Column
Beyond the Boys’ Club: Orianthi
Beyond the Boys’ Club is a monthly column from journalist and radio host Anne Erickson, focusing on women in the heavy music genres, as they offer their perspectives on the music industry and discuss their personal experiences. This month’s piece features an interview with acclaimed guitarist Orianthi. Australian guitarist, singer, and songwriter Orianthi has performed with some of the biggest acts in the world, from Michael Jackson to Alice Cooper. Back in 2009, Orianthi was knee-deep into rehearsals for Michael Jackson’s “This Is It” tour, but sadly, Jackson passed away before the tour could come to fruition. That same year, she scored a solo hit with “According to You”, and she went on to join Alice Cooper’s band for two world tours. Now, Orianthi keeps busy with her own solo music and ...
Mining Metal: Cobra Spell (Premiere), Atramentus, Humavoid, Krallice, Necrot, Nug, Question, and Terminal Nation
“Mining Metal” is a monthly column from Heavy Consequence writers Joseph Schafer and Langdon Hickman. The focus is on noteworthy new music emerging from the non-mainstream metal scene, highlighting releases from small and independent labels — or even releases from unsigned acts. As I’m writing this, the metal underground is still reeling from the unexpected passing of Riley Gale, vocalist for Texas thrashers Power Trip. Gale was known for his unabashedly political lyrics, charismatic live performances, and interpersonal messages of kindness. The underground will be feeling his loss for some time. I first heard Power Trip a few days after publishing an essay on Invisible Oranges declaring the post-Municipal Waste thrash revival dead. Power Trip’s debut album, Manifest Decimation rendered my...
Heavy Culture: Musicians on Protests, Power, and the Pandemic
Clockwise from Upper Left: Skin, Rasheed Thomas, William DuVall, Cammie Gilbert, Elias Soriano, Militia Vox, AJ Channer, Prika Amaral Heavy Culture is a monthly column from journalist Liz Ramanand, focusing on artists of different cultural backgrounds in heavy music as they offer their perspectives on race, society, and more as it intersects with and affects their music. The latest installment of this column features multiple rock and metal musicians recounting their early experiences of racism. The year 2020 will go down as one of the most difficult and memorable in the history of the world. As a global pandemic continues to wreak havoc on the physical and economic health of countries across the world, protests for justice and equality have led to notable progress in the battle again...
Heavy Culture: Rock Musicians on What It Means to Be Black in America in 2020
Clockwise from Upper Left: Vincent Price, WIlliam DuVall, Cammie Gilbert, AJ Channer, Skin, Rasheed Thomas Heavy Culture is a monthly column from journalist Liz Ramanand, focusing on artists of different cultural backgrounds in heavy music as they offer their perspectives on race, society, and more as it intersects with and affects their music. The latest installment of this column features multiple rock and metal musicians recounting their early experiences of racism. The death of George Floyd while in police custody earlier this year has had a profound impact on the nation and the world. In recent months, people from all walks of life have joined together to protest injustice that Black Americans have been facing for ages. In last month’s installment of “Heavy Culture”, several musicians...
Mining Metal: Ara, Cryptic Shift, Goden, Lascar, Mekong Delta, Oozing Wound, Patrons of the Rotting Gate, Xibalba
“Mining Metal” is a monthly column from Heavy Consequence writers Joseph Schafer and Langdon Hickman. The focus is on noteworthy new music emerging from the non-mainstream metal scene, highlighting releases from small and independent labels — or even releases from unsigned acts. This month’s mining metal veers away from the traditional and toward the esoteric. Due to the ongoing COVID-19 pandemic, many labels have postponed hotly awaited releases for months or indefinitely. Because of this, bands not beholden to (or resistant to) commercial scheduling take the lead — Chilean black metal and Irish progressive deathcore, both the passion projects of independent musicians, lead the pack here. Musicians with long histories on the fringes take center stage, such as German neoclassical thrashers...
Beyond the Boys’ Club: Maria Brink of In This Moment
Beyond the Boys’ Club is a monthly column from journalist and radio host Anne Erickson, focusing on women in the heavy music genres, as they offer their perspectives on the music industry and discuss their personal experiences. This month’s piece features an interview with Maria Brink of In This Moment. In This Moment reinvent themselves from album to album, so it’s no surprise that the band’s latest record, Mother, has a fresh style and feel. Their previous LP, 2017’s Ritual, was a concept album of sorts, centering around the Salem Witch Trials. Mother is a deeply personal and serious album lyrically, with solid rock riffing, experimental electronics, and singer Maria Brink’s soulful vocals. Mother was released in the midst of the COVID-19 pandemic, with the band choosing not to postpone ...
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