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FUTURA 2000 Explores Movement and Connection in ‘The Mechanical Age’

FUTURA 2000’s latest solo exhibition, The Mechanical Age, is set to open at V1 Gallery's Copenhagen space with a bold pairing: Sister and Brother, two large-scale works in red, white, and black created with aerosol on primed canvas. Painted in 2025, the works introduce the show’s focus on motion, repetition and interconnection.The artist continues this exploration with Husband and Wife. These atom-like compositions also use aerosol on canvas, imbuing a pulse and rhythm that feels both unified and untethered. Together, the pieces evoke a sense of community and cyclical exchange, where relationships mirror the push and pull of a shared world.Throughout the exhibition, FUTURA invites viewers into a layered, cosmic environment. Forms shift in and out of focus, hovering between the permanent an...

Kennedy Yanko Pushes the Limits of Material and Meaning in Upcoming Double Exhibition

Kennedy Yanko’s sculptures are relics of control and surrender. Working mostly with found metal and paint skins, she coaxes the two into an uneasy alliance until they drape and fold like fabric. The artist is just days away from opening a New York doubleheader at Salon 94 and James Cohan Gallery, who are teaming up to present two solo exhibitions, staged at each respective gallery, marking a pivotal moment in Yanko’s artistic dialogue of material and meaning.Starting in Tribeca, Epithets takes shape at James Cohan, mining the psychological terrain of color and form. Working with obsidian blacks, reflective chromes and aged metals, the works, seemingly unearthed from the subconscious, serve as as raw testimonies to the untamed elements. “For the first time in a long time, the work is guttur...

JR Makes Lisbon Debut with ‘Through My Window’

At the heart of JR’s practice is a call to social transformation. Whether its creating a Louvre-based optical illusion or a muralist intervention at California's high-security Tehachapi prison, the French artist spotlights spaces of collective significance with the faces of those who inhabit them, looking to scale as his weapon of choice.Now, JR is making his Lisbon debut with Through My Window, his latest solo exhibition at Underdogs Gallery, helmed by Alexandre Farto better known as Vhils. Running through April 19, the retrospective-style show brings together 36 lithographs from the artist's own collection, chronicling his past large-scale installations.A self-described “photograffeur” – a portmanteau of "photographer" and “graffiti artist” in French – JR has spent the last several years...

Refik Anadol Rewires Frank Gehry’s Legacy With AI at Guggenheim Bilbao

The Guggenheim Museum Bilbao launches its new in situ series with Living Architecture: Gehry, a digital installation by Refik Anadol. Using a custom AI model trained on Frank Gehry’s sketches, photos and blueprints, the work transforms the architect’s designs into shifting audiovisual landscapes. The installation explores the intersection of architecture, technology and machine learning. Developed by Refik Anadol Studio, the Large Architecture Model (LAM) uses generative AI to create new forms inspired by Gehry’s style. The piece unfolds in six chapters, showing the evolution of data into abstract, dreamlike structures. A soundscape by Kerim Karaoglu is also introduced which blends AI-generated audio with recordings from the museum. What's more, the immersive experience is built with ethic...

Francesco Vezzoli Brings Karl Lagerfeld’s Memphis Vision Back to Life

Karl Lagerfeld, the late fashion icon known for his avant-garde vision, left an indelible mark not only in fashion but also in the realm of design. His fascination with the bold, geometric aesthetics of the Memphis design movement is the focus of an upcoming exhibition at Almine Rech Monaco. Titled Francesco Vezzoli presents: KARL GOES TO MEMPHIS Tribute to a historic encounter in Monte Carlo, the exhibition will showcase Lagerfeld’s extensive collection of Memphis furniture alongside archival imagery and personal artifacts that illuminate his unique aesthetic sensibility.Founded in 1981 by Ettore Sottsass, the Memphis Group disrupted conventional design with its vibrant colors, asymmetrical shapes and playful irreverence. Lagerfeld, captivated by its radical departure from traditionalism,...

Perrotin Hong Kong Presents Emma Webster’s ‘Vapors’ Solo Exhibition

Emma Webster’s solo exhibition, Vapors at Perrotin Hong Kong marks her debut in the city and features 11 ethereal landscape paintings, created during the January wildfires in Los Angeles. Through misty grays and delicate brushstrokes, her work explores themes of impending disaster and aftermath, blending plein-air landscape, still life and virtual reality into a new artistic genre. The title draws on the fleeting nature of vapor itself, symbolizing the transient qualities of change and the collision between the inner and outer worlds.Webster’s artistic process merges traditional methods with advanced technology, combining sculpture studies, virtual reality and digital rendering. She begins by crafting wax and plaster objects, which are scanned and incorporated into digital dioramas to crea...

For ‘The Garage,’ Toxic Arts Embraces the Beauty in London’s Grit and Grime

London-based Toxic Arts is on a mission to shake up the contemporary art experience. Helmed by Harry Barratt and Alex Isthikhar, the online gallery is trading traditional white walls for something grittier, more immersive and delightfully raw. Housed in an old industrial space, just blocks beyond London’s financial district you’ll find their latest group exhibition, The Garage, showcasing an international lineup of 20 emerging voices, each as provocative, thoughtful and electric as the next.Much like their debut show, Public Life, which transformed the former public toilet-turned-nightclub into an exhibition space, The Garage embraces its industrial backdrop — something akin to a "disused Underground station" — as an extension of the work on display. “It’s got a really factory kind of feel...

Lyric Shen Reflects on the Power of Material Memory in ‘There is an occlusion’

For hand papermakers, an “occlusion” describes when strands of hair or flecks of dust find their way onto a sheet, disrupting its otherwise clean existence by an unexpected obstruction. In Lyric Shen’s latest solo presentation at Silke Lindner, the artist delves into this concept as a metaphor for how (often unintended) experiences become embedded in the greater fabric of life, exploring exile and transference through intricate veils of ink and paper.There is an occlusion pairs the ancient craft of porcelain and stoneware with contemporary techniques like inkjet printing and digital media. Underscoring ideas of memory, privacy and the passage of time, the exhibition culminates in the heart of the gallery with a poignant reconstruction of a room from a Japanese colonial house that once belo...

Rodrigo Ramírez Explores the Anxiety of Existing in ‘While Being Plastic Membranes’

Fresh off his sold-out run at Zona Maco last February, Mexico City-based artist Rodrigo Ramírez is heading to New York to make his U.S. solo debut at Swivel Gallery. Titled While Being Plastic Membranes, the exhibition explores the visceral tension between body and psyche, pushing the boundaries of embodiment through a suite of dreamlike paintings and sculptures.Taking cues from Baroque religious iconography, “The Garden of Earthly Delights” by Hieronymus Bosch and Oswald de Andrade’s Manifesto Antropófago, Ramírez delves into the idea of “cultural cannibalism” with play and intensity in hand. Just as societies absorb and reconfigure subcultures, his figures consume and mutate, existing in a liminal state of perpetual flux.A knack for the unsettling sings through Ramírez’s flesh-colored fo...

Keita Morimoto’s Cinematic Vignettes Take Shape in ‘To Nowhere and Back’

Japanese artist Keita Morimoto is taking center stage at Almine Rech’s Tribeca outpost in his latest solo exhibition, now on view through April 26. Known for his dreamlike vending machine paintings, Morimoto transforms the everyday into a subtle neon-noir tableaux, poised between reality and fantasy. Between quiet meditations and tender memories, the artist captures the ephemeral allure of urban life, finding fleeting beauty where you least expect it.At the heart of To Nowhere and Back is an exploration of the ordinary. A phone booth's fluorescent hum, the warm red glow of car headlights or the final lights of a shop ready to close for the night  – the exhibition is threaded by an interplay of light and shadow. Each frame a portal, Morimoto's use of liminal space evokes a nostalgia for a s...

David Hockney To Take Over Louis Vuitton Foundation

At 87 years old, timelessly venerated painter David Hockney will undertake one of his biggest exhibitions yet. This spring, the artist will take over the entirety of the Louis Vuitton Foundation building, staging an exhibition titled "David Hockney, 25." “This exhibition means an enormous amount because it is the largest exhibition I’ve ever had—11 rooms in the Fondation Louis Vuitton," said Hockney in a statement. "Some of the most recent paintings I’m working on now will be included in it, and I think it’s going to be very good."Curated with artistic director Suzanne Pagé, guest curator Sir Norman Rosenthal, and François Michaud, Hockney remained closely involved in the show's process. Alongside his partner and studio manager, Jean-Pierre Gonçalves de Lima, the exhibition primarily focus...

Misha Kahn’s ‘Far Afield’ Debuts at Salone del Mobile 2025

Friedman Benda will present Far Afield, a solo exhibition by Misha Kahn at the 2025 edition of Salone del Mobile. Known for his experimental approach to materials and form, Kahn transforms the space into a surreal, tactile landscape that challenges conventional design.At the heart of the exhibition is "Azimuth," a sprawling grid of colorful mirrors inspired by a type of archaic celestial measurement. Acting as a cosmic reflection tool, it places viewers at its center. “It reflects our desire to measure ourselves against our abyss,” Kahn explains, with radiating irises of color capturing an infinite interplay between perspective and perception.Other standout pieces include "Euphausiids Delight (Final Moments)," a densely tangled center table inspired by the swarming movement of marine crust...