This review was originally part of our coverage of the 2020 Toronto International Film Festival . The Pitch: Pregnant couple Sean (Shia LaBeouf) and Martha (Vanessa Kirby) go through a dangerous labor with a new midwife, Eva (Molly Parker), only for the worst possible outcome to occur. In the months that follow, they each process their grief and anger in different ways. Meanwhile, Martha’s mother, Elizabeth (Ellen Burstyn), pushes for legal justice that may or may not offer the closure that the family needs. Labour Pains: When people discuss Kornél Mundruczó’s Pieces of a Woman, the discussion will inevitably be broken into two parts. Most will focus on the film’s first 33 minutes, which takes place entirely on September 17th and follows – in one long, mostly uninterrupted take – the night...
Ghanaian soldiers intervened overnight to quell a clash between opposing parties in parliament ahead of the body’s swearing-in set for Thursday. Chaotic scenes erupted after a ruling party deputy tried to seize the ballot box during the vote for parliament speaker. The ensuing clash lasted several hours until the army stepped in, with national television broadcasting the drama live. “There was total breakdown of law and order,” said MP-elect Kwame Twumasi Ampofo of the opposition National Democratic Congress. “Looking at a member of parliament and a minister of state snatching ballot papers… was so shameful.” The new parliament will be virtually split down the middle between the two main parties, posing the risk of gridlock with key issues on the agenda including how to turn around an econ...
A band of President Donald Trump’s Republican allies planned a last-ditch effort on Wednesday to undo his election loss to Democrat Joe Biden, a bid almost certain to fail that comes on the same day their party is poised to lose its majority in the Senate. The Republican-led Senate and Democratic-controlled House of Representatives were due to meet to formally certify Biden’s victory in the Nov. 3 election in proceedings that could stretch past midnight. In a joint session of Congress, Trump’s allies plan to challenge the results from a handful of states won by Biden. Thousands of pro-Trump protesters converged on Washington ahead of the session at his urging. Some clashed with police overnight. Biden won the election by a 306-232 count in the state-by-state Electoral College and by a marg...
The Pitch: Mads Mikkelsen goes all-in for alcohol consumption in Thomas Vinterberg’s Another Round (Druk), arguably the most generous film about drinking in recent memory. Sure, it’s a far-flung premise: Four academic buds decide to take a sip of Norwegian psychiatrist Finn Skårderud’s real-life hypothesis that human beings are born with a blood alcohol level that is 0.05 percent too low. In the US, a .08 is considered too drunk to drive. But .02, or a variable amount of alcohol based on individual physiology, can lead to lost focus and skill, he postulates. Skårderud’s big idea? When you’re a bit tipsy, you’re also on top. That’s to say you’re looser, more spontaneous, even inspired. Obviously he’s never binged, ignores addiction, and has likely never admitted to an excruciating hangover....
The Pitch: By definition, the word value means “the regard that something is held to deserve; the importance, worth, or usefulness of something.” A person’s value, however, is most often overlooked, under-appreciated or even unknown. To understand one’s worth is a unique ability that not many possess – that attribute alone can change the trajectory of an individual’s life, drastically. Ma Rainey’s Black Bottom digs deep into the core of one of America’s most beautiful artforms, during a time where segregation and racial oppression escalated across the country. Based on August Wilson’s Broadway play, Ma Rainey’s Black Bottom chronicles an emotional recording session housed within a Chicago studio in 1927. Along with a string of talented actors, George C. Wolfe’s direction explores the dicho...
The Pitch: Cassie (Carey Mulligan) was once a promising young woman in medical school, along with her best friend, Nina. When a traumatic event involving Nina resulted in her suicide, it left Cassie jaded and enraged at the system that would protect those that hurt her best friend. Because of this, Cassie dropped out of med school, took on a dead-end job at a coffee shop, and now spends her evenings dismantling the system one “Nice Guy” at a time. However, her plans for ruthless vengeance alter when she crosses paths with former classmate Ryan (Bo Burnham). “Toxic”: Writer and director Emerald Fennell’s auspicious feature debut serves as a scathing critique of rape culture and the privilege that protects it. To make the medicine go down easier, Fennell uses a bubble gum pop aesthetic, an e...
The Sundance Film Festival will continue in 2021 and returns with a new upgrade amidst the ensuing pandemic. For the first time ever, the entire festival will take place digitally through “a feature-rich, Sundance-built online platform” in conjunction with in-person festivities that will air through Satellite Screens across the country from January 28th to February 3rd, 2021 “Togetherness has been an animating principle here at the Sundance Institute as we’ve worked to reimagine the Festival for 2021, because there is no Sundance without our community,” said Sundance Institute Founder and President Robert Redford. “Under Tabitha’s leadership, we’ve forged a new collective vision: one that honors the spirit and tradition of these invigorating yearly gatherings in Utah, while making roo...
Our Annual Report continues as we reveal the Top 25 Films of 2020. Stay tuned for more awards, lists, and articles in the days and weeks to come about the best music, film, and TV of the year. If you’ve missed any part of our Annual Report, you can check out all the coverage here. Going to the movies ain’t like it used to be, right? What an understatement. With theaters shuttered up and movie chains filing for bankruptcy, one might argue it’s been a pretty crap year for cinema. Financially speaking, they’re not wrong. But, art is a funny thing. It has a way of enduring even the most arduous obstacles — you know, that whole Ian Malcolm, Jurassic Park, “life finds a way” bit — and this year was a testament to that truth. Art had no issue finding a proper stage. That stage, as fate...
It’s November 5th, two days after Election Night 2020, and Steve McQueen and I look no worse for wear. Even through the Zoom screen, yet another way the COVID-19 pandemic has changed the way film journalists do business, we understand that other, urgently important things are going on. It’s the middle of a hellish week where the world would collectively gnaw on its fingernails hoping for someone, anyone, to declare the next president of the United States. (Besides the guy trying to steal it, of course.) But even amid the strain and trauma of that week, just one of 52 that would offer no small amount of pain to everyone this year, there was still cause for celebration. While theaters are closed and the fate of mainstream moviemaking lies in a precarious limbo, McQueen’s latest works — the f...
The Pitch: Before he was an award-winning author of books like Brixton Rock and Island Songs, Alex Wheatle (Sheyi Cole) spent a short time in prison following his involvement in the 1981 Brixton riots, an explosive confrontation between the police and the neighborhood’s Afro-Caribbean community. There, with the help of his Rastafarian cellmate Simeon (Robbie Gee), Alex looks back on his life — a childhood marred by mistreatment in foster care homes and bolstered by his budding career as a DJ in Brixton — and tries to figure out what to do, and who to be, next. Short But Sweet: Of the five films in writer/director Steve McQueen‘s anthology about the West Indian communities of London from the ’60s to the ’80s, Alex Wheatle is by far the shortest (clocking in at 65 minutes). Th...
The Pitch: It’s 1971 and David Bowie (Johnny Flynn) is about to make it big. Well, actually, he already kind of had. He’d just released “Space Oddity”, which would have become legendary even if he’d never released another album. We’d still be hearing it in commercials like we do Rupert Holmes’ “Escape (The Pina Colada Song)” regardless, so the “what if?” at the center of the movie isn’t quite as pulse-pounding as writer-director Gabriel Range and his co-scribe Christopher Bell seem to imagine it to be. Anyway, Bowie’s about to be famous, but he’s concerned that the US doesn’t like or get him and that the record label doesn’t know what to do with him. So, they send him to the US to introduce himself, which is about all he can do because his visa doesn’t allow him to play shows. So, he just ...