“For me, a great anthem is inclusive and gives people a sense of belonging,” Flogging Molly frontman Dave King says, when asked what makes a great anthem. Some of his personal favorites include Bowie’s “Heroes,” the Clash’s “Clampdown,” and surprisingly, Beethoven’s “Ode to Joy.” Over the years, King has written such legendary Celtic-punk anthems as “Devil’s Dance Floor,” “Float,” and more recently, “These Times Have Got Me Drinking/Tripping Up the Stairs” off their new album, the aptly titled Anthem. The album’s title was a response to a simple sentiment the band wanted to capture in response to the difficult past few years. “After the pandemic we wanted to create something with a sense of camaraderie,” he explains. “We thought the titleAnthembest embodied that sentiment.” With that sense...
This review is part of our coverage of the 2022 Toronto International Film Festival. The Pitch: Famous Southern detective Benoit Blanc (Daniel Craig), whom we first met in the 2019 flick Knives Out, is in a pandemic-induced funk when he receives an invitation from eccentric billionaire Miles Bron (Edward Norton) to his next big case in Greece. There, on a remote island, Bron’s closest friends and “disrupters” congregate for a murder mystery party at his Glass Onion house — a spot so lavish even the Mona Lisa is there, on loan from the Louvre. There’s former model-turned-fashion-designer Birdie Jay (Kate Hudson), controversial social media star Duke Cody (Dave Bautista), brilliant scientist Lionel Toussaint (Leslie Odom Jr.), right-wing politician Claire Debella (Kathryn Hahn), and Bron’s s...
After last night’s Emmy Awards ceremony, Better Call Saul can lay claim to a remarkable achievement: 46 Emmy nominations and zero wins over the course of its six-season run. Forty. Six. Forty-six chances to recognize one of the best shows on television for its remarkable achievements, and 46 failures to do so. It feels mean to keep harping on that number, but 46 is staggering. This TVLine list showcases 25 great shows that also never won an Emmy, but most of the shows on that list only received a few token nods during their run — they weren’t playing the game as hard as Saul has done over the past six years. And yet 46 losses. It’s a lot! Upon its initial premiere, the genre-defying crime drama may have been an immediate part of the Emmys race as a spinoff of Breaking Bad, which had a much...
It’s Consequence’s 15th anniversary, and all September long we’ll be publishing a series of retrospective pieces encompassing our publication’s own history — and the entertainment landscape in general. Today, we’re opening up a discussion about how we decide to cover artists and their music — or not — when it all goes wrong. When it comes to language around acceptable behavior, there’s a tendency towards binary thinking, as if breaking a taboo were the same as flipping a switch — “yes” to “no,” “politically correct,” to “politically incorrect,” “uncanceled” to “canceled.” But that’s not exactly what happens. Let’s say, for example, that a great songwriter — a songwriter we all love — has been accused of something that a lot of people think is terrible. It could be violence or prejudic...
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Listen to “Valentine,” the title cut on the latest album from Matador recording artist Snail Mail, and you feel transported back to the early years of Lollapalooza, if not earlier. The song opens with waves of ‘80s synth and staccato bursts of Police-style guitar, then segues into a crunchy power-pop chorus that Billy Corgan might have scripted. Snail Mail grew up in the D.C. suburbs as Lindsey Jordan. She is 23. Surely, she is not a Billy Corgan fan. You ask anyway. “I have a Smashing Pumpkins tattoo,” she replies. She holds it up to the Zoom camera. Spin the latest albums by Lindsey or Marissa Nadler or Shannon Lay, and you will hear the fruits of a modern singer-songwriter movement, a string of masterful recordings by young, mostly female artists who grew up listening to their parents’ ...
“Whoever comes back from war is the one who decides how the story is told.” For Jacob Banks, the Nigerian-born, UK-based artist lives to tell his truth on his sophomore album Lies About The War. Since his last debut record four years ago, Banks has worked assiduously to crown himself as the hero of his experiences. His velvety baritone vocals and lyrical prowess make a stronger comeback this time around, but his ability to evoke sounds that tug at heartstrings round out his unforgettable talent. By risking it all and tapping into his soul, the London crooner poured inspirations from gospel music and R&B into a powerful delivery of delicate church organs, groovy blues, and poetic piano melodies. Banks bears a timeless quality and grit in his voice that reverberates with ferocity and con...
Founded by skateboarder Charlie Davis, the story of SkatePal began in 2013 with a team of volunteers heading back and forth between London and Palestine. Looking at communities within the West Bank that have limited access to cultural, educational and sporting opportunities, the charity is building skateparks, running classes and providing equipment to build and support the emerging skateboarding scene. SkatePal has built spaces across Palestine including Rosa Park in Asira Al-Shamaliya, Jayyous Skatepark and a current build in Al-Bireh, Ramallah. Rosa Park is currently the largest in the country and the charity’s second concrete skatepark in the West Bank. The 700sqm park was built in 2015 by twenty volunteers using locally sourced materials. Today, the volunteers (both local and internat...
Gorillaz kicked off their North American tour on Sunday night (September 11th) to a packed Rogers Arena in Vancouver, BC. The immersive experience demonstrated why the virtual band is one of the most influential acts of the past two decades — and why they’re not to be missed in person (grab tickets to the tour here). Co-creator, frontman, and primary contributor Damon Albarn was like a conductor, lovingly leading his sprawling live ensemble and exceptional backing singers. Arranged on glittering risers like an orchestra, they played underneath a big screen showing artist Jamie Hewlett’s iconic animated band members — Murdoc, Noodle, Russel, and 2D — while dancing lights bathed the room in color. Gorillaz have been masters of experimental storytelling right from the outset, creating vast, m...
Creativity is boundless for Louis The Child. Some fans may associate them with a glossy dance-pop style meshed with future bass, a sound made popular by hit tracks like “It’s Strange” and “Better Not.” But there’s more than meets the eye with Louis The Child. If their rave-inspired headline performance at Red Rocks last year was any indication, genres are fluid. They’re meant to be traversed across rather than confined within. Louis The Child’s latest event, Alter-Ego, took that idea up a notch. By inviting artists to perform sets exploring left-field tastes, Alter-Ego materialized an unabashed focus on defying genres. A sprawling crowd at Louis The Child’s sold-out Alter-Ego show at Brooklyn Mirage. Drew Cigna “We like the idea of giving artists a platform to do somethin...
This review is part of our coverage of the 2022 Toronto International Film Festival. The Pitch: You have heard of Mozart, Beethoven, and countless other European composers that helped shape music as we know it. However, it’s likely that you have never heard of Joseph Bologne, known professionally as Chevalier de Saint-Georges, whose work was largely destroyed when slavery was reinstated throughout France in 1802. It is an absolute shame, but thankfully, what has been preserved has been rediscovered over the years, establishing him as the first Black composer of the classical eras. Now, his story, or at least some of it, has been adapted for the screen thanks to director Stephen Williams and screenwriter Stefani Robinson. Chevalier shows Bologne, played by Luce breakout Kelvin Harrison Jr.,...