Cover Song
Robert Fripp (in Mask) and Toyah (in Barely Anything) Perform Slipknot’s “Psychosocial”: Watch
Who knew that Robert Fripp and Toyah Willcox were a couple of Maggots? For their latest “Sunday Lunch” performance, the King Crimson guitarist and his singer wife take on Slipknot’s “Psychosocial,” offering up quite the visual in doing so. Maggots, for those not in the know, is the affectionate term for Slipknot fans, and it’s clear that Robert and Toyah have some love for the masked Iowa band. Robert is even wearing an era-appropriate Corey Taylor mask from Slipknot’s touring cycle for 2008’s All Hope Is Gone album, on which “Psychosocial” appears. Toyah, of course, is wearing barely anything — a sheer red wrap over heart-shaped pasties. She enhances her performance by whipping out … a handheld blender! Advertisement Related Video The Slipknot cover follows up recent performances of Ramms...
“Weird Al” Yankovic Covers “Peaches” with Chris Ballew of The Presidents of the USA: Watch
“Weird Al” Yankovic brought out The Presidents of the United States of America frontman Chris Ballew on Tuesday night at the Seattle stop for his ongoing 2022 tour to perform the hometown band’s breakout 1996 hit, “Peaches.” Yankovic kicked off the cover in earnest, taking on the country-tinged introduction and grunge-edged verses by himself before a familiar falsetto preceded Ballew’s stage entrance. The seated Yankovic feigned surprise as Ballew snuck behind him and tapped his shoulder, then the pair launched into the song’s “millions of peaches” sing-along refrain. They jumped together in time, swayed with their hands up, and even threw in some high-kick heroics to cap the performance. Watch Yankovic’s own captured footage release below. The show is part of Yankovic’s “The Unfortunate R...
Toyah Wears Only Gold Leaf and Paint as She and Robert Fripp Perform Foo Fighters’ “All My Life”: Watch
Toyah Willcox keeps coming up with new eye-catching outfits, or lack thereof, for her “Sunday Lunch” performances with husband Robert Fripp. In the very colorful latest edition of the weekly series, Toyah wears nothing but gold leaf while pouring paint on herself as she sings Foo Fighters’ “All My Life.” As King Crimson guitarist Fripp plays the recognizable riff from Foo Fighters’ hit off 2002’s One by One, Toyah starts squirting paint on her gold-leafed chest, never missing a beat as she sings the song’s verse and chorus. Coincidentally, Robert and Toyah’s “All My Life” performance comes on the same weekend that Dave Grohl joined Paul McCartney onstage at the UK’s Glastonbury festival, marking the first time the Foo Fighters frontman has performed live since the tragic passing of drummer...
Robert Fripp and Toyah Take on Rage Against the Machine’s “Killing in the Name”: Watch
Even Robert Fripp and Toyah Willcox are psyched for Rage Against the Machine’s long-awaited reunion tour. The married musical couple take on “Killing in the Name” for their latest “Sunday Lunch” performance, which comes less than a month from the kickoff of RATM’s first tour in more than a decade. A few days ago, RATM themselves got us pumped up for the tour by posting a new rehearsal clip of the band performing “War Within a Breath.” The tour launches July 9th in East Troy, Wisconsin, with tickets available here. Now, King Crimson guitarist Fripp and his singer wife, Toyah, are jumping on the RATM train with a rendition of the classic “Killing in the Name.” In the clip, Toyah wears a sheer top with heart-shaped pasties, as she gradually smears red paint over her stomach and arms. Advertis...
Florence + the Machine Cover John Lennon’s “Jealous Guy” for SiriusXM: Stream
Florence + the Machine swung by the SiriusXM studios recently to cover the John Lennon classic “Jealous Guy.” Stream the performance below. During the session, Florence Welch and her band imbue the 1971 single with a dreamy, acoustic quality as she plays with the melody and warbles, “I was dreaming of the past/ And my heart was beating fast/ I began to lose control/ I began to lose control/ I didn’t mean to hurt you/ I’m sorry that I made you cry/ Oh no, I didn’t want to hurt you/ I’m just a jealous guy.” The former Beatle first recorded the track in 1971 as an album cut for his sophomore solo offering Imagine, but it became a belated hit a decade later when Roxy Music crafter their own version of the song as a tribute to the fallen singer upon his 1980 death. Advertisement Related Video A...
Jeff Tweedy Covers Angel Olsen’s “Big Time”: Stream
Jeff Tweedy has offered up his take on Angel Olsen‘s “Big Time.” The Wilco frontman released the cover on his Substack, Starship Casual, writing, “Here’s a song I learned from Angel Olsen’s new record that came out TODAY! Normally I put songs behind the paywall, but this album is brand-new and lovely, and I want everyone with ears to hear it” alongside a number of pictures of himself, Olsen, and her band. “And I’m losing, I’m losing, I’ve left it behind/ Guess I had to be losing to get here on time/ And I’m living, I’m loving, I’ve loved long before/ And I’m loving you big time, I’m loving you more,” he crooned on the song’s country-tinged chorus over simple acoustic guitar. Upon hearing the cover, Olsen had nothing but good things to say, tweeting, “Jeff!!! Covering ‘Big Time’! I owe you ...
Tame Impala Covers The Strokes’ “Last Nite” at Primavera Sound: Watch
After a member of The Strokes tested positive for COVID-19, the band was forced to postpone its appearance at Primavera Sound this weekend. To help fill the void, Tame Impala covered “Last Nite” during their own headlining set on Friday night. Watch fan-captured footage below. The Strokes were originally set to headline Primavera Sound on Saturday, but were forced to postpone their appearance until next weekend due to “an ongoing positive COVID-19 case in the band.” (The Strokes were also forced to scrap last weekend’s set at Boston Calling; they were replaced by Nine Inch Nails at the last minute.) As of now, The Strokes are set to play Primavera Sound on Saturday, June 10th. They’re also confirmed to play Los Angeles’ This Ain’t No Picnic in September. Advertisement Editor’s Note: Visit ...
Robert Fripp and Plastic-Wrapped Toyah Perform Radiohead’s “Creep”: Watch
King Crimson guitarist Robert Fripp and his singer wife, Toyah Willcox, treat fans to a revealing rendition of Radiohead’s “Creep” for their latest “Sunday Lunch” performance. Toyah sports nothing but plastic food wrap and strategically placed photos of Fripp, as she sings the alt-rock classic. With a “Fripp’s a Creep” sign mounted on the kitchen cabinets behind them, the married couple take on Radiohead’s breakthrough hit with their usual frisky approach. Toyah leaves little the imagination as she sings the uncensored version of the song. In fact, the only censoring in the whole clip are those aforementioned pics of Fripp. So “f**kin’ special,” indeed! Fripp and Willcox have been entertaining fans nearly every Sunday for most of the pandemic with their ongoing series of cover songs. The p...
Portugal. The Man Cover Sublime’s “Santeria”: Stream
Portugal. The Man have released their take on Sublime’s classic single “Santeria,” exclusively on Amazon Music. Stream the cover below. On the track, PTM transforms the band’s reggae-tinged ska hit into a string-laden piano ballad as percussionist Zoe Manville warbles, “I don’t practice Santeria, I ain’t got no crystal ball/ I had a million dollars but I, I’d spend it all/ If I could find that Heina and that Sancho that she found/ I’d pop a cap in Sancho and I’d slap her down/ What I really want to know, my baby/ What I really want to say, I can’t define/ Well it’s love that I need, oh, my soul will have to…” “The timing couldn’t have been better,” guitarist Eric Howk said in a statement. “As we were working on several ’90s covers for Brain Dead Radio, we got a call to perform in support o...
All That Jazz: Watch Nandi Bushell Play Guitar, Bass, Drums and Saxophone on John Coltrane Cover
As she approaches her 12th birthday, Nandi Bushell continues to challenge herself musically. Her latest effort finds the British wunderkind tackling jazz, as she plays four instruments while covering John Coltrane’s “Mr. P.C.” Nandi, whom Consequence named its 2021 Rookie of the Year, has already proven that she can master rock and metal classics, recently taking on complex tunes like Rush’s “Tom Sawyer” and Tool’s “Forty Six & 2.” Now, she ventures into jazz, playing guitar, bass, drums and saxophone (!) on the classic Coltrane composition. The youngster impressively handles each instrument, performing like a seasoned jazz club veteran. Advertisement In the YouTube description, Nandi described the challenge of playing the Coltrane tune: “Next stop on my Musical Quest! #Jazz – This is ...
Yikes! Machine Gun Kelly Unwisely Covers System of a Down’s “Aerials”: Watch
Either Machine Gun Kelly is trying desperately to alienate himself from metalheads, or is just trolling all of us. First, he insulted Slipknot, and now he’s butchered a cover of System of a Down’s “Aerials.” The rapper turned pop-punk singer was a guest on The Howard Stern Show this week. For some odd reason, MGK thought it would be a good idea for him and his band to perform the System of a Down track as part of his visit. It’s no easy task for any singer to match Serj Tankian’s soaring operatic vocals, let alone one who’s range is limited like MGK. While his backing band did an admirable job on the instrumentation of the Toxicity song, MGK’s singing was rough right from the first note, and sounded like one continuous vocal strain throughout the entire performance. Seriously, if you can v...
Contestant on The Voice France Performs Obnoxious Rendition of Nirvana’s “Come As You Are”: Watch
A contestant on a recent episode of France’s edition of The Voice performed an obnoxious rendition of the Nirvana classic “Come As You Are” for his blind audition, but somehow got two of the judges to turn their chairs around. First off, unless there’s something lost in translation, we’re pretty sure that Stephen Di Tordo starts the performance by saying “Let’s f**k” into the microphone — leaving a confused look on the judges’ faces. From there, the opening verse sounds a little rough as Di Tordo delivers Kurt Cobain’s lyrics in a low tone. However, when he kicks into his upper register around 45 seconds into the performance, it impresses two of the judges, who promptly hit their buttons to turn their chairs around. Advertisement Related Video Then it gets really awkward, as Di Tordo gyrat...
