When Calum Jacobs started CARICOM magazine in late 2017, he had an ambitious vision for the publication. In a Kickstarter launched for the first issue, Jacobs described the project as “a series of explorative and progressive conversations in the space where the Black-British experience and football intersect,” going on to add that it would “discuss culture, politics, history and contemporary life under the unifying umbrella of football.” After almost five years, and two issues of CARICOM, Jacobs is now poised to take that message to an even larger audience with the launch of his debut book. Titled A New Formation and published by Stormzy and Penguin’s Merky Books, the book expands on Jacobs’ ambition for CARICOM, telling the stories of Black footballers and their influence on the game. Alo...
Australia’s King Gizzard & the Lizard Wizard are easily among the most prolific and versatile acts of the last couple of decades. They’ve put out nearly two dozen collections since 2012, with several years spawning multiple releases each. Plus, their highly adventurous blends of psychedelic rock, hip-hop, garage rock, metal, ambient, dream pop, and electronic evoke artists as wide-ranging as Pink Floyd, Motörhead, Childish Gambino, Japanese Breakfast, Black Midi, and Tame Impala. Considering their talent and tenacity, it was only a matter of time before they pushed themselves further than ever by creating a double album. Indeed, Omnium Gatherum — which has more in common with 2021’s welcomingly exploratory Butterfly 3000 than it does last month’s avant-garde Made in Timeland — is essen...
Almost every gangster movie or its sequel features a character going legit. Or trying as hard as they can. Scene after scene in The Godfather and The Godfather Part II show Michael Corleone telling anyone who will listen that the Corleone family is walking on the side of the angels after one, two, or a dozen more scores. For Pusha T, his 2018 opus Daytona was his massive score. Push distilled everything about his dope brand of hardcore hip-hop into an almost perfect seven-track piece of work. It’s Almost Dry, due out this Friday (April 22nd), feels like the reflections of a former gangster doing his best to live a regular life. But, to paraphrase the head of the Corleone family, just when Push thinks he’s out, the game pulls him back in. While not as strong as Daytona, It’s Almost Dry is m...
If Laurie Anderson and Art of Noise had a love child, it might resemble I Speak Machine, the experimental music and audio-visual project of vocalist Tara Busch and filmmaker Maf Lewis. Thoroughly original in its own right, I Speak Machine has spent the last decade stirring our subconscious and defining the conventional, combining music technology and vintage synths with striking, can’t-look-away visuals that reflect and imprint themselves on our deepest and darkest dreams. It’s saturated, cinematic and unforgettable. And bloody. Sometimes I Speak Machine gets very bloody. “Visually it gets right to the point, which is to unsettle and release,” frontwoman Tara Busch explains. “The image of blood dripping and splashing is what this music looks and feels like, if that makes sense.” She n...
Ed. Note: Head here to find our complete coverage of Coachella 2022. If you aren’t familiar with Josh Freese’s prolific career, ask the following question: What do Sting, DEVO, The Offspring, The Vandals, Nine Inch Nails, 100 gecs, and Danny Elfman have in common? They’ve all recorded, written, or toured with Josh Freese behind the drum kit at some point in their lengthy careers. If “drummer for the stars” is any metric of Freese’s success, then he’s one of the most successful drummers of all time. Last weekend at Coachella, Freese had quite the engagement on Saturday — performing with hyperpop icons 100 gecs around 6:00 p.m., and then again with composer and frontman Danny Elfman at 9:00 p.m. Such a hectic performance schedule is nothing new for Freese, who proudly takes on as m...
The Pitch: In the early 1970s, a plucky little movie studio called Paramount Pictures, overseen by a firebrand named Bob Evans (Matthew Goode), had the rights to make a movie based on a very popular novel called The Godfather. Making this movie, of course, would be no small task, and the hero of the project became an unlikely one: Alfred S. Ruddy (Miles Teller), who prior to taking on the project was a relatively inexperienced film producer best known for co-creating the classic ’60s sitcom Hogan’s Heroes (prior to which he worked for the Rand Corporation as a programmer). Ruddy’s problems aren’t just limited to negotiating the wild personalities involved with the film — Evans himself, neurotic director Francis Ford Coppola (Dan Fogler), a fresh-faced theater actor named Al Pacino (Anthony...
The new Showtime series The Man Who Fell to Earth isn’t a remake — it continues the story of the cult classic Nicholas Roeg film, which starred David Bowie as Thomas Jerome Newton, a mysterious alien whose arrival on our planet ends in tragedy. So while the show starts decades after the film, with the arrival of a new titular man who’s fallen to Earth (Chiwetel Ejiofor), the original man is still there, albeit with a new face in veteran stage and screen actor Bill Nighy, beloved from roles in Love Actually, Pirates of the Caribbean, and Shaun of the Dead. Despite Bowie no longer being alive, there was never a question of continuing the story without the presence of Thomas Jerome Newton, according to co-creator Jenny Lumet. “He’s important — the first alien and the second alien that was alw...
Fikayo Tomori’s move from Chelsea to AC Milan at the beginning of the season was the latest in a long list of young English footballers to seek opportunities abroad for the good of their career. In the aftermath of recent success stories from the likes of Jadon Sancho and Jude Bellingham, the 24 year old opted to turn his loan move at the San Siro into a permanent deal with the Italian side paying £25 million GBP (approximately $32 million USD) for his services. “I honestly don’t know why it’s taken so long for players to think about moving abroad,” Tomori tells HYPEBEAST. “Over the last few years especially, I think players have finally started to realise there are other ways to make a name for themselves away from the Premier League.” Despite the defender’s rise in Serie A, it was the Pr...
The line stretched around the block, to Houston Street on Manhattan’s West Side, south down Wooster, wrapping around Prince and then back up Greene Street, the tail end bumping up against the entrance. The kids all looked the part: KENZO, BAPE, Human Made and Supreme, logos as prominent and fresh as their Air Force 1s, dutifully waiting for the chance to pick from a selection of exclusive $130 T-shirts, $450 sweatshirts and $2,000 varsity jackets inside. Explore See latest videos, charts and news See latest videos, charts and news For a streetwear fan on a Saturday in New York, there was no better place to be than here, outside a SoHo pop-up shop celebrating the latest collaboration from Nigo. The Japanese cultural legend — who founded BAPE in 1993 and ushered in an aesthetic that made him...
She has risen. Lorde returned to the stage in New York City — on Easter Monday, no less — just days after postponing a number of shows due to laryngitis. Maybe there was some residual throatiness to the Kiwi pop megastar, but it barely registered. The beauty of her full-fledged “Solar Power Tour” production at the iconic Radio City Music Hall was enough to cure any ill feelings. Talking about “post-pandemic live music” is already becoming cliché, but we can’t discount how the last two years impacted performances. On one hand there are acts like Lorde’s opener, former Artist of the Month Remi Wolf. Here’s someone who broke out during a lockdown where the only music absorption came via streams and TikToks. Now, with touring back in full swing, she’s playing Radio City. Think about the mental...
Celebrated among fans and critics for her vulnerability and poetic lyricism, R&B’s H.E.R. has perfected what her audience often refers to as the “post-breakup ballad,” though her music style knows no bounds. Earlier this month, the singer, whose real name is Gabriella Wilson, secured her fourth GRAMMY for the original single “Fight for You,” written exclusively for the soundtrack of Judas and the Black Messiah. Directed by Shaka King, the film is set in Chicago in the late 1960s and chronicles the betrayal of Black Panther member Fred Hampton (Daniel Kaluuya) by William O’Neal (Lakeith Stanfield), an FBI informant. “There’s a lot of soulful artists that have brought joy in music through pain,” H.E.R. said of “Fight for You,” which she co-wrote with Tiara Thomas and co-composed and co-p...