Like many Icelandic artists before her, Björk spent much of her teenage years singing as part of the renowned Hamrahlid Choir. Things have now come full circle, as the experimental artist has contributed to the choir’s upcoming album, Come and Be Joyful. The two acts have specifically collaborated on a new version of “Sonnets”, originally taken from Björk’s 2004 album Medúlla. This completely reworked a cappella rendition was actually first premiered live by the choir during Björk’s mesmerizing “Cornucopia Tour” in 2019, but hasn’t been released to the public until today. “[Hamrahlid Choir founder] þorgerður is a legend in iceland and has guarded optimism and the light in the tumultuous times that teenagedom is,” Björk praised the choir’s leader on social media. “she has also encoura...
‘Tis the season for classic holiday songs, which means ’tis also the season for society to wrestle with outdated and offensive holiday lyrics. Our latest discourse is brought to you by Nick Cave, who is incensed at the BBC’s decision to censor a homophobic slur in The Pogues’ “Fairytale of New York”. In the latest edition of his Red Hand Files, Cave wrote that the BBC had “tampered with, compromised, tamed, and neutered” a track that he considers “the greatest Christmas song ever written.” “Fairytale of New York” is a duet with Kirsty MacColl that first appeared on The Pogues’ 1988 album If I Should Fall from Grace with God. The lyrics are set on Christmas Eve “in the drunk tank,” and features frontman Shane MacGowan trading insults with MacColl. MacGowan’s character calls MacColl’s “...
Kyle Meredith With… Julien Baker Listen via Apple Podcasts | Spotify | Google Play | Stitcher | Radio Public | RSS Julien Baker hangs out with Kyle Meredith to talk about Little Oblivions and its themes of self examination and survival. Baker speaks about the illusions that we build for ourselves to make us feel comfortable, a life of being told lies, and how she took the news that the Easter Bunny wasn’t real. The Boygenius member also discusses her Big Libra Energy, adding drums into her songwriting, and covering Blink 182’s “Anthem Pt. 2”. Kyle Meredith With… is an interview series in which WFPK’s Kyle Meredith speaks to a wide breadth of musicians. Every Monday, Wednesday, and Friday, Meredith digs deep into the artist’s...
BODOM AFTER MIDNIGHT, the band launched by ex-CHILDREN OF BODOM guitarist/vocalist Alexi Laiho, has completed recording its first new music. The sessions took place at Finnvox studios in Helsinki, Finland. Earlier today, BODOM AFTER MIDNIGHT posted a short video from the studio and included the following caption: “Recordings finished now and the files are ready for mixing. More info coming soon…” BODOM AFTER MIDNIGHT made its live debut on October 23 at Rytmikorjaamo in Seinäjoki, Finland. The 17-song show consisted entirely of CHILDREN OF BODOM material. Joining Alexi in the group are drummer Waltteri Väyrynen, guitarist Daniel Freyberg (ex-CHILDREN OF BODOM), bassist Mitja Toivonen (ex-SANTA CRUZ) and touring keyboardist Lauri Salomaa. Laiho recently said that he will n...
Alissa White-Gluz says that she is “looking forward to finishing” up her long-awaited solo album. It was announced in September 2016 that the ARCH ENEMY frontwoman had signed a deal with Napalm Records for the release of her first solo disc, which will feature contributions and collaborations with past and present members of ARCH ENEMY and KAMELOT, as well as MISFITS guitarist Doyle Wolfgang Von Frankenstein. Alissa offered an update on her solo project during a recent appearance on “The Electric Theater With Clown”, the Internet show hosted by SLIPKNOT‘s M. Shawn “Clown” Crahan. She said (hear audio below): “With ARCH ENEMY, I basically do screams — I’m growling; that’s the type of vocals that I do. But I actually do clean vocals...
In a new interview with the “Behind The Vinyl” podcast, Joe Satriani was asked if he started using the technique of tapping notes on his guitar when he first heard Eddie Van Halen in 1978. He responded (hear audio below): “I’d been tapping before that. I think, just like Eddie, ’cause we were the same age and started playing pretty much at the same time, we saw other people on television doing it. So I saw the guitar players in WISHBONE ASH. There was a show in America called ‘Don Kirshner’s [Rock Concert]’, and I think WISHBONE ASH was on one night. And I think my dad was watching it. And I just walked into the room for a second, and I looked and I see the guy playing with his fingers. And I’m, like, ‘Oh my god!’ I just wen...
David Lee Roth has shared a brand new piece of artwork in which he makes several references to his replacement in VAN HALEN, Sammy Hagar. As he has done before, Roth styled the image in the form of a newspaper called The Daily Catastrophe and he incuded several front-page headlines that mention Hagar: “Concrete Flowers For Sam,” “Sam The Man Not Only Will Be Giving His Life For Rock And Roll, But Plans To Be Buried In His Recently Acquired Jet!” and “Red Rocker Refuses To Fly 55 In Afterlife”, the latter of which is a reference to Sammy‘s nickname and Hagar‘s hit single “I Can’t Drive 55”. Hagar replaced Roth in VAN HALEN in 1985 and recorded four studio albums with the band — “5150”, “OU812”, “...
Source: Ubisoft / Immortals Fenyx Rising It doesn’t happen often, but now and then, a game that wasn’t on your radar sneaks up on you and completely takes you by surprise. Ubisoft’s Immortals Fenyx Rising is one of those games. The game formally known as Gods and Monsters takes players on an epic mythological adventure, think God of War meets The Legend of Zelda: Breath of The Wild with a dash of Assassin’s Creed. You assume the role of a Fenyx, a demigod tasked with the huge mission to help save the Greek gods from the wrath of Typhoid, the baddest Titan of them all who is trying to inflict a curse over the Golden Isle, the home of Zeus, his fellow Gods, and Goddesses. You’re the Gods and the world’s last hope to keep Typhoid from turning the world into a dark place for him and his creatu...
Source: Jason Mendez / Getty Styles P has been rapping since the 1990s and is still very much an active and effective artist, all while dividing his time as a health advocate and entrepreneur. Via Twitter, the LOX wordsmith and juice bar owner shared that he recorded a track with the late Mac Miller that was produced by Pharell Williams of The Neptunes. The rapper born David Styles recently celebrated his 46th birthday and had an active 2020 with the release of his 13th studio album, Styles David: Ghost Your Enthusiasm, along with a trio of features and collaborations with the likes of Tragedy Khadafi, Pharoahe Monch, and more. “I have a song with Mac Miller I never heard I believed Neptune’s produced it ..I don’t know if it came out and I missed it or they never released it. Would love to...
Source: Daniele Venturelli / Getty Xbox Series X consoles are hard to find, but Saweetie, the Birkin Bag collector, has one to give away. It looks like Quavo isn’t the only gamer in the house. His boo, Saweetie, announced on Instagram on Monday (Nov.30) that she is an Official Xbox Partner and revealed to her fans that she has an Xbox Series X console for one lucky fan. Now, this particular Xbox Series X is special because it’s customized. The “Tap In” rapper shared as much in a dope video featuring herself as a video game character playing on the unique console that features Icy written on it and an iced out controller. In her Instagram post announcing the contest, she wrote in the caption: “Who wants my Icy Xbox Series X console and Controller 😛 Tag your friends in the comme...
Nick Cave is not pleased with the BBC for censoring the Pogues’ 1987 holiday hit, “Fairytale of New York.” BBC Radio 1 started playing an alternate version of the song — with the words “f****t” and “slut” removed — last week. However, BBC Radio 2 will still play the original rendition. Meanwhile, DJs on 6 Music, another BBC station, will decide which version they want to play. “The BBC, that gatekeeper of our brittle sensibilities, forever acting in our best interests, continue to mutilate an artefact [sic] of immense cultural value and in doing so takes something from us this Christmas, impossible to measure or replace,” Cave wrote in his latest essay for The Red Hand Files. “On and on it goes, and we are all the less for it.” Cave said the song has had such an impact because “it spe...