In a cinematic landscape currently filled with sequels and safe bets, Edgar Wright’s Scott Pilgrim vs. the World hasn’t aged a day. The cult classic remains a sartorial, sonic and stylistic triumph 15 years on, even despite its disappointing initial performance at the box office.
Wright did more than adapt Bryan Lee O’Malley’s graphic novel series. He lifted the panels from paper and brought them to life on the big screen. The film’s breakneck pacing, fueled by an iconic indie-rock soundtrack and kinetic visual effects, turned what could just be a mundane love story into a glorious, eight-bit, boss-battle gauntlet. Its visual style of manga and video games fused with sharp writing breathed new life into the film.
But it’s not just the visual spectacle that secures its legendary status. The movie is a hyper-stylish time capsule of late-2000s indie culture. The skinny jeans, garage bands and ironic detachment are anchored by a perfectly cast Michael Cera and the dream-girl allure of Mary Elizabeth Winstead’s Ramona Flowers. It informed an entire generation’s aesthetic and approach to romance, turning the idea of “growing up” and being in “L” word (no, not lesbians — the other one) into boss battles. 15 years later, Scott Pilgrim vs. the World still serves as a rite of passage for the discerning twenty-something.
Scott Pilgrim vs. the World is available now on Cathay Pacific‘s award-winning inflight entertainment system.
