Album Review
Pallbearer Forge Ahead with Emotionally Charged Doom on Forgotten Days: Review
The Gist: Pallbearer have ascended the arduous music industry ladder like many metal bands before them. They released a strong demo in 2010, got indie label attention, and released a string of successful underground doom albums. Now, the band is freshly signed to storied metal label Nuclear Blast Records for their fourth studio LP, Forgotten Days. The album marks that proverbial turning point in their career. There are expectations from thousands of fans the band has built over a decade of touring and releasing music — much of it among the finest doom metal money can buy. Not to mention Forgotten Days arrives amidst a global pandemic that delayed the album’s release for months and renders it currently un-tourable. As Pallbearer bassist Joseph D. Roland told Heavy Consequence, a world ...
Deftones Embrace Their Heavy Roots on the Commanding Ohms: Review
The Lowdown: Sacramento alt-metallers Deftones tend to transform at the turns of decades. In 2000, they released their conceptual high-water mark White Pony, while 2010’s Diamond Eyes is a stellar collection of catchy-but-clever skate rock tracks. On the other hand, 2020’s Ohms isn’t a radical reinvention, but it’s a solid addition to their legacy — a surprisingly heavy one, at that. The Good: Deftones’ albums exist along a delicate axis: At the one end, singer Chino Moreno’s romantic and crooning atmospheres, and on the other, guitarist Stephen Carpenter’s sludgy, metallic slug-fests. The band is at its best when these elements are in balance, and the tension between these poles is the core of their identity. 2016’s Gore seemed like a Moreno-heavy album, focused on dreamy landscapes. In c...
Marilyn Manson Masterfully Embraces His Influences on WE ARE CHAOS: Review
The Lowdown: While Marilyn Manson has developed a signature sound over the past 30 years, it never manages to get stale. One reason for this is the revolving door of musicians and producers with whom he has worked throughout his career. Manson is back with his 11th album, WE ARE CHAOS, and he recruited Shooter Jennings — son of legendary country artists Waylon Jennings and Jessi Colter — as his new musical compatriot. The two met when Manson was working on the TV show Sons of Anarchy and, according to Manson, have wanted to work together for a while. With Tyler Bates at the production helm on Manson’s critically acclaimed albums The Pale Emperor (2015) and Heaven Upside Down (2017), one might be concerned about this change in the ranks. Have no fear, though, as the resulting collaboration ...
Metallica’s S&M2 Cleans Up Nicely for Home Release: Review + Stream
The Lowdown: Last September, Metallica reunited with the San Francisco Symphony for the two performances that would become S&M2 — the sequel to their illustrious symphonic metal collaboration from 20 years earlier. To commemorate the event, the band teamed with Trafalgar Releasing to screen the concert film in movie theaters across the world. The S&M2 shows took place on September 6th and 8th, and the film premiered on October 9th. In film production timelines, that’s an impossibly small window for post-production on a concert film and album. Nevertheless, the theatrical film was a box office success, though a trained eye and ear could tell that it might have been rushed to release. The initial edit of director Wayne Isham’s footage, though clean, had an unfinished quality to it. I...
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Chris Crack Effortlessly Glides On Soulful ‘Good Cops Don’t Exist’ LP [Review]
Source: Skyler Durden / SD Chris Crack requires several listens before the brilliance of his gift resonates. He isn’t overly concerned with heady concepts, at least not by way of pushing such angles via his music. Instead, the Chicago rapper and vocalist does something few artists master which is to welcome the listener to experience his world in real-time and his latest release, Good Cops Don’t Exist, achieves that feat. A prolific rapper with a Sears Tower-sized chip on his shoulder, Crack uses his unique vocal instrument – something of a mix between a sneering snarl and wisecracking conversational bent – to great effect. Much of his music works from an impulsive yet soulful space and what never slips out his reach is the memorable impression he leaves. All across Good Cops Don’t Exist, ...
Static-X’s Project Regeneration Vol. 1 Properly Cements Wayne Static’s Legacy: Review
The Lowdown: In the late ’90s and early 2000s, Static-X were one of the bands the helped define that industrial/nu-metal era. Their debut album Wisconsin Death Trip went platinum with the video for “Push It” earning rotation on MTV (back when the channel still played videos). Over the next decade, Static X would release five more albums before drifting apart in 2009. When the band’s singer Wayne Static tragically passed away in 2014, it seemed to signal the end of Static-X forever; that was until original bassist Tony Campos uncovered demos of material that Wayne had been working on. Campos got together with fellow original members Ken Jay (drums) and Koichi Fukuda (guitar), and reworked the unearthed demos along with outtakes from previous albums. While there was an initial plan to recrui...
Paradise Lost’s Obsidian Finds the Goth Metal Pioneers as Sharp as Ever: Review
The Lowdown: Paradise Lost innovated goth metal in the late ’80s, and while that style remains has remained popular through the years (see: Type O Negative, Lacuna Coil, more), the pioneering UK act still flies under the mainstream radar in the United States. Part of that has to do with the fact that Paradise Lost has scarcely toured the States for most of their career, although two years ago they embarked on a 30th anniversary headlining tour of North America. The next step on Paradise Lost’s journey is Obsidian, their 16th studio album. While it might not be musically groundbreaking for the veteran metallers, the LP showcases their various strengths in a nearly flawless run of songs just as sharp and polished as the igneous stone for which it’s named. The Good: Obsidian caps off a partic...
