business
What’s a Livestream Worth?
How much is that concert in the computer window? Six months into the pandemic, here’s how artists are experimenting with pricing to see what consumers will pay. In April, Dutch DJ Oliver Heldens cruised the canals of Amsterdam in an open-air boat outfitted with turntables, blasting a set of future house music that was streamed on YouTube. The spectacle cost between $5,000 and $10,000 to produce, but Heldens made it free for viewers. He thought of it as a marketing expense to stay in fans’ minds as coronavirus lockdowns became the norm around the world, his manager, Dave Frank, tells Billboard. In the five months since, livestreamed concerts are slowly becoming a source of revenue, as well as promotion. These days, Frank, of management firm Milk & Honey, gets several livestream offers a...
Choosing A Livestream Platform: A Guide For Artists And Managers
The New Livestreaming Landscape Here’s how the leading livestream platforms stack up on revenue split, merch integration and more key variables for artists. When the coronavirus shut down the live industry, artists had no choice but to cancel or postpone their tours. Now they face an overwhelming range of choices as dozens of livestream platforms compete to be the next big virtual stage. Many of these livestream companies launched amid the pandemic, while new services are debuting on an almost weekly basis. They have much in common and are sometimes difficult to tell apart, but employ a variety of business models — including pay-per-view ticketing, sponsorship and virtual tipping. To help artists make an educated decision about which platform to use to reach their fans — or collect new one...
If You Stream It, Will They Come? Inside The Livestream Boom
Sessions founder Tim Westergren estimates the market for virtual concerts is worth $1 billion with the potential to grow to “tens of billions” in just a few years, but can that rate of expansion continue when actual live shows resume? At a 2007 Los Angeles music industry function, Ray Smith was pitching his new company, BE-AT.TV, to a high-ranking Live Nation executive. The business was focused on livestreaming electronic music festivals like Tomorrowland and Ultra Music Festival, and Smith says the executive’s reaction was not as he had hoped: “He was like, ‘Who the hell is going to sit at home and watch a bunch of kids partying on a laptop?'” Thirteen years and a global pandemic later, millions of music fans worldwide are doing just that, and Smith’s newly rebranded BeA...
The Killers Rule Australia’s Albums Chart With ‘Imploding The Mirage’
The Killers are kings of the Australian albums chart as Imploding The Mirage (Island/Universal) debuts at No. 1, while Cardi B, Megan Thee Stallion and BTS flex up on the national singles chart. With Mirage, the Las Vegas alternative rock outfit earn a third No. 1 on the ARIA chart and an eighth Top 10 album in Australia. It’s the followup to their 2017, chart-topping set Wonderful Wonderful. Mirage also blasts to No. 1 in the U.K. with 50,000 first-week chart sales. Aussie pop artist Troye Sivan returns with his In A Dream EP (via EMI), new at No. 3. The six-track set is Sivan’s first title to hit the ARIA Albums Chart since his sophomore album Bloom, which peaked at No. 3 in September 2018. Also new to the Top 10 this week is Cannot Buy My Soul: The Songs Of Kev Carmody (EMI),...
Cardi B and Megan Thee Stallion’s ‘WAP’ Takes Slim Lead In U.K. Chart Race
It’s early days, but the U.K. chart race is shaping as a classic. Cardi B and Megan Thee Stallion’s “WAP” (Atlantic) is fast out the gate. The hip-hop track takes top spot on the Official Chart: First Look, which gauges the hottest hits following the weekend’s sales and streaming activity. Cardi and Megan won’t be popping the champagne corks just yet. Their tune is just 80 chart sales ahead of Joel Corry and MNEK’s “Head & Heart” (Asylum/Perfect Havoc), which has ruled the weekly chart for six cycles. “WAP” bowed at No. 4 earlier this month, logged two weeks at No. 2 but has never hit the summit. In other chart news, U.S. rapper and singer 24kGoldn is poised for his first U.K. Top 10 single with “Mood” (Black Butter) featuring Iann Dior. Powered by viral videos on TikTok, it’s up...
US Music Venues Will Light Up Red on Sept. 1 to Demand Passage of The Restart Act
Music venues across the U.S. will bathe their facilities in red light on Tuesday evening to encourage Congress to pass the Restart Act, which would provide much-needed assistance for millions of Americans who have lost income due to the pandemic. Spearheaded by the #WeMakeEvents coalition, the #RedAlertRESTART campaign seeks to bring awareness to the dire situation live music faces if Capitol Hill does not supply support for venues that have been shuttered since mid-March in order to slow the spread of COVID-19. From 9 p.m. to 12 a.m. PST on Tuesday night, music venues nationwide will be lit red to highlight that the live events industry is on red alert for its survival. The campaign is also coming out in support of ExtendPUA.org, which is lobbying for the continuation ...
The 13 Best Things That Happened in Music This Week (August 28)
If you’re just waking up on this glorious Friday, you’re about to discover what much of Twitter already knows: Selena Gomez and Blackpink’s epic new collaboration “Ice Cream” has arrived. We know what we’ll be doing for the next few days: “Ice cream chillin’, chillin’, ice cream chillin’!” Plus, we’re heading into VMAs weekend, and you can brush up on your music video history ahead of the big night by checking out our list of the 100 greatest music video artists of all time. Take a look at all of that — and more of the week’s biggest music happenings — below. Taylor Swift’s Folklore ruled for a fourth week Swift’s latest set topped the Billboard 200 chart once again, with 101,000 equivalent album units earned in the U.S. in the week ending Aug. 20. Billboard’s...
Like Betty White and Fine Wine, SiriusXM Host Jeannie Seely Gets Better With Age
Were COVID-19 not in the way, Jeannie Seely would have held court at the SOURCE Awards on Aug. 25, co-hosting an event that celebrates the women who are instrumental in the growth of Nashville’s music business. Seely would’ve swapped jokes and one-liners with Brenda Lee about height and aging, likely with a little sexual innuendo thrown in to keep the crowd laughing, handling the spotlight at age 80 as well as she ever has in over 50 years as a Music City artist. Seely has been a Grand Ole Opry member since 1967, the same year that she won a Grammy for her signature song, “Don’t Touch Me.” But her comfort and command of the stage have her living out her golden years as a veritable golden girl, country’s version of Betty White. “IR...
Kaduna maize farmers decry delay in supply of fertiliser, other farm inputs
File Photo Maize farmers under the aegis of Maize Growers, Processors and Marketers Association of Nigeria (MAGPAMAN) in Kaduna state, have decried the late distribution of seeds, chemicals, and other components of the EcoBank/MAGPMAN Anchor Borrowers Scheme. The farmers made this known during the stakeholders’ review meeting of 2020 wet season EcoBank/MAGPMAN Anchor Borrowers Scheme on Thursday in Zaria. Newsmen recall that on June 20, MAGPAMAN inaugurated the distribution of N644.99 million farming inputs to 3,535 members in the state for the 2020 wet season farming. The state Chairman of the association, Alhaji Lawal-Maishanu Gazara said the review meeting was aimed at evaluating the challenges of the scheme with a view to finding lasting solutions to the identified challenges. The chai...
RBD’s Catalog Coming Soon to All Streaming Platforms
When RBD performed their last concert on Dec. 22, 2008 in Madrid, the world said goodbye to a Mexican band that became an unstoppable force, thanks to their hit telenovela Rebelde and a series of coming-of-age pop anthems featuring members Anahí, Alfonso Herrera, Dulce María, Christian Chavez, Maite Perroni and Christopher von Uckermann. The group’s music has been hard to find as well, given its absence on streaming services. You could consider yourself lucky if you had a physical copy of one of their chart-topping albums or had attended one of their sold-out concerts around the world. But 12 years later, RBD’s catalog is set to be made available across all digital streaming platforms as of midnight Sept. 4. Why the catalog wasn’t available before is a complex story ...
With 100 Million U.S. Subscribers, Streaming Services Declare: ‘We Are Fully Part of This Industry’
The topline stats in the new “Streaming Forward” report from trade group the Digital Media Association (DiMA) are reason enough to sit up and notice. By the end of 2019, there were 99 million active streaming subscribers — procured from 87.5 million paid users — in the U.S. alone. And over the previous two years, paid subs jumped 74.6% and revenue rose 57.7%, fueling optimism for a long-suffering industry and turning streaming services, labels and publishers into hot investments. It’s no wonder Spotify’s stock is soaring and Warner Music Group had a successful IPO in the pandemic’s early days. Streaming has made music hot again. But the 43-page report, conducted by MiDIA Research for DiMA, begs the question on why they would fund such a market research study. ...
Mexican Singer-Songwriter Silvana Estrada Becomes First Latin Artist Signed to Glassnote Records: Exclusive
Mexican singer-songwriter Silvana Estrada has become the first Latin artist signed to Glassnote Records, Billboard can confirm. Joining the indie label’s roster, which includes award-winning artists like Phoenix and Mumford & Sons, the artist-to-watch signed with Glassnote following a quick visit to New York back in February. “After meeting the team, and a spontaneous performance, both parties left mesmerized,” according to a statement issued by Glassnote. “She officially joined the Glassnote family shortly after.” Born and raised in Veracruz, Mexico and inspired by artists like Billie Holiday and Sarah Vaughan, Estrada began her musical career at a young age experimenting with different instruments — both her parents were luthiers. “My music i...
