Beat this, Googleplex: Tiësto, Martin Garrix, Armin van Buuren, NERVO and Infected Mushroom just played a banging rooftop party hosted by Israeli tech giant Rapyd. The October 6th event, first reported by We Rave You, appears to be part of a new company initiative called The Moment. Produced in partnership with local events planner OTD Global, the project promises to “make your wildest dreams a reality”—whatever that means. It’s a surprising move for Rapyd, which licenses a PayPal-like platform to businesses in order for them to self-manage, distribute and collect cash flow. Just this year, the company doubled its valuation to $2.5 billion, according to CNBC. You can check out footage of the event, which kicked off on the roof of...
The underlying investment thesis underpinning the red-hot NFT movement is starting to become a whole lot clearer. Republic, a New York based investment platform founded in 2016, is joining the NFT movement with the introduction of its newest vertical, Republic Music. Historically, Republic has been a conduit for startups across a myriad of sectors to raise capital. Since its inception, Republic has held a competitive edge compared to other investment platforms due to its ability to offer access to startup investing to retail investors, a field that has historically been available exclusively to accredited investors (individuals with income exceeding $200,000 annually, or high net worth individuals with over $1 million). With Republic Music, the company is once again empower...
If you’re searching for candid, no-holds-barred conversations about race in the music industry, look no further than new weekly podcast Don’t Call Me “Exotic.” The project was created and is hosted by South Korean DJ and promoter Oh Annie Oh, who lives in London. According to a press release, it is meant to spark discourse between creatives of color about “what it is like to work as a creative, whilst also living within societal systemic racism,” according to Oh Annie Oh. “(It’s) a dialogue that I wish I had access to during the rise in anti-Asian hate, but that didn’t exist. So I decided to start it,” she added. Recommended Articles Joining Oh Annie Oh for the podcast’s most recent episode was Jordss, a British ...
Scott Stapp has formally been welcomed—with arms wide open—into the bass music community. Wooli and Trivecta have tapped the Creed frontman for an anthemic collaboration called “Light Up The Sky.” “Light Up The Sky” is a story of growth and how change comes from within. The triumphant feel of the tune helps convey this message as soaring melodies and explosive synths lead the charge. Stapp’s distinct timbre adds to the commanding feel of the arrangement, helping cultivate an inspirational atmosphere. In his first foray into electronic music, everything felt natural for Stapp. “When I first heard the track, I instantly started recording melodies and lyrics. The piano, builds, crescendos, drops, and overall vibes just connect...
Church launched the aptly named tour Sept. 17 at Lexington, Ky.’s Rupp Arena. The tour is slated to run through May 20, 2022, culminating with a show at New York’s Madison Square Garden. Church’s Gather Again Tour has been a joyous reunion for the artist and his fans alike, marking his return to the road after the pandemic forced the postponement of both Church’s Heart & Soul triple album and his 2020 tour. It also marks the first time Church has used an in-the-round stage for his tour. For a Billboard cover story earlier this year, Church received his COVID-19 vaccination during his Billboard photo shoot. “It became very clear to me that the only way to really get back to normal is through vaccinations,” he told Billboard at the time. “You’ve got to get needles...
In Adele’s interview, she mentioned that she hasn’t tried to replicate the success of “Hello,” which hit the No. 1 spot on the Billboard Hot 100 in 2015. “I don’t want another song like that. That song catapulted me in fame to another level that I don’t want to happen again. I’m not saying I’ve got ‘Hello’s in my pocket. I was just conscious that I didn’t want my story on this album to sound like that,” the singer explained. It’s Her Most Personal Album “It’s sensitive for me, this record, just in how much I love it,” Adele told American Vogue. “I always say that 21 doesn’t belong to me anymore. Everyone else took it into their hearts so much. I’m not letting go of this one. This is my album. I want to share myself with everyone, but I don’t think I’...
J-pop duo YOASOBI are set to release a new single called “Tsubame” on Oct. 25. The track is being featured as theme of NHK’s SDGs TV series for children Hirogare! Irotoridori, a show that introduces projects and special programs that make learning about Sustainable Development Goals fun and accessible. The title of the song means “swallow” and it was written based on a Japanese story with a title that translates to “A Little Swallow’s Big Dream” by Nana Otsutsuki. The story won the grand prize in the TV show’s project that invited submissions to collaborate with the breakout male-female duo to write a new future-themed song. You Deserve to Make Money Even When you are looking for Dates Online. So we reimagined what a dating should be. It begins with giving you back power....
“It kind of came out of nowhere,” LeVox said. “It was like, ‘Let me try to wrap my head around this.’ And then I certainly wasn’t okay with the pandemic, which canceled everything. I hate the way that it ended. I hate that we didn’t get to do this farewell tour. I can’t stand the fact that it just feels there’s no closure with something that we’ve been so blessed with. That will always be in my heart.” As the group’s 2020 tour dates were already on hold due to the pandemic, the group disbanded quietly, with LeVox pursuing a solo career and releasing the recent Christian album One on One. Meanwhile, DeMarcus released a tribute to his late father with “Music Man,” and also runs the CCM label Red Street Record...
Listen via Apple Podcasts | Spotify | Google Podcasts | Stitcher | Pocket Casts | Radio Public | RSS Third Eye Blind’s Stephan Jenkins catches up with Kyle Meredith — from his bed, no less — to dig into the band’s new LP, Our Bande Apart, and its accompanying documentary, which gives a fly-on-the-wall look at the recording sessions. Advertisement Related Video The frontman discusses upsetting some fans with their progressive sound, scrapping an earlier album once the pandemic hit, and finding influence from The Cure and Bon Iver. Jenkins also talks about covering “Funeral Singers” after hearing Sylvan Esso’s version, being inspired by the new Los Angeles singer-songwriter scene and Phoebe Bridgers, and naming Big Thief’s Adri...