Album Reviews
Paradise Lost’s Obsidian Finds the Goth Metal Pioneers as Sharp as Ever: Review
The Lowdown: Paradise Lost innovated goth metal in the late ’80s, and while that style remains has remained popular through the years (see: Type O Negative, Lacuna Coil, more), the pioneering UK act still flies under the mainstream radar in the United States. Part of that has to do with the fact that Paradise Lost has scarcely toured the States for most of their career, although two years ago they embarked on a 30th anniversary headlining tour of North America. The next step on Paradise Lost’s journey is Obsidian, their 16th studio album. While it might not be musically groundbreaking for the veteran metallers, the LP showcases their various strengths in a nearly flawless run of songs just as sharp and polished as the igneous stone for which it’s named. The Good: Obsidian caps off a partic...
Hayley Williams’ Petals for Armor Discovers the Strength in Vulnerability: Review
The Lowdown: Hayley Williams once said on the writing of Paramore’s Brand New Eyes album, “Some of it hurt, some of it was like, ‘Am I being too honest even with myself?’’’ Honesty has long been a trend with Williams’ approach to music-making; she’s been the principal songwriter for Paramore since 2005, and her scathing, dynamic vocals have granted her ever-evolving lyrics the perfect expression of painful, angry, at times heartbroken truth. On Petals for Armor, she dives inward at a new level, using dark pop melodies to not only vocalize her innermost thoughts, but also battle them, untangle them, and reckon with them in a way that feels personal to her own experience. She sings on the blistering “Watch Me While I Bloom”, “You only got one side of me/ Here’s something new/ I’m alive in sp...
