By this point, our calendars are filled with crossed reminders of the release date for The 1975’s new album. After two years and multiple delays, the circle finally takes the square: The 1975 have today released Notes on a Conditional Form. The follow-up to the truly excellent 2018 effort A Brief Inquiry into Online Relationships was formally announced last summer with an expected due date of February 21st, 2020. Work didn’t progress as anticipated, however, and a month before the release it was pushed to April 24th. Then the full-length faced another hitch along with the rest of the world when the pandemic hit, forcing The 1975 to delay it once again until today, May 22nd. In her review of the album, Consequence of Sound contributor Samantha Small said that the diverse record is...
Despite the fact that we all know a 100,000-capacity event just isn’t going to happen this summer, Lollapalooza still hasn’t officially canceled its 2020 edition. While we await the inevitable announcement, the festival has been unloading classic performances from its vaults. Past streaming concerts have included The Strokes’ 2010 comeback concert and Foo Fighters’ legendary 2011 set. Today, the series continues with the reveal of Red Hot Chili Peppers’ 2006 headlining show, which you can watch below beginning at 8:00 p.m. EDT. The 17-song performance was RHCP’s first at Lolla since 1992, back when it was still a touring festival. The shirtless rockers were in the midst of their “Stadium Arcadium Tour”, which holds a special place in fans’ hearts. Stadium Arcadium and its accompanying...
Stabbing Westward have inked a new record deal and will release a new album titled Wasteland, the industrial rock act’s first full-length LP in nearly 20 years. The news follows the early 2020 release of the band’s comeback EP, Dead & Gone. So far, there’s no release date or tracklist, but Stabbing Westward plan to unveil the album and at least one single in 2020. They’ve signed a recording deal with COP International, and have welcomed back producer John Fryer (Nine Inch Nails, Depeche Mode), who helmed Stabbing Westward’s early albums Ungod and Wither Blister Burn & Peel. “It’s grand to be working with Stabbing Westward again,” said Fryer in a press release. “The first two albums we made together were some of my finest work as a producer.” Stabbing Westward frontman Christopher H...
Sharon Van Etten and Josh Homme in video for “(What’s So Funny ‘Bout) Peace, Love and Understanding” Sharon Van Etten and Josh Homme’s cover of “(What’s So Funny ‘Bout) Peace, Love and Understanding” wasn’t intentionally made for the quarantine era. “Recording this song had nothing to do with what we’d be going through… until we started going through it,” explains Homme in a statement. But while the track itself wasn’t intended to be an anthem of isolated times, its new music video fully embraces the state of the world. Directed by Matthew Daniel Siskin, the clip captures Van Etten and Homme at home with their families. The former’s kid plays around with an empty inflatable swimming pool while she sips a glass of wine and sings karaoke in front of a projection of SMPTE color bars. Homme, m...
Long before the outbreak, Gorillaz launched Song Machine, an ongoing audiovisual series featuring new music. The animated band led by Damon Albarn has since forged ahead by releasing singles each month, and on Tuesday, Gorillaz showcased one of them on Jimmy Kimmel Live. For the remotely broadcast TV performance, Albarn teamed up with 2-D to play Gorillaz’s latest single, “Aries”. As Kimmel noted in his introduction, it marked the first time Albarn has ever-performed a duet with one his animated bandmates. Watch below. The studio version of “Aries” features New Order’s Peter Hook and Georgia, and marks the third chapter in Gorillaz’s Song Machine series. Previously, they released “Momentary Bliss” featuring slowthai and Slaves, and Désolé” featuring Fatoumata Diawara. ...
In our new music feature Origins, bands give their listeners some insight into the inspirations behind their latest track. Today, Country Westerns explain why “I’m Not Ready”. For a full year, few had heard the music of Country Westerns besides the late David Berman. After all, Silver Jews drummer Brian Kotzur had started the project with The Weight/Gentleman Jesse’s Joey Plunkett as a way to play music pressure-free; performing for the indie icon was enough of an outlet. They’d tested the waters of Nashville’s DIY party scene, but otherwise kept things close to the garage. Once State Champion’s Sabrina Rush picked up bass for the first time and started playing with Country Westerns, however, it was Berman who encouraged them to take their sound wider. So off the trio went to New York, spe...
Like many musicians these days, Incubus frontman Brandon Boyd has been recording new material to pass the time in quarantine. Earlier this month, the veteran rocker put his own spin on Ricky and Morty song “Goodbye Moonmen”; now, Boyd has shared a cover of the 2012 Beach House single “Myth”. While Beach House’s Bloom original unfurled like a blanket of dream pop, the allure of Boyd’s rendition is found it in its simplicity. The Incubus leader croons across spare guitar strums, effectively turning the track into an aching acoustic rock ballad. Hear it below. Editors’ Picks For more of Incubus, fans may need to lean hard on Boyd’s surprise covers — at least for the next few months. This afternoon, the band announced on Facebook that it was officially canceling its US tour with 311...
Three years ago today the world lost Chris Cornell. In honor of the late and great frontman, fellow Soundgarden bandmate and Pearl Jam drummer Matt Cameron and The Pretty Reckless leader Taylor Momsen teamed up to cover “Halfway There”. The two musicians performed their collaborative rendition on video, broadcasting from their own respective quarantine spaces. Cameron primarily handled the guitar, while Momsen delivered a solemn yet strong vocal performance of Soundgarden’s 2012 King Animal track. Watch below. The Pretty and Reckless played an opening set for what would eventually be considered Cornell’s final live performance in 2017. In a recent interview with Kerrang!, Momsen said was she deeply affected by the deaths of Cornell, whom she considered a musical hero, and The Pretty R...
Jack White’s Third Man Records is making quarantine go by just a little bit faster thanks to its Public Access webcast program. The ongoing video series has been providing intimate at-home performances, book readings, and other exclusive content for those still cooped up indoors. For the latest hour-long installment, Thurston Moore and Alison Mosshart perform new material from their own respective lockdown spaces. For his contribution, Moore plays “mantra for d.a. levy”, a piece named after one of his favorite Beat writers. The visual is filmed by Moore’s partner Eva Prinz. This is just the latest new project from the Sonic Youth rocker, who in recent months has also released a new track with his Thurston Moore Group (“May Daze”), as well as with his Chelsea Light Moving members (“Sunday S...
When Matt Bellamy heard there was a secret chord, he knew he had to have it. In a recent interview with Guitar World, the Muse frontman revealed he purchased Jeff Buckley’s legendary 1993 blonde USA Fender Telecaster — the very guitar used to record Grace and his biggest hit ever, “Hallelujah” — with the intent of playing it on Muse’s next album. There’s no understating how moving Buckley’s legendary ballad is or the album it comes from, as “Hallelujah” is one of the most popular songs to cover off an album that continues to inspire artists 25 years later. Thankfully, Bellamy didn’t buy the guitar with the intent of framing it and idolizing it as the piece of music history that it is. Instead, he wants to continue using it to make art. “I’ve bought it to actually attempt to use it and inte...
Sharon Van Etten and Queens of the Stone Age’s Josh Homme have joined forces for a modernized rendition of the classic plea for harmony “(What’s So Funny ‘Bout) Peace, Love and Understanding”. But whereas Nick Lowe’s original and Elvis Costello’s popular cover layered hope with frustration, Van Etten and Homme’s take weighs heavier in the COVID-19 era. Theirs is a twangy, lamenting version, as if the lack of change between Lowe’s 1974 recording and the world in 2020 has only weighed down the lyrics. Still, darker though it may be, there is a tone of resilience in their voices as they harmonize on the lines, “So where are the strong?/ And who are the trusted?/ And where is the harmony?” After all, belief that things can and will be better is the only way we’re going to get through times lik...