The pair also teamed on the Paul Greengrass-directed The Bourne Supremacy (2004), United 93 (2006) and The Bourne Ultimatum (2007); three Ice Age films and two Rio films helmed by Carlos Saldanha; Happy Feet and Kung Fu movies; and The Adventures of Pluto Nash (2002), The Italian Job (2003), X-Men: The Last Stand (2006) and Solo: A Star Wars Story (2018), among other efforts. Thomas partnered with composer James Newton Howard on films including The Last Airbender (2010), The Bourne Legacy (2012) and installments of the Hunger Games, Fantastic Beasts and Maleficent franchises. More recently, he worked on Captain Marvel (2019), Dora and the Lost City of Gold (2019), The Call of the Wild (2020), The Eyes of Tammy Faye (2021) and Operation Mincemeat, set for release next year. He also wrote ar...
Latin music now represents a 5.8% share of the overall U.S. market with revenues hitting $407 million in the first half of 2021 — 96% of which came from streaming for $393 million. The genre’s growth has been rapid over the past few years: The genre’s revenue for the first half of 2019 was $250 million, and then jumped to $298 in the first half of 2020. Paid streaming subscriptions grew 41% to $279 million, while ad-supported on-demand streaming revenue increased 30% to $77 million. Revenues from digital and custom radio services also rebounded, growing 24% to $37 million after a slight decline in 2020. “It’s incredible to see continued double-digit growth in Latin music — outpacing the already strong performance we’ve seen across other music segments and catego...
“Following ongoing reports of systemic bullying, discrimination, and misconduct under Handlin’s leadership at Sony Music Entertainment,” reads a statement from Kris Stewart, CEO of QMusic, the organization “could not let this acknowledgement and celebration of Handlin’s career stand.” Those reports have been mounting-up in recent months, and reached a crescendo with the ABC’s Four Corners investigation, for which journalist Grace Tobin spoke with more than 100 current and ex-Sony Music employees as part of the broadcaster’s probe into bullying, discrimination and misconduct at the music giant. The report, notes QMusic’s Stewart, “laid bare the undeniable fact that the culture under Denis Handlin’s leadership at Sony came at significant human cost.” He continued, “toxic workplac...
It’s the outright leader on the midweek chart, and is outselling the rest of the Top 10 combined, according to the OCC. Fender’s set has a lead of 20,000 chart sales over his closest competitor, Drake’s Certified Lover Boy (OVO/Republic Records). Also impacting the Official Chart Update is Trivium, whose tenth album In The Court of the Dragon (Roadrunner) swoops in at No. 3. If it holds its course, Dragon will give the U.S. metal band their second U.K. Top 10 and a peak entry. Electronic artist James Blake could also net a career-best chart position with Friends That Break Your Heart (Polydor), new at No. 5. Based on midweek data, fresh sets from Johnny Flynn (Lost In Cedar Wood at No. 11 via Transgressive) and We Are Scientists (Huffy at No. 15 via 100 Percent Records) are eying Top...
Adele (No. 6) and Little Mix (No. 9) are the only homegrown artists to crack the list, while Rihanna (No. 4), Kylie Minogue (No. 8) and the late Whitney Houston (No. 10) also appear. PPL’s most-played list is based on exclusive music usage and airplay data from U.K. radio stations and television channels. The association’s library contains data for over 15 million recordings, and it receives usage data from licensees describing the music used across billions of seconds of airplay. Pink was already a star in the U.K. before she broke through in the mainstream of her homeland. In her career so far, she’s racked up 36 Top 40 hits in the U.K., including three No. 1s, for 2001’s “Lady Marmalade,” a collaboration with Christina Aguilera, Lil’ Kim and Mya; 2002’s “Just Like a Pil...
Implementing COVID-19 safety requirements “is the number one thing anyone can do to take care of those around them and we are encouraging as many shows as possible to adopt this model,” said Live Nation CEO Michael Rapino in a letter to staff in August. MusicWatch, which surveyed 753 active music listeners, also found that just 6% of respondents would not frequent a venue where there were COVID-19 safety requirements. Only 15% of fans said they would be comfortable with attendees using “common sense” regarding vaccination and masking requirements for indoor concerts. As general manager of Tipitina’s in New Orleans, Brian Greenberg told Billboard in August that implementing vaccine requirements for his venue was met with mixed reviews. ...
With their sixth No. 1, The Script join an elite club of rock bands that includes Arctic Monkeys, Genesis, Pink Floyd, Kings Of Leon, Radiohead, Blur and Muse. The Specials blast in at No. 2 with Protest Songs 1924-2012 (Island), for the ska legends’ fifth U.K. Top 10 album, while Queen drummer Roger Taylor hits his first solo U.K. Top 10 with his sixth record Outsider (EMI), new at No. 3. Also new to the current frame is Tony Bennett and Lady Gaga’s sophomore duets effort, Love For Sale (Interscope), debuting No. 6. Hans Zimmer cuts a slice of history with his soundtrack to the new James Bond film No Time To Die (Decca). The album bows at No. 7 on the weekly chart, to become the highest-charting Bond title in the franchise’s history. The LP’s title track, led by Billie Eilish and featurin...
The new controls were outlined on Sunday by Nick Clegg, Facebook’s vice president for global affairs, who made the rounds on various Sunday news shows including CNN’s “State of the Union” and ABC’s “This Week with George Stephanopoulos” where he was grilled about Facebook’s use of algorithms as well as its role in spreading harmful misinformation ahead of the Jan. 6 Capitol riots. “We are constantly iterating in order to improve our products,” Clegg told Dana Bash on “State of the Union” Sunday. “We cannot, with a wave of the wand, make everyone’s life perfect. What we can do is improve our products, so that our products are as safe and as enjoyable to use.” Clegg said that Facebook has invested $13 billion over the past few years in making sure to keep the platform safe and that the compa...
The highest-placed debut this week belongs to homegrown band Rancid Eddie, whose controversial song “Dry” (Independent) starts at No. 17. “Dry” has been a hot talking point in Australia’s music press throughout the week, with some artists and observers slamming its lyrical content as harmful and misogynistic. The band responded with a statement in which its members admitted to exploring “the dark sides of relationships in our lyrics” though “oppose hatred or violence of any kind against women.” Over on the ARIA Albums Chart, Drake’s Certified Lover Boy (Universal) returns to No. 1 for a third non-consecutive week at the top, equaling Scorpion (July 2018) as the Canadian rapper’s longest stint at the penthouse. Meanwhile, Taylor Swi...
A source tells Billboard the shift is in large part “because the creative community is in Los Angeles, including artist managers.” RCA had no official comment. With RCA employees still working from home during the pandemic, a source says there is no word on if there will be more shifts from the East to West coast. Mark Pitts, who was upped to president earlier this year, is based in New York. The company announced a number of other changes today, naming Jamie Abzug senior vp/head of publicity. Based in Los Angeles, she replaces Mika El-Baz, who holds the dual title of executive vp West Coast/ executive vp, publicity. El Baz is leaving at the end of this month, as is senior vp publicity Sarah Weinstein Dennison, who is based in New York. Both El-Baz and Weinstein Dennison have been with the...
The 30-year-old Regional Mexican star, who has penned over 100 songs for artists such as Alejandro Fernandez, Banda MS, and Natti Natasha, made history at the 2016 Premio ASCAP as the youngest person ever to win songwriter of the year. He nabbed the title in 2017 and 2018. On the Billboard charts, Favela has entered Hot Latin Songs, Latin Airplay, Top Latin Albums, Regional Mexican Albums, and Regional Mexican Airplay, where he has five top 10’s. “When my love for music started I never thought that I’d get to spend my life writing songs,” he said. “I’m continuously surprised by the beautiful things that happen to me, and joining the Warner Chappell family is one of them. I’m grateful for the songs that life has given me, but I’m even more grateful for the ones ...
Based in Los Angeles, Perez joined the company from Sony Music in February 2014, where she served as VP, music for brands & advertising/licensing and, before that, as senior director, soundtracks, film & TV music at RCA. “Over the past couple of years,” comments Hubert, “Jeannette has played a key part in Kobalt’s success. From creating one of the best synch teams in the business to advancing key DEI initiatives at Kobalt, she is an integral part of the company. I am excited to work in close partnership with her and to achieve new milestones for our clients.” Perez has racked up awards during her time with Kobalt, including recognition in Billboard’s Women in Music (2020, 2019), Billboard Branding Power Player (2019, 2018), Billboard International Power Play...