All those years playing in Foo Fighters and Nirvana have caught up with Dave Grohl. During his recent appearance on The Howard Stern Show, the 53-year-old rock veteran discussed his hearing loss and how it affects his life both on and off the stage. “If you were sitting next to me right here at dinner, I wouldn’t understand a fucking word you were saying to me the whole fucking time,” Grohl said, motioning about a foot away from his left ear. “There’s no way. In a crowded restaurant — that’s the worst.” Up until mask-wearing became the norm, however, Grohl’s hearing loss didn’t pose too much of an issue in his day-to-day life. He insisted it’s “not that bad,” but now that mask-wearing is the norm, Grohl has had a harder time conversing in public. Advertisement Related Video “The ...
It is a truth universally acknowledged that if Dave Grohl moves even one finger, we sure as hell are going to write about it here at Consequence. Foo Fighters is the second most-written-about artist in the history of this site. Basically, we write about Grohl & Co. almost daily; the difference this time is that we’ve decided to formalize it as an actual week. Why are we like this, you may ask? Well, the running joke around here is that Grohl and his band keep the lights on, and we say that with the utmost gratitude and respect to that dude and his band. (Thank you for everything, Foos.) He makes headlines for doing good deeds, in addition to the usual rockstar stuff, and thus it is our jobs as humble scribes to give him attention on a regular basis. Advertisement But more than that, Fo...
King Crimson guitarist Robert Fripp and his singer wife Toyah Willcox are still giving fans plenty of ear (and eye) candy on Sundays, this time gracing us with a rendition of the Smashing Pumpkins classic “Bullet With Butterfly Wings.” It’s been a while since we’ve reported on the frisky couple’s “Sunday Lunch” series, but they’ve been going strong in 2022, mostly delivering covers of punk classics from The Clash, Ramones, and others over the past several weeks. For this weekend’s edition, the pair tackle the Pumpkins’ smash alt-rock hit with their usual musical and visual flair. Toyah’s risqué see-through top is par for the course for her Sunday performances, but in this case it’s not too far off what original Pumpkins bassist D’arcy Wretzky wore during the band’s 1998 tour in support of ...
Fontaines D.C. are back with a brooding new single. Listen to “I Love You” below. Like the curt “Life ain’t always empty” refrain of 2020’s “A Hero’s Death,” “I Love You” pounds its positive message into your skull with music so menacing, you question its intent. “I love you, I love you, I told you I do,” Grian Chatten insists, as swirling, Cure-style guitar fades in over slow-thumping bass. “It’s all I’ve ever felt, I’ve never felt so well,” he speak-sings. Once more with feeling, perhaps? “Ostensibly a love song,” as a press release puts it, Dublin’s favorite post punks fit some local commentary into the song of devotion as well, prompting Chatten to name the single “the first overtly political song we’ve written.” “It’s standing in the center of our beloved home country as a multitude o...
Listen via Apple Podcasts | Spotify | Google Podcasts | Stitcher | Pocket Casts | Radio Public | RSS Spoon’s Britt Daniel catches up with Kyle Meredith to talk about the band’s tenth studio album, Lucifer on the Sofa. Related Video The lead singer took us into the band’s decision to make an all-out rock record, the use of Mr. Jones as a character in music history, and the importance of radio to him as a child. Daniel goes on to talk about Lucifer representing a version of himself, their plans to release more songs from these sessions, and his appreciation for the band’s 1997 Soft Effects EP. Advertisement Listen to Britt Daniel of Spoon discuss Lucifer on the Sofa, Soft Effects, and more above or watch the full interview...
New Wilco music is coming down the pipeline. In a “Chit-Chat Check-In” post on Jeff Tweedy’s newsletter last week, the vocalist said that he and his fellow Wilco members were in the studio “chipping away at a new record.” “It’s been very, very, very fun and exciting, and we’re having a great time,” Tweedy said. “If I can get everybody in the Wilco braintrust on board, maybe I’ll share a snippet of a work in progress or something like that over the weekend behind the paywall.” Head over to Tweedy’s page here to listen to the full update. While Tweedy’s casual “Chit-Chat Check-Ins” are free for anyone to listen to, diehard Wilcoheads can get exclusive access to more Wilco-adjacent content with a paid subscription. In the meantime, stay tuned here for more news about their follow-up to 2019’s...
My Morning Jacket have announced a 2022 North American tour in support of their self-titled album, which was also their first new studio set in six years. Along the way, they’ll be accompanied by Madison Cunningham, Indigo De Souza, and Joy Oladokun. The Louisville rockers have already booked a trip to Cancún in March for My Morning Jacket’s One Big Holiday, and they’ll follow that with a run through the southern United States in April and May, including an appearance at High Water Music Festival and ending with Shaky Knees in Atlanta. After a brief rest, the trek resumes in June and July with a midwestern jaunt. Notably, they’ll play a two-night stand in their hometown of Louisville, with proceeds benefiting Change Today, Change Tomorrow (CTCT), a Louisville-based...
Ben Gibbard’s latest project has been compiling an album of Yoko Ono covers in honor of the iconic — and often misunderstood — musician. Today, his band Death Cab for Cutie have shared their own contribution to Ocean Child: Songs of Yoko Ono before its February 18th release. “Waiting for the Sunrise” originally appeared on Ono’s 1973 double album Approximately Infinite Universe, which she co-produced with her husband John Lennon. The album saw Ono move from her avant-garde musical beginnings into a more straightforward pop sound, although “Waiting for the Sunrise” still has an endearing quirky spunk. Death Cab’s cover stays pretty authentic to Ono’s original, utilizing the same propulsive drum beat. They do give it a more rock-forward feel by adding some lovely vocal harmonies and a great ...
Destroyer have a Valentine’s Day present for you, and spoiler alert, it’s a new song. The Canadian indie rockers have shared “Eat the Wine, Drink the Bread,” the latest preview of their forthcoming album, LABYRINTHITIS. With Joshua Wells’ percussion and John Collins’ drum programming in the spotlight, “Eat the Wine, Drink the Bread” — no, that’s not a typo — juxtaposes a galloping, disco-infused beat with frontman Dan Bejar’s subtle melancholy. “Been meaning to wear my hair like this for ages/ I mean down, down, all the way down,” he sings. Over a bright instrumental, Bejar’s solemn delivery seems to say: Life is hard, so why not indulge in its comforts while we’re here? Listen to “Eat the Wine, Drink the Bread” below. Advertisement Related Video LABYRINTHITIS, the follow-up to 2020’s...
Listen via Apple Podcasts | Spotify | Google Podcasts | Stitcher | Pocket Casts | Radio Public | RSS Adam Granduciel catches up with Kyle Meredith to talk about I Don’t Live Here Anymore, the fifth LP from The War On Drugs. Related Video The frontman dives into how The War on Drugs found the sound for the new album, taking inspiration from Radiohead and having producer Nigel Godrich show up to their studio, and how he writes lyrics. Granduciel also tells us about covering Bob Dylan live and which of his catalog they may attempt next, as well as the time Pink Floyd’s David Gilmour was once in their audience. Advertisement Listen to The War on Drugs mastermind discuss I Don’t Live Here Anymore, Radiohead, and more above or...