Have you listen to this new song from 9ice ft. Olamide & Reminisce – Oja Majemi? Alapomeji Ancestral records founder and singer, 9ice unites with rapper, Olamide, and Reminisce to serve this new joint named, “Oja Majemi.” The tune is 9ice’s subsequent 1st song for the year and it is housed under his inevitable task labeled “Tip of The Iceberg,” the main scene. Listen & download Oja Majemi by 9ice ft. Olamide & Reminisce below. https://www.naijamusic.com.ng/wp-content/uploads/2020/05/9ice_ft_Olamide_Reminisce_-_Oja_Majemi_NaijaMusic.com.ng.mp3 DOWNLOAD 9ice ft. Olamide & Reminisce – Oja Majemi Share this: You Deserve to Make Money Even When you are looking for Dates Online. So we reimagined what a dating should be. It begins with giving you back power. Get to meet Beautiful ...
When two of the top producers in the industry come together on a track, you know magic is in the works. This was the case when Steve Aoki passed the production baton to Dash Berlin to remix the opening track of his Neon Future IV album, titled “Closer to God.” The new rework is featured in Aoki’s huge remix package for the album, which dropped today. “Closer to God” serves as the prologue to the journey Aoki launches us on, welcoming us back into his futuristic world. It starts with the opening monologue, delivered in haunting, mechanical fashion, explaining that in the neon future, “we are searching into the unknown, exploring an ever-expanding frontier, trying to find answers to understand hope.” Dash Berlin th...
Following the release of its lead-off single, “Rufio’s Theme,” bass music heavyweight GANZ today dropped his full Lost Boys EP. The themed EP not only draws inspiration from Hook and the tales of Peter Pan and The Lost Boys, but also showcases the producer’s musical journey from the past to the present, and into the future. Aside from “Rufio’s Theme,” “Fairy Dust” and “UGH!” are the undisputed bangers of the ensemble, but none of the melodic elements within the collection of tracks are lost amid the barrage of bass. Those elements are retained throughout the whole EP, and “No Naps” and the title track convey melodic themes that seem nearly cinematic. Sitting pretty somewhere between futu...
Live music returned to Israel on Thursday, as over 3,000 people gathered in a park in Tel Aviv for an event called “Behind the Scenes: an Assembly of Solidarity”. Though technically billed as a protest, and not a concert, the event featured a dozen prominent Israeli artists performing on a large stage. Much like in America, Israel has been on a COVID-19 lockdown since mid-March, which has effectively shuttered the entertainment industry. Yesterday’s event served as a protest to encourage the government to reopen live events, according to Billboard. In order to stage such a large-scale mass gathering, organizers of the event exploited a loophole in Israel’s health regulations allowing for contained protests. Upon entering the park, attendees were asked to wear a face mask and keep six feet ...
The trap gods of Migos have teamed with YoungBoy Never Broke Again on their new single “Need It”. The track is all about money — but as the title implies, it’s not about merely wanting cash, it’s about doing anything and everything to get it. The structure involves pairs of rappers trading bars, with most of the song given over to a lyrical tennis match between YoungBoy and Offset. “I said I need it!” YoungBoy sneers, and Offset hits the ball back in his court with, “This Draco undefeated!” With those two on the first verse and chorus, Quavo and Takeoff are relegated to the second verse. That means every part of the song benefits from a high-energy tenor and a smooth-talking baritone, and that tried-and-true formula sure sounds easy on the ear. Listen to “Need It” below. The collab is anot...
“First Stream Latin” is a compilation of the best new Latin songs, albums and videos recommended by the Billboard Latin editors. Check out this week’s picks below. Carlos Vives – Cumbiana (Sony Music Latin) Carlos Vives’ extraordinary recording career reaches a new milestone with Cumbiana (released May 22), his foray into the indigenous roots of Colombian music. At its best, the 10-track album is Vives at his finest: exuberant, soulful, beautiful and important without ever sounding overbearing, a very difficult balance to achieve. Marrying Colombia’s past with the future, Cumbiana has already delivered a chart hit with “No te vayas.” But the best is yet to come. Opener track “Hechizera,” begins with the sounds of Colombia’s countryside, then Jessie Reyez’s wel...
Before finding his footing as Soolking, the artist born Abderraouf Derradji first worked as an acrobat, a dancer and even drummed in a rock band. Once he moved to Paris in his mid-20s, though, his career finally took off. Now, fresh off the release of his second album Vintage, the 30 year old is already getting to work on its follow-up. Born and raised in a northern suburb of Algeria’s capital, Derradji grew up in the middle of a civil war. He first worked as an acrobat and dancer, later discovering rappers like 2Pac, The Notorious B.I.G. and French rapper Booba. Before founding a rap group of his own, which had relative success in Algeria, he had drummed in a rock band. By 24, he moved to Paris, where he lived and worked illegally — sometimes in restaurants, or by selling cigare...
Christina Aguilera took to social media on Wednesday (April 20) to show her love for Kim Kardashian West’s latest outfit of the day. “Love it…so dirrrtyyy,” Aguilera wrote, retweeting a number of snaps of Kardashian rocking a white bikini and pair of chaps, which the reality star had cheekily captioned, “All dressed up with nowhere to go.” Fans were quick to point out that Kardashian’s daring look gave gave off major “Dirrty” vibes, with many commenting that the look easily could’ve come straight out of the video shoot for Aguilera’s gloriously raunchy 2002 single. One eagle-eyed fan even responded to the tweet by sharing a throwback photo of the pop star performing live in a remarkably similar all-white get-up. While Aguile...
Many artists aren’t just singing in one style and hoping to make a career out it. The fences officially have been moved. When Sam Hunt slid “Hard to Forget” into country radio playlists, he expanded the playing field for the format. On one hand, he introduced modern listeners to Webb Pierce‘s “There Stands the Glass,” a 1953 single that demonstrates the whiny twang that once defined the genre. But he packaged it with start-and-stop, tech-based rhythms that pulled directly from hip-hop. It’s a stunning development: blending musical sounds that are separated by seven decades on the calendar and perhaps an even greater distance on a sonic map. But it’s also indicative of the increasingly elastic nature of the format. Jon Pardi‘s “Ain...
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