Creativity is boundless for Louis The Child. Some fans may associate them with a glossy dance-pop style meshed with future bass, a sound made popular by hit tracks like “It’s Strange” and “Better Not.” But there’s more than meets the eye with Louis The Child. If their rave-inspired headline performance at Red Rocks last year was any indication, genres are fluid. They’re meant to be traversed across rather than confined within. Louis The Child’s latest event, Alter-Ego, took that idea up a notch. By inviting artists to perform sets exploring left-field tastes, Alter-Ego materialized an unabashed focus on defying genres. A sprawling crowd at Louis The Child’s sold-out Alter-Ego show at Brooklyn Mirage. Drew Cigna “We like the idea of giving artists a platform to do somethin...
This review is part of our coverage of the 2022 Toronto International Film Festival. The Pitch: You have heard of Mozart, Beethoven, and countless other European composers that helped shape music as we know it. However, it’s likely that you have never heard of Joseph Bologne, known professionally as Chevalier de Saint-Georges, whose work was largely destroyed when slavery was reinstated throughout France in 1802. It is an absolute shame, but thankfully, what has been preserved has been rediscovered over the years, establishing him as the first Black composer of the classical eras. Now, his story, or at least some of it, has been adapted for the screen thanks to director Stephen Williams and screenwriter Stefani Robinson. Chevalier shows Bologne, played by Luce breakout Kelvin Harrison Jr.,...
This review is part of our coverage of the 2022 Toronto International Film Festival. The Pitch: If you are familiar with Steven Spielberg beyond his movies, you likely know that he had a bit of an unconventional upbringing. His mother was an eccentric character, while his father seemingly loved her unconditionally as they moved around the country. However, that came to a halt when they suddenly announced their divorce when he was a senior in high school. It was this critical event, and the infidelity that Related Video fueled it, that helped shape the themes of Spielberg’s movies for the rest of his career. This influence is especially apparent in his latest film, The Fabelmans. Swapping out the Spielberg name with that of the titular family, this film is nonetheless his most personal to d...
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It’s Consequence‘s 15th anniversary, and all September long we’ll be sharing artist-curated playlists that reflect the evolution of their music taste throughout the last 15 years. For today’s inaugural My15 playlist, folk musician José González shares his selections. Since his very first solo album in 2003, José González has operated with patience. His material is never rushed or forced, always heartfelt and honest, and crafted with the utmost care. His most recent LP Local Valley, released back in September 2021, saw the Swedish singer-songwriter retain his usual meditative folk, but with a new emphasis on electronic beats, and even a cover of his band Junip’s song “Line of Fire,” known for its use in promotional materials for Breaking Bad‘s historic finale in 2013. Needles...
This review is part of our coverage of the 2022 Toronto International Film Festival. The Pitch: In 1950s Britain, same-sex relationships are illegal. Gay men are arrested and thrown in jail for “unlawful” acts, or beaten by a hateful public. Those who pursue relationships must do so in secret or risk everything — their careers, families and maybe even lives. Enter a handsome but simple policeman named Tom (Harry Styles), who falls in love with an educated museum curator named Patrick (David Dawson). The pair hide their affair until Tom meets a schoolteacher named Marion (Emma Corrin) and decides to marry her in pursuit of a “normal” life. Related Video Fast forward several decades and Marion (now played by Gina McKee) takes in Patrick (Rupert Everett) following a stroke, angering Tom (Linu...
Pearl Jam have stayed vital in their fourth decade. Their most recent albums, like 2020’s Gigaton and 2013’s Lightning Bolt, feel sturdy and reassuring — music for functional adults, performed by functional people. They’ve successfully dodged the demons that tragically felled their grunge-era peers. You get the sense that these industry linchpins have shiny trucks, adorable dogs, loving families and spectacular homes — all while enjoying the love and respect of their global music community. So it was appropriate that their first-ever performance at Harlem’s beyond-historic Apollo Theater, which took place on Saturday, September 10th, was thrown by SiriusXM, for subscribers, contest winners and other assorted VIPs. Prior to the show in the lobby, aproned waitstaff handed out IPAs and rosé w...
Since last year, Post Malone has performed at a smattering of festivals, but on Saturday (September 10th), the rapper played his first proper arena tour date in more than two years for the “Twelve Carat Tour” kickoff at Omaha’s CHI Health Center. (Grab tickets to upcoming dates here.) And he was grateful. Every few songs, he’d pause to hoist another red Solo cup filled with beer — dutifully handed to him after nearly every song by a barely seen stagehand — and toast the audience with an f-bomb-filled thank you speech. “Omaha, how the fuck are you feelin’ tonight? Holy fuck, man. Cheers to each and every single one of y’all motherfuckers,” he said. “I just want y’all to know how fucking grateful I am.” Advertisement In jean shorts, white sneakers and a black T-shirt depicting the flaming Ey...
[Editor’s note: The following contains spoilers for House of the Dragon, Season 1 Episode 4, “King of the Narrow Sea.”] Game of Thrones was a show that became famous for the shades of grey to be found in its heroes and villains alike, and so far the prequel series House of the Dragon has shown every indication of following in that proud tradition. Thus, Consequence is happy to introduce Who’s the Worst Person in Westeros, a weekly ranking of House of the Dragon‘s most important characters, and just how unsavory they ended up being each week. Everyone on screen, including dragons, is eligible for this list (though expect for the show’s series regulars to be heavily featured from week to week). Advertisement Episode 4, “King of the Narrow Sea,” is especially full of misdeeds, as a homecoming...
The new Starz series The Serpent Queen brings modern flair and an extremely unreliable narrator to the well-worn genre of period dramas, as an older Catherine de’ Medici (Samantha Morton) tells a servant girl (Sennia Nanua) about how her younger self (Liv Hill) came to control France for decades. In Morton’s hands, Catherine is a fascinating and complex character, and when speaking with the Oscar-nominated actress via Zoom, I really wanted to ask her about playing powerful women, a recent theme in her work. But I also admitted to her that I felt a little silly about it, as film and television currently feature a ton of examples of powerful, strong, and nuanced female characters. Morton, it turns out, agrees with that, but also says “there’s still not enough. I think in television, they’re ...