remix from the legend himself, Carl Cox. Cox has taken the already relentless production of “What Lies Beneath” and cranked up the insanity to create a full assault on your senses. This blistering techno track features unyielding drums and breakbeat patterns that reach new heights with the addition of Eastern influences. And just when you think you have a handle on what’s coming ne...
CloZee’s Tastemaker Abilities Shine on Diverse Gravitas Records Compilation
CloZee has emerged as a tastemaker in the dance music space since first appearing in a remix competition for Mr. Bill. Since then, her eclectic taste is easily identifiable throughout a variety of her releases, including last year’s Neon Jungle LP as well as her recent remixes of Deathpact‘s “ID” and INZO‘s “Overthinker.” In partnership with Gravitas Recordings, CloZee has now curated a 15-track compilation called Emergence. Emergence seeks to showcase the future of bass music and from the sound of it, we’re in good hands. The compilation features rising artists nok nok, Habitaat, Bass Temple, and Orendi as well as more established artists such as Ahee, Esseks, and Fakear, among others. Emergence offers a great deal of diversity while s...
ANGEL Prepares To Record New Album
Legendary rock band ANGEL is preparing to enter the studio to begin recording its brand new album, to be released on Cleopatra Records. This will be ANGEL‘s second LP for Cleopatra and the follow-up to 2019’s “Risen”. Founding members Punky Meadows and Frank DiMino have been working with new partner and bandmember, guitarist Danny Farrow, to write and craft 13 tracks for the next LP. “We’ve written some great songs and are excited for all you guys to hear,” says Meadows. “We’re recording our second album for Cleopatra Records and couldn’t be happier about it. They’re an awesome record company and we can’t wait to get started.” Farrow states: “We are all super excited to be working with Cleopatra Records aga...
SLIPKNOT’s COREY TAYLOR Featured In MOONSHINE BANDITS’ ‘Live The Madness’ Video
SLIPKNOT and STONE SOUR frontman Corey Taylor is featured in “Live The Madness”, the new music video from MOONSHINE BANDITS, the American country rap group composed of Dusty “Tex” Dahlgren and Brett “Bird” Brooks. The clip, which will make its online debut on Monday, March 1, also features Corey‘s wife Alicia Taylor, a professional dancer and a member of the all-girl dance group CHERRY BOMBS. “Live The Madness”, featuring Corey on guest vocals, is taken from MOONSHINE BANDITS‘ latest album, “Fire”, which came out in 2020. Since their formation in Los Banos California in 2003, the MOONSHINE BANDITS have continued a campaign of crossover genre-bending musical mayhem that appeals to the eclectic, color-outside-the-lines t...
MEGADETH’s DAVID ELLEFSON Discusses Lack Of Bass On METALLICA’s ‘…And Justice For All’ Album (Video)
During an appearance on a recent episode of “Another FN Podcast”, MEGADETH‘s David Ellefson discussed the sound of METALLICA‘s “…And Justice For All” album. While “…And Justice For All” is considered one of METALLICA‘s classics, it has been criticized almost since the day it was released in 1988 for the lack of any bass guitar on the record. Jason Newsted‘s playing is virtually buried in the mix — and many fans feel that drummer Lars Ulrich, who had very specific ideas for how he wanted his drums to sound, is to blame. Ellefson said (see video below): “There is something on YouTube that [Jason] did — an interview that’s very candid — and he talked very openly about… ‘Garage Days’ was his first [...
DEE SNIDER Sings ‘Love Hurts’ In New Video From Creators Of ‘Rock Me Amadeus’
New York City’s Broadway theatres have been out of commission for almost a year now. This prolonged pause has not stopped world-renowned opera singer Alyson Cambridge and guitar virtuoso Tony Bruno from creating a new show: “Rock Me Amadeus”. After first announcing the upcoming show last fall, they are releasing their newest music video, “Love Hurts Uninvited”, as part of a series of videos to build anticipation for the show. Arranged by Tony Bruno, the song is an original mashup that combines ’80s rock of NAZARETH‘s “Love Hurts”, ’90s angst of Alanis Morissette‘s “Uninvited” and the classical strings of Tchaikovsky‘s iconic theme to “Romeo And Juliet”. Rock vocalists Dee Snider, Kia Warren and ...
I Don’t Know How But They Found Me on the Importance of Mystery
Kyle Meredith With… I DON’T KNOW HOW BUT THEY FOUND ME Listen via Apple Podcasts | Spotify | Google Play | Stitcher | Radio Public | RSS I Don’t Know How But They Found Me singer-songwriter Dallon Weekes talks with Kyle Meredith about the band’s debut LP, Razzmatazz. Weekes tells us about the breakthrough single “Leave Me Alone” being inspired by Bowie, Prince, and Don Henley, growing up on the Gen X / Millennial line, and the importance of keeping the band a bit mysterious. He also talks about theatrics and the beauty of a spoken word bridge. The former Panic! At the Disco member also hints at a possible graphic novel in the works with DC Comics and how he plans to work all of the high concept into the live show. Kyle Mere...
Facepalm Along with Justin Bieber to His Godawful New Album Art
When your eyes first alight on the cover artwork for Justin Bieber’s new album Justice, you might think to yourself, “I’ve been that hungover,” or “I, too, hate having my picture taken,” or, “This new Teenage Mutant Turtles reboot looks sick.” But only true Beliebers could see such a collection of questionable design decisions and have faith in the accompanying music. Here it is, in all its slime-hued glory: <img data-attachment-id="1109356" data-permalink="https://consequenceofsound.net/2021/02/justin-bieber-announces-new-album-justice/justin-bieber-justice-artwork/" data-orig-file="https://consequenceofsound.net/wp-content/uploads/2021/02/Justin-Bieber-Justice-artwork.jpeg?quality=80" data-orig-size="1200,1200" data-comments-opened=&qu...
St. Vincent Details “Sleazy, Grimy” New Album Daddy’s Home
One of our most anticipated albums of 2021 is the impending new record from St. Vincent. Last year, Annie Clark confirmed that the LP would arrive by this summer, and earlier this week some eagle-eyed Reddit users spotted posters that indicated it’s titled Daddy’s Home and would be released on May 14th. In a new interview with The New Cue, Clark didn’t confirm either of those facts, but she did share some key details about the album’s theme, sound, and recording process. While speaking with the new weekly music newsletter, the Grammy-winning rocker revealed that it was co-produced by Jack Antonoff (who she worked with on 2017’s MASSEDUCTION ) and that it was heavily inspired by early ’70s New York City. “I would say it’s the sound of being down and out Downtown in New Y...
Actress Bianca Allaine Calls Marilyn Manson the “Most Terrifying Person I’ve Ever Met,” Sets Up Meeting with FBI
Bianca Allaine has joined the growing list of women who have accused Marilyn Manson of abuse. The actress claims that the shock rocker forcibly kissed her when she was 16 in 1995, and then engaged in a “terrifying” sexual relationship with her when she was 19. She plans to soon speak to the FBI about her experiences. Allaine, who has mostly acted in B-movies like Zombinatrix and Nightmare Next Door, told her story to The Sun, explicitly detailing a disturbing experience with the singer. “Marilyn Manson might be scary, but Brian Warner is the most terrifying person I’ve ever met in my life,” said Allaine, referencing the rocker’s real name. “He’s evil.” She added, “We were often never alone on the tour bus, and his fetish back then was to watch people have sex with me or do things to ...
