Purity Ring‘s Megan James and Corin Roddick describe their debut album, Shrines, as one with very strict rules. “All the drums sound a certain way, all the vocals sound a certain way, all the synths… we created a strict palate of things that sort of worked together and tried to make as many different kind of musical ideas within that palette,” Roddick tells Consequence. Indeed, Shrines — which celebrates its tenth anniversary today, July 20th — is an album that represents Purity Ring operating with only their essentials, forging a path that would later define the sound of modern pop, if only for a portion of the last decade. When you look at Purity Ring’s output following Shrines (2015’s Another Eternity, 2020’s WOMB, and most recently, their EP Graves, which ...
Purity Ring‘s Megan James and Corin Roddick describe their debut album, Shrines, as one with very strict rules. “All the drums sound a certain way, all the vocals sound a certain way, all the synths… we created a strict palate of things that sort of worked together and tried to make as many different kind of musical ideas within that palette,” Roddick tells Consequence. Indeed, Shrines — which celebrates its tenth anniversary today, July 20th — is an album that represents Purity Ring operating with only their essentials, forging a path that would later define the sound of modern pop, if only for a portion of the last decade. When you look at Purity Ring’s output following Shrines (2015’s Another Eternity, 2020’s WOMB, and most recently, their EP Graves, which ...
The Pitch: In the rolling hilly countryside outside Los Angeles city limits, the Haywoods — descended from the first Black horserider/stuntman/movie star to ever be captured in motion — try to make ends meet as Hollywood horse wranglers. But when the family patriarch (Keith David, radiant as always) dies from a freak accident, the task is left to introverted Otis Jr., or OJ (Daniel Kaluuya) to keep the family ranch afloat, with the reluctant help of his fast-talking, hustle-happy sister Emerald (Keke Palmer). At first, they resort to selling off the family horses to nearby Jupiter’s Claim, a hokey Wild West-themed amusement park run by former child star Ricky (Steven Yeun). But fortunes start to change when they realize there’s something above them, in the clouds, scaring the horses and sh...
Most music is crap. But then again, as science fiction writer Theodore Sturgeon once said, when asked why so much science fiction was garbage, 90% of everything is crap. So it’s only really news when a great musician or band puts out a turgid stinker. And they do. You don’t know if they know, or know and don’t care, or if they are just U2 and know, don’t care and deep down don’t believe it anyway. And maybe, twisted alternate universe thinking, it’s a sign of greatness that a performer/band appears on a list like this, because it means they’ve been around so long at the top that the law of averages trips them up and even the gods make a mistake. At least, if they weren’t great, we probably wouldn’t have noticed… This list is not meant to be mean spirited! Really! Admittedly, it is ...
Image sourced from Forbes. Modern enterprises face an onslaught of cyberattacks from many quarters and must not only be prepared to contend with the direct costs of potential breaches but also with spiralling indirect costs, such as compliance fines and reputational damage. As the threat landscape continues to evolve, so do the frequency and sophistication of attacks, with companies facing anything from denial of service attacks and phishing attempts to payment card skimming, identity theft, and account takeover threats. At the same time, ransomware attacks have gained prominence over the last few years, forcing companies to continually test their data protection plans to understand the risks associated with having sensitive data released to the public. In its State of Ransomware 2021 repo...
When bars shut their doors, musicians packed away their equipment and live music came to a startling halt in 2020, the whole world went quiet. “Who will save nightlife?” asked HYPEBEAST as lockdown measures came into effect, questioning the future existence of the very thing that keeps people going outside of the nine-to-five grind. It was a question that plagued every major event organizer. When life began to return to normal it was time to reset the dancefloor – something Ballantine’s has championed, with further help from Boiler Room and their collaborative True Music Studios initiative. True Music Studios is a series of global residences aiming to spotlight local, emerging artists and put them on the world map. After visiting Moscow, Madrid, Johannesburg, Nairobi and Yaoundé in recent ...
[Editor’s note: The following contains spoilers for Better Call Saul, Season 6 Episode 9, “Fun and Games.”] For the past few episodes of Better Call Saul, a pretty dark pattern has emerged: As the countdown towards the end of the series continues, each week we’ve seen one of the show’s primary characters, who we always knew didn’t appear in sequel series Breaking Bad, be eliminated. Episode 7 ended with the casual execution of Howard Hamlin (Patrick Fabian). In Episode 8, Lalo Salamanca (Tony Dalton) laughed his last laugh after a fierce firefight with Gustavo Fring (Giancarlo Esposito). And Episode 9, “Fun and Games,” also ended with a casualty: Specifically, the death of Jimmy McGill (Bob Odenkirk), with the shell of Saul Goodman left behind in his place. Advertisement Of course, another...
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Whether you’ve seen him on Ellen or witnessed one of his viral videos, it’s undeniable that seven-year-old Caleb Hayes channels a John Bonham-esque power behind his kit. His penchant for heavy metal likely came from watching his parents play in a local cover band, where they recreated hits from AC/DC, Led Zep and Metallica around their native Cumbria, England. As his mother Kim recalls, he was just a toddler when he showed signs of wanting to play the drums, just like his drummer dad. “Caleb would have been two when he started to come and watch us in rehearsals, but he’d already started at around 15 months playing with pencils and anything he could use as drum sticks around the house,” she says. “That’s when we knew he had a keen interest in making lots of noise, haha!” Caleb’s parent...
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[Editor’s note: The following contains spoilers for Westworld, Season 4 Episode 4, “Generation Loss.” To read about the music of Episode 3, click here.] Episode 3 of Westworld, “Années Folles,” had two big treats for those addicted to composer Ramin Djawadi’s instrumental covers of pop and rock tunes. Meanwhile, Episode 4, “Generation Loss,” was a little more subtle. Speaking to Consequence as part of our ongoing series on the music of Westworld Season 4, Djawadi reveals that this week’s episode did feature a snippet of music you might have heard before, in a very different context: “Pink + White” by Frank Ocean. The short burst of solo piano can be heard at the 24-minute mark of the episode, accompanying an establishing shot of the New York restaurant where Christina (Evan Rachel Wood) is...