Artist of the Month and London-based indie rocker beabadoobee has released her highly anticipated debut album, Fake It Flowers. Stream it below via Apple Music or Spotify. Fake It Flowers is Bea Kristi’s first full-length record under the moniker beabadoobee. It follows five EPs, including her 2019 releases Space Cadet and Loveworm. The 12-track record includes the previously released singles “How Was Your Day?”, “Worth It”, “Sorry”, and “Care”, the latter of which stole the Song of the Week spotlight. Not only is Fake It Flowers one of the most anticipated albums of 2020, but it’s also a long-but-short time coming milestone for beabadoobee herself. While talking with CoS in a new interview, Kristi revealed that she was surprised how quickly songwriting came to her, especially considering ...
Puscifer will celebrate the release of their upcoming album, Existential Reckoning, with a truly unique streaming concert event. The show will feature singer Maynard James Keenan and company performing in the middle of the Arizona desert. The concert, dubbed “Existential Reckoning: Live at Arcosanti”, streams on October 30th, the same day that the album arrives. The show will see the band performing the new LP in its entirety. As Keenan explained in a press release, the location makes for an unpredictable experience. “If you’re not familiar with Arcosanti, I highly recommend that you look it up,” said Keenan. “It’s one of a long list of examples of architects, artists, actors, musicians, writers, and poets. People who are not necessarily from Arizona but came here and found that creative t...
Portugal. The Man and “Weird Al” Yankovic, photos by Ben Kaye Portugal. The Man and “Weird Al” Yankovic have joined forces once again, but this time it’s not to turn beloved indie songs into polka jams. Instead, they’ve collaborated on a new track, “Who’s Gonna Stop Me”, in honor of Indigenous Peoples Day. Produced by the Grammy-winning Jeff Bhasker (Kanye West, Rihanna) and co-written by the legendary Paul Williams (David Bowie, The Love Boat theme), the song also features contributions from The Last Artful, Dodgr. A peacefully powerful call for freedom, the opening verses are meditative before a rattling drum beat turns it towards invigorating. “Sneaking out, jumping over backyard fences/ We’re all just looking for freedom,” sings “Weird Al” on the second verse. “I’ve got an ...
The Lowdown: Future Islands first truly caught the world’s attention with the Letterman performance of “Seasons (Waiting on You)” that brought lead vocalist Samuel T. Herring’s confident and expressive singing style into the viral limelight. This coincided with the release of Singles, their most polished album thus far and an encapsulation of all their post-wave aspirations. Now, two albums and six years later, they’re back again with As Long as You Are, a twinkling and pulsating slow burn that finds them employing many approaches that by now feel familiar to their sound, but still cohesive and captivating. [embedded content] The Good: It opens with seagulls and it ends with the coast. This is an album that deals with expanse and immensity that feels difficult to conceive of, let alone to ...
The Smashing Pumpkins will drop their new double album, CYR, on November 27th via Sumerian Records. Already, we’ve heard the stellar title track, “The Colour of Your Love”, “Confessions of a Dopamine Addict”, and “Wrath”. Now, they’re back with two more cuts to add to the pile: “Anno Satana” and “Birch Grove”. Fans hoping Billy Corgan might continue itching that new wave side of his can drown in the thunderous “Anno Satana”. The same could be said for “Birch Grove”, which finds the singer-songwriter slowing things down for a glacial bath of synths. Both bode well for the new album and demand re-listens. Stream both tracks below. As you’ll see, “Anno Satana” doubles as both a new music video and yet also the latest episode for Corgan’s new animated series In Ashes. If you recall, the f...
Kyle Meredith With… Sheryl Crow Listen via Apple Podcasts | Spotify | Google Play | Stitcher | Radio Public | RSS Sheryl Crow speaks with Kyle Meredith about her new single, “In the End”, and its themes of leading with compassion and the danger of the religious right. Although she hopes for a Biden/Harris win, Crow admits that the money fueling the two main political parties has driven her to become a libertarian instead. Crow also opens up about the freedom of being a commentator with music that has immediacy, her virtual live series, and plans to possibly perform The Globe Sessions LP in full. Kyle Meredith With… is an interview series in which WFPK’s Kyle Meredith speaks to a wide breadth of musicians. Every Monday, Wedne...
The Kills have shared a previously unreleased demo called “Raise Me”. The song is taken from the band’s newly announced rarities collection, Little Bastards, arriving December 11th via Domino. The compilation comprises recordings dating from The Kill’s earliest 7-inch singles in 2002 through 2009. Featuring remastered B-sides, demos, and covers, Little Bastards collects many tracks originally recorded for bonus inclusion on CD singles. As that format vanished in the wake of digital streaming, most of those songs were abandoned — hence the title Little Bastards. The name is also a reference to the drum machine the duo used to expand their sound during the early days of their career, lovingly dubbed Little Bastard. “It was a Roland 880,” The Kills’ Jamie Hince explained in a statement, “whic...
Kyle Meredith With… Butch Vig Listen via Apple Podcasts | Spotify | Google Play | Stitcher | Radio Public | RSS Garbage drummer and super-producer Butch Vig speaks with Kyle Meredith about Divine Accidents. The sophomore album from his side outfit 5 Billion In Diamonds finds him once again collaborating with The Soundtrack of Our Lives’ Ebbot Lundberg, Bristol UK producer Andy Jenks, and DJ James Grillo. Vig discusses how the band was inspired by late ’60s film music, why they looked to space and spirituality to make sense of the insane, and the similarities with writing Garbage’s James Bond theme to 1999’s The World Is Not Enough. Speaking of Garbage, Vig says the new album is about finished and talks about it being dark, schizo...
The Lowdown: As the founding singer of Ohio alt rock troupe The National, Matt Berninger has already proven himself to be a captivating vocalist and — alongside wife Carin Besser — an insightful lyricist. For instance, we praised last year’s I Am Easy to Find for its “conversational” approach regarding “the intricacies of modern romance.” Thus, his monotone yet elegantly arid voice and observational storybook songwriting rarely fail to charm and connect with us, especially when they’re placed on top of such vibrantly picturesque and subtly exploratory arrangements. For the most part, that holds true on his first solo record, Serpentine Prison. Produced by Booker T. Jones — a revered artist in his own right who’s also collaborated with Otis Redding, Willie Nelson, Sheryl Crow, Elton John, a...
Sure, Dolly Parton and Andrew Bird have holiday albums coming down the chimney this year, but 2020 deserves a darker sort of seasonal sing-a-long. Thankfully, Mark Lanegan is here to abide with his new Christmas album, Dark Mark Does Christmas 2020. Due out exclusively via Rough Trade record stores, the album is actually the ex-Screaming Trees frontman’s second holiday release under the Dark Mark moniker. The first, Dark Mark Does Christmas 2012, was a tour-only 12-inch EP featuring six tracks: “The Cherry Tree Carol”, “Down in Yon Forest”, “O Holy Night”, “We Three Kings”, “Coventry Carol”, and a cover of “Burn the Flames” by Roky Erickson. Five of those, including the Erickson cover, will make it onto the new LP, along with five freshly recorded songs. The new material comprises covers, ...