There’s prolific, and then there’s John Dwyer‘s perpetual motion machine OCS Thee Oh Sees Oh Sees Osees. Having just today released the new album Protean Threat, the rockers are back to announce an even newer album, Metamorphosed. It arrives October 16th via Rock Is Hell, and the band is offering a preview with the lead single “Electric War”. Metamorphosed comes out of the sessions that produced 2019’s Face Stabber. It may only be five tracks long, but it achieves a full album’s length with the help of the more than 23-minute epic “I Got a Lot”. In an interview with Henry Rollins, Dwyer explained that this kind of song, “Usually… takes place at the end of the planned recording. We have extra time and tape to lay down some deep cuts and long jams, etc., the fun part...
Kamaiyah kicked off 2020 with Got It Made, her first project in over three years. Fans thankfully won’t have to nearly wait as long for a follow-up, as the rapper has just dropped off a new mixtape. Titled Oakland Nights, it’s a collaborative effort with fellow Bay Area local Capolow. Spanning 10 tracks, today’s collection finds the two artists proudly repping their favorite coast. Not unlike Kamaiyah’s past releases, Oakland Nights is peppered with bits of West Coast funk flavor, such as on opener “Finer Things” and closing track “So Much Money”. Other songs, meanwhile, are more geared toward the R&B/rap-singer in Kamaiyah and Capolow, including the suave “Digits” and “Undercover”. As Stereogum points out, the release might just be a reference to Kamaiyah’s debut mixtape, A Good ...
Lady Gaga’s Chromatica was released back in June. Since then, the album has been mostly applauded and she took home several VMAs last month. Today, Gaga unveiled a short film (or video) for “911” from that album. The clip begins with the singer stuck in the middle of the desert, blindfolded and surrounded by fruit. She follows a guy on horseback to a house that suddenly appears…and things go from there. As you’d expect from a Gaga video, there’s a lot going on, and it’s quite dramatic. The film was directed by award-winning director Tarsem and produced by The Artists Company. Some of the song’s lyrics address dealing with mental health issues, and include “Doctor’s on the other line / ‘Cause he’s not coming home tonight / And I just took my very last pill / Need somethi...
After weeks of discussions over the future of TikTok in the United States, the Trump Administration has announced it will be banning the social media platform as well as messaging app WeChat from mobile app stores starting as early as Sunday (Sept. 20). The unprecedented ban is to “Protect the National Security of the United States” from the Chinese-owned company, according to a statement from the U.S. Department of Commerce. It goes on to say that “At the President’s direction, we have taken significant action to combat China’s malicious collection of American citizens’ personal data, while promoting our national values, democratic rules-based norms, and aggressive enforcement of U.S. laws and regulations.” While Trump plans to boot WeChat from app stores on Sept. 20, TikTok will be...
Aimee Mann’s captivating cover of Leonard Cohen’s “Avalanche,” which serves as the theme song for HBO’s true-crime docu-series I’ll Be Gone In The Dark, is now available for download and/or streaming. It’s an especially poignant song placement for Mann, as she was close friends with the late Michelle McNamara, whose tireless research and book, I’ll Be Gone in the Dark: One Woman’s Obsessive Search for the Golden State Killer, helped inspire the series — and catch the criminal McNamara coined the Golden State Killer. “My husband, Michael Penn, and I had been close friends with Patton [Oswalt] and Michelle for many years and were very familiar with the ups and downs of her research,” the Academy Award-nominated and Grammy Award-winning artist said in a rele...
You’ve missed it now, but through the wonders of the “it never really dies, it just goes online…” technology, and a reasonable 13 bucks, you can still see the Modern Drummer’s 20th annual Drumming Festival, the first in two decades that wasn’t celebrated in person in front of its usual massive audiences. The event was held, like so much of our life now, virtually, on September 12th, livestreamed to drum devotees across the world. But this one was special (maybe they all were, in fact, one presumes they probably were) because it was a tribute concert to Neil Peart, the iconic figure behind the drums for Rush, who died earlier this year from brain cancer. He was only 67. “Neil was a drum hero of mine through my entire life,” Modern Drummer publisher David Frangioni said. “What an honor to pr...
The whole reissue concept didn’t come across my obsession desk until my first tour of duty at SPIN as an editorial intern in the fall of 1997. One of my tasks during my two days in the office — back when it was on 18th St. near Academy Records — was opening the editors’ mail. I’ll never forget ripping open Sealed Air envelopes for Charles Aaron and just being so amazed at all this cool stuff he’d get sent to him. Now, this was during the time when both Rhino Records and the Sony Music catalog division, Legacy Recordings, were really busting out the big guns: We’re talking the soundtrack to Zabriskie Point with a bonus disc of rarities from the Pink Floyd sessions, that gang of Miles Davis reissues that included Dark Magus and Live-Evil. Island Records released the legendary Lee ...
So far, this week on SPIN’s Untitled Twitch Stream has been pretty good. We had an acoustic set from Lewis Del Mar last night, an epic 3-hour performance from Lotus on Monday, and some other good times. If you missed them, you can still catch them on Twitch for another week or so before they move to our YouTube page, but we’ve also got another set of streams ready for next week (after today’s performance by Xanthe Alexis). We’ll be starting the week off with sets from the Happy Fits and NYC-based rapper Akinyemi, keep it going strong through the midweek thanks to the Foxies and Irontom, and then close things out with some tunes and Rocket League live from Sweden with the hard rockers in Solence. It’s as globe-spanning and genre-bending a week as we’ve had in quite ...
Country singer Cam’s boundary-pushing new album will finally arrive this fall — and on a new label. Two years ago, Cam was at a crossroads in her career. In the spring of 2018, she embarked on the Listening Room Tour, a series of intimate club dates that featured stripped-down arrangements and the kind of real talk that goes down between friends over a bottle of wine. But at the same time, the relationship with her Nashville label was strained, and close to ending. Instead of letting that cast a shadow over her performances, it sparked something inside of her — and having a direct line to her audience was added fuel. “I remember being so fucking spicy,” she says now. “I was like, ‘Fuck it!’ I laughed so hard, and people had such a good time. I was like, ‘This is why I’m here, not the other...
Ever since scoring her first top 10 on the Hot Latin Songs chart in 2017, Karol G has been nothing but unstoppable. The Colombian pop-urban artist previously entered the prestigious Billboard chart with her singles “Hello” with Ozuna and “Casi Nada” but it was her Bad Bunny-assisted track, “Ahora Me Llama,” that nabbed her the first top 10 of her career. After getting on the international radar, Karol has released back-to-back hits for the past three years. Her latest single, “Ay, Dios Mio!,” produced by Ovy on the Drums and released on July 10, earned Karol her eight top 10. On three occasions, the urbana star reached No. 1, including her viral 2019 hit “Tusa,” in collaboration with Nicki Minaj, where she reigned the chart for four consecutive weeks. In celebration of Hispanic Heritage Mo...
As the high priestess of pop, Madonna has administered the holy sacrament of Putting a Record on to Dance With Your Baby since 1983. Today, we’re celebrating the 20th anniversary of a key piece of 21st century dancefloor canon: her eighth album, Music. Coming two years after the brooding, mature Ray of Light, Music was a conscious effort to lighten up. “Life would be such a drag if it was deep and probing all the time,” Madonna told Billboard of Music in the Aug. 5, 2000 issue. “I didn’t feel the need to be so introspective…. I felt like dancing. And that’s reflected in these songs.” That much is clear from the catchphrase-loaded lead single/title track, which topped the Billboard Hot 100 just two days prior to the album’s Sept. 18, 2000 rele...