Guillermo del Toro co-wrote the screenplay to the 2013 science fiction smash Pacific Rim, but by the time its sequel Pacific Rim: Uprising, hit theaters in 2016, he was no longer attached to the project. In a recent interview, the director revealed what Pacific Rim 2 would’ve looked like if he had the final say. “The villain was this tech guy that had invented basically sort of the internet 2.0. And then they realized that all his patents came to him one morning,” del Toro told TheWrap. “And so little by little, they started putting together this and they said, ‘Oh, he got them from the precursors.’ The guys that control the kaiju.” He continued, “And then we found out that the precursors are us thousands of years in the future. They’re trying to terraform, trying to re...
There is a small upper crust of acts who have been playing huge venues for decades and are still able to fill arenas and stadiums. The shortlist would include the Rolling Stones, Eagles, Billy Joel, The Who, Springsteen and Elton John; each artist has been consistently selling out gigs since the 1970s. But right below that collection of rock royalty sit the larger swath of artists who have likewise been touring for years but are probably unable to fill venues in the same way. By cleverly joining forces, artists like Jackson Browne and James Taylor, both world-class touring veterans, are able to ensure robust ticket sales, especially among their fanbase hesitant about COVID. And then there is a group of newer artists that has been steadily building a fanbase, and will likely be touring for ...
Richie Hawtin and AIAIAI have introduced the world’s first wireless headphones for music creators, the TMA-2 Studio Wireless+. Headphones and their technologies have changed drastically over the years. Wired headphones have long been the go-to for music producers and creatives alike, but being tethered arguably doesn’t allow for maximum versatility or creativity. “In 2021 it feels archaic to be wired to a piece of hardware just to guarantee pristine audio quality,” Hawtin said in a press statement. “The TMA-2 Wireless+ headphones give you the freedom to step further away from your devices allowing you to capture creative and expressive ideas while immersed in perfect sound. Disconnect and dive deeper into your moment of creativity.” TMA-2 Studio Wir...
There may not be a more special place to celebrate New Year’s Eve in Las Vegas than AREA15. And thanks to Playa Playground, you can now ring in the new year with an epic music festival at the immersive venue. Located minutes from the world-famous Las Vegas Strip, the venue’s complex is designed intentionally as a blank canvas that can be fully customizable for any type of event. Renowned for its experiential activations, the venue will now play host to the Playa-themed fest and its slew of headlining DJs, sound camps, art cars, and more on NYE 2021. Multiple event spaces throughout the campus will be activated, including the PORTAL, a 360° projection-mapped room to showcase custom visual experiences that transport guests into other worlds. The festival’s organizer, Lavish Enter...
Shaquille O’Neal sat down with the Nelk Boys for a slam dunk episode of their Full Send Podcast to discuss why he loves the EDM scene, how he got into DJing, and his relationship with Kobe Bryant, among other topics. O’Neal, who performs onstage under the moniker DJ Diesel, quickly rose through the EDM ranks after he was given the opportunity to DJ at Excision’s Lost Lands festival back in 2018. He eventually went on to throw down at the 2019 edition of Chicago’s iconic Lollapalooza, among other music festivals. Shaquille O’Neal performs at the 2019 edition of Lollapalooza. c/o Medium Rare When Bob Menery, host of the Full Send Podcast, asks O’Neal what he’s doing in Las Vegas, “the world’s biggest DJ” res...
Over two decades have passed since Destiny’s Child dropped “Jumpin’ Jumpin’.” But even 21 years later, one thing’s for sure: it’s still an anthem. Rich DietZ and Zack Martino have now breathed new life into the post-millennium generational R&B anthem, flipping it into a must-listen tech house banger fit for 2021. The original, which dropped back in July 2000 and appeared on Destiny’s Child’s sophomore album The Writing’s on the Wall, has been reimagined for the clubs in an electrifying rendition. The group’s iconic refrain is laced with a pulsing bassline, ultimately leading to a big snare build and juggernaut of a house drop. It’s the tension right before the drop, however, that gives...