Boasting a career spanning multiple decades, Aunjanue Ellis is on the cusp of Oscar glory for her turn in the Will Smith-led King Richard, portraying Oracene “Brandy” Price, the mother of tennis legends Venus and Serena Williams. While King Richard primarily follows the life story of the sisters’ father, Richard, the film highlights the wide scope of Oracene Price’s work and the important role she held in making her daughters the greatest tennis players of all time. Ellis delivers a dynamic, moving, and multifaceted performance that transcends mere biopic impersonation; instead, it taps into something deeper and rawer. Ahead of the Oscars on Sunday, where King Richard is up for Best Picture, Best Actor (Smith), Best Supporting Actress (Ellis), Best Original Screenplay, Best Film Editing, a...
The Pitch: Evelyn Wang (Michelle Yeoh) has lived a life of quiet, overwhelmed lament. There are so many things she could have done, so many hers she could have been. Instead, she’s a middle-aged owner of a failing laundromat, with a miserable husband gunning for divorce (Ke Huy Quan’s Weymond), a withdrawn daughter (Stephanie Hsu’s Joy), and an increasingly frail father (James Hong’s Gong Gong) who doesn’t yet know that his granddaughter is gay. It gets worse: It’s tax season, and their unsympathetic IRS auditor (Jamie Lee Curtis‘ Deirdre) is breathing down their necks. As if that weren’t complicated enough, the IRS office becomes a battleground for the fate of the multiverse as Evelyn learns that she’s the only one who can stop a multi-dimensional agent of chaos named Jobu Tupaki fro...
Once upon a New York theatre dream, Kevin Kane and Amy Schumer met at the renowned William Esper Studio’s two-year intensive acting program. “That first year, they break you down,” Kevin tells me. I personally cast him in one of my plays in the early 2000’s. “I feel like…Going through that with somebody, you bare yourself pretty quick. We had a sensibility about each other that we were attracted to in acting class, of like, ‘I like their sensibilities. Let’s talk about doing stuff. I respect what they think more than anyone, so they’ll give me insight that no one else will or tell me the truth like no one else will.’ We really became family like that.” Close friends and creative partners ever since, they make success look so easy. All of their collaborations turn to gold: their theatre com...
Heavy Culture is a monthly column from journalist Liz Ramanand, focusing on artists of different cultural backgrounds in heavy music, as they offer their perspectives on race, society, and more as it intersects with and affects their craft. The latest installment of this column features Deee and KI of the band Oxymorrons. Oxymorrons are keeping busy in 2022. After kicking off the year on the ShipRocked cruise, the band is currently wrapping up a tour with Grandson and Royal & The Serpent. Heavy Consequence recently caught up with brothers Deee and KI of Oxymorrons to discuss all things music and culture. The vocalists spoke candidly about their upbringing in Queens, New York, their Haitian roots, and how that shaped who they are and their music. They also discussed their 2021 release, ...
This article originally ran in 2017 and has been updated. Ever felt overwhelmed by an artist’s extensive back catalog? Been meaning to check out a band, but you just don’t know where to begin? In 10 Songs is here to help, offering a crash course and entry point into the daunting discographies of iconic artists of all genres. This is your first step toward fandom. Take it. Isn’t it frustrating not being able to box something in? Not being able to name it because the goddamn thing is so busy evolving that it slips through your fingers? Sure, they might be a bunch of cartoon characters, but there’s always been something a little darker than meets the eye going on with Gorillaz. They’re pockmarked and weathered, garish, rough around the edges, the residents of Banksy’s Dismaland as counterpoin...
It’s a bit funny to remember how, thirteen years ago, the enemy of fandom had a face, and it was Robert Pattinson. This is a bit of an exaggeration, except maybe it isn’t, when one remembers how the 2009 San Diego Comic-Con, that annual orgy of fandom love, featured a nasty undercurrent of young men “protesting” Twilight‘s invasion of Hall H. In the year 2022, of course, Pattinson has now been embraced to some degree by the fanboys as our newest on-screen Batman. But while that might have changed, the vibes of those lackluster protests remain a too-familiar echo of an attitude to which female members of fandom have always been aware: In the pantheon of the great media landscape which distracts and delights us daily, girly shit is always seen as second-class. Not important. Not because it’s...
An upbeat two-step rhythm, a touch of R&B soul, and a groovy house vibe. That’s what it takes to conjure the sound of the people — or as those people call it, UK garage. You may know it from Daniel Bedingfield’s 2001 UK No. 1 “Gotta Get Thru This” or T2’s 2007 single “Heartbroken” with Jodie Aysha. Maybe you heard the recent streaming hit “Pain” by breakout star PinkPantheress, and wondered to yourself where you could find more. From the London streets in the mid ’90s to the modern stages of now, the upbeat rhythms and flirtatious vocals of UK garage is a sound that stays fresh after 30 years due mostly in part to its inherent diversity: diversity of sounds, of influencers, and of creators and fans alike. Advertisement While garage is a definitely UK kinda vibe, the genre has its roots...
For a band still very much defined by the crunchy alt-pop of their very first album (and by the departures from that sound on their classic follow-up), Weezer has used its unlikely second and third decades as a band to practice a surprising amount of eclecticism. For Decade Two (roughly 2003 through 2013), this translated to never knowing whether a Weezer song would be pop-rock bliss or appalling disaster, leaving only the certainty that any given album would have at least several tracks’ worth of each. But since 2014 or so, the band has seemed less defiantly scattershot in their experiments. Their albums still come out at a steady clip, but they feel more sonically and thematically cohesive — without sacrificing their playfulness. Appropriate for its debut in a season of blooming, the ban...
George Russell has become one of the most promising young Formula 1 drivers for Britain at just 24 years old. Since his Formula 1 debut back in 2019, the Norfolk native has proven himself to be an exceptional competitor for the Williams race team, consistently out-qualifying his teammate Nicolas Latifi and earning him the title “Mr. Saturday.” With a reputation for pushing Williams’ car beyond its limits, Russell finally had a chance to show off his true pace when he subbed in for Mercedes driver Lewis Hamilton at the Sakhir Grand Prix in 2020, leading the race multiple times and nearly winning despite some technical issues with the car. With his rookie days at Williams over, Russell will have to adjust to a different level of performance expected from him at Mercedes – a move that ma...
The Pitch: When it premiered in December 2020, Netflix’s Bridgerton provided plenty of steamy romance and escapism, both of which were in short supply as the world prepared to enter the second year of the COVID-19 pandemic. Season 1 of the lush period drama, adapted from Julia Quinn’s Bridgerton book series, followed Daphne Bridgerton (Phoebe Dynevor) and Simon Basset (Regé-Jean Page), the reluctant Duke of Hastings, as they went from co-conspirators to marrieds, setting Regency-era London ablaze. Their exploits, and those of the rest of the ton, were chronicled by the acerbic (and anonymous) Lady Whistledown, whose influence at times rivaled that of the Queen (Golda Rosheuvel). The second season follows the tradition of Quinn’s books and shifts the focus to a different Bridgerton: this ti...