A new Eddie Van Halen coffee-table photo book by renowned rock photographer Ross Halfin is arriving in June via Rufus Publications. The 356-page book, titled Edward Van Halen, will retrace the career of the late guitar legend through the lens of one of rock’s most storied photogs. Halfin’s photo credit can be spotted next to some of the most iconic images in the genre’s history, having also worked with Black Sabbath, Metallica, and more over the years. Like with many of the great band’s of their era, Van Halen were often the subject of Halfin’s visual documentation. His shots of the group are the definitive images of their career, and the pictures of Eddie perfectly captured the virtuoso’s kinetic guitar skills on film. According to the publisher, the book includes classic and unseen photo...
Slash co-conspirator and Alter Bridge singer Myles Kennedy has announced his second solo album, The Ides of March, due out May 14th. In anticipation, Kennedy has shared the lead single, “In Stride”. The Ides of March follows Kennedy’s debut solo effort, 2018’s Year of the Tiger. The singer-guitarist first told Heavy Consequence about the new album in our interview last year, where he revealed “a lot of it is blues-based.” The single “In Stride” definitely has some bluesy elements, with a bit of a country-rock tinge. Throughout the song, Kennedy’s soulful voice is front and center. The single’s chorus of “take it all in stride” could be considered Kennedy’s advice for coping with the pandemic, as he wrote the lyrics during the panic of the first wave of lockdowns. “Chill out. That pretty mu...
Having owned 2020 and conquered Dave Grohl in an epic drum battle, 10-year-old Nandi Bushell has now set her sights on the Mount Rushmore of rock drummers. Her latest YouTube video sees her dedicating a drum cover of The Who classic “My Generation” to the late, great Keith Moon. Moon is in the pantheon of drumming gods along with the likes of Led Zeppelin’s John Bonham and Rush’s Neil Peart, among others, but that didn’t stop young Nandi from tackling the iconic Who song. As she’s shown us in her previous videos, she’s incredibly talented. What’s more, she’s a bundle of energy and joy behind the kit. “My Generation” is a fitting choice for Nandi, as she represents a new generation of young rockers. It was also, in many ways, one of the first punk songs before punk rock was even a thing — w...
Last November, Bruce Springsteen was arrested and cited for a DWI, reckless driving, and consuming alcohol in a closed area. However, new information reveals that his blood-alcohol content at the time of the arrest was just 0.02 — a quarter of the legal limit in New Jersey. Springsteen was detained on November 14th at Gateway National Recreation Area, a federal park in New Jersey. According to the Asbury Park Press, a source familiar with the case confirmed that Springsteen’s BAC was nowhere near the number needed to be arrested. In all states except for Utah, it is illegal for anyone 21 years or older to operate a vehicle with a BAC of 0.08 or higher. A BAC level of 0.02, which Springsteen had, is “the lowest level of intoxication” that can impact the brain, resulting in a slightly a...
It’s Super Bowl Sunday in the United States, but in the UK it’s another super “Sunday Lunch” with Robert Fripp and Toyah. This time around, the King Crimson guitarist and his singer wife have a little fun with the Jimi Hendrix Experience classic “Purple Haze”, incorporating rock’s most famous misheard lyric into their performance. As she did last week for “I Love Rock ‘n’ Roll”, Toyah straps on a guitar for the Hendrix song. While Fripp is considered one of rock’s most innovative guitarists, Toyah is no Jimi Hendrix … or Robert Fripp, for that matter. But this is not an exercise in guitar histrionics, it’s an amusing take on an iconic rock song. Compared to their recent “Sunday Lunch” covers, their take on “Purple Haze” is rather subdued, both in physicality and Toyah’s attire. Where it ge...
The holidays are over, but the Neil Young Archives is the gift that keeps on giving. Young has announced a pair of projects centered around his 1982 album Trans. The first is the unreleased LP Johnny’s Island, recorded with the Trans band in 1982, and the second is a new film entitled Trans: The Animated Story. Trans was a significant departure from Young’s folk-inflected rock, and its release became one of the more controversial moments in his career. With synthesizers and heavy doses of vocoder, it was inspired by the robopop of Kraftwerk as well as his own attempts to communicate with his nonverbal son, Ben. Many fans hated it, and Geffen Records sued Young for not sounding like himself. Almost 40 years later, time has dulled some of the sharper takes, and while few would...
This review is part of our Sundance 2021 coverage. The Pitch: Sparks has been around for just shy of 50 years, and have influenced just about every major pop act since the 1970s –from New Order to Weird Al Yankovic. They’re one of the greatest bands of all time, but you probably haven’t heard of them. That is, of course, unless you’re Edgar Wright, pop culture vagabond and Sparks superfan, who brings his giddy, high-tilt cinematic energy to a two-and-a-half-hour chronicle of two California-born brothers who made it to the top of the pop charts, and have spent the last several decades reinventing themselves with every new album and experimentation. Along the way, he talks to artists and fans who’ve grown up with their work (Jason Schwartzman, Amy Sherman-Palladino, Fred Armisen), and i...
This review is part of our Sundance 2021 coverage. The Pitch: In 1969, the same summer as Woodstock, a different music festival played just 100 miles away in Harlem. It was the third annual Harlem Culture Festival, a weeks-long celebration of soul, Motown, blues, and gospel where nearly 300,000 people gathered and celebrated the sounds of Stevie Wonder, Mavis Staples, Nina Simone, and a host of other Black artists at the time. But the festival was more than, as it would be haphazardly marketed, the “Black Woodstock”. It was a nexus around which so many facets of Black life at the time would intersect, from Afrocentrism to the Black Panthers (who would provide security for the event) to the renewed reclaiming of the word “Black” to identify themselves in print and in person. The music ...