As with all extraordinary natural occurrences, a must-own live album is a rare once-in-a-lifetime event. Against all odds—or, perhaps because of them—Pixies have achieved the epic, rarified feat of producing a live experience that you simply must add to your collection. Live In Brixton (out February 25) documents their four sold-out reunion shows at London’s historic Brixton Academy in June 2004. I spoke with guitarist Joey Santiago and drummer Dave Lovering about those legendary shows 18 years ago. “That is one of our favorite venues to play, Brixton,” Joey says. “Not to dis Omaha or anything, but it’s almost like when we go there, ‘Shit, this is home.’ First of all, London is our second home because our label was there, and just going to Brixton now is a special feeling. You enter it and...
In 1602, the Dutch East India Company was formed in what many consider the world’s first initial public offering — allowing perfect strangers to share in stock ownership. Four centuries later, the joint-stock model — especially its incarnation as the modern business “corporation” — sets the pace for much of the economic world. But, decentralized autonomous organizations, or DAOs, could soon disrupt the joint-stock capitalized business model, much as the Dutch East India supplanted the limited partnerships of its day — or so some may say. “DAOs are the new limited liability companies (LLCs),” says DAO investor Cooper Turley of these leaderless internet-native entities where key decisions are typically made by consensus. “In five years, companies won’t have equity anymore. They’ll have token...
David Lynch is rightly considered among the most impenetrably bizarre and allegorical filmmakers of his generation; however, there’s always a resolutely singular sense of authorship and intention to his work (even if he’s literally the only person who knows what he’s trying to say). That’s as true of 1977’s pioneering Eraserhead and 1986’s revered Blue Velvet as it is 1999’s comparatively conventional The Straight Story and 2006’s maligned Inland Empire. It’s certainly also valid for what’s perhaps his most unjustly disparaged creation: 1997’s Lost Highway. Celebrating its 25th anniversary this week, Lost Highway arrived in the midst of a career slump for Lynch. Neither 1990’s Wild at Heart nor 1992’s Twin Peaks: Fire Walk with Me earned the same kind of accolades as his 1980s run of films...
Top Performances is a recurring feature in which we definitively handpick the very best performances from an iconic actor or actress. This article was originally published in 2006. He was the villain. Until he wasn’t. You can take this angle on the late Alan Rickman in two ways. The first is his film career, in which the actor set himself up to be a go-to heavy for years to come. His Hans Gruber in Die Hard was the perfect foil for Bruce Willis’ John McClaine — the former neat, succinct, calculating while the latter was a mess, foulmouthed, and always improvising. Then there was the scenery-chewing performance as the Sheriff of Nottingham in Robin Hood: Prince of Thieves, a movie oft-maligned but not because of Rickman. Far from it. These evil performances were not an indication of what wo...
The first thing JPEGMAFIA says when we walk into the room, where he awaits us backstage at the Brooklyn Steel music venue of East Williamsburg, “Oh, I thought you were going to be a white guy? I was ready to be angry this interview. Come on, we can go to my actual room.” The 32-year-old, Barrington DeVaughn Hendricks, may operate on the fringes of reality, between anti-establishment punk rap and internet-troll subculture, but Peggy really is who he says he is. This would be confirmed several times throughout the rest of the evening, from spitting in fan’s mouths and having the crowd break out into “F*ck You Peggy” chants to dancing to Hanson’s MMMBop in the mirror of his [Green] room. JPEG, known most importantly as the producer and rapper, was born here in Brooklyn, an...
The first thing JPEGMAFIA says when we walk into the room, where he awaits us backstage at the Brooklyn Steel music venue of East Williamsburg, “Oh, I thought you were going to be a white guy? I was ready to be angry this interview. Come on, we can go to my actual room.” The 32-year-old, Barrington DeVaughn Hendricks, may operate on the fringes of reality, between anti-establishment punk rap and internet-troll subculture, but Peggy really is who he says he is. This would be confirmed several times throughout the rest of the evening, from spitting in fan’s mouths and having the crowd break out into “F*ck You Peggy” chants to dancing to Hanson’s MMMBop in the mirror of his [Green] room. JPEG, known most importantly as the producer and rapper, was born here in Brooklyn, an...
From rap and pop to R&B and soul, there is creative innovation happening in the music industry across genres. Perhaps now more than ever, musicians are utilizing social media and streaming platforms to collaborate, distribute and connect with new audiences through their music. To help curate your next mix, HYPEBEAST reached out to two tastemakers in the music industry — Tuma Basa, Youtube’s Director of Black Music Culture, and Carl Chery, Creative Director of Urban Music at Spotify — to discuss the modern intersection of Black culture and music and to highlight nine Black music artists currently on the rise. Baby Tate [embedded content]Atlanta rapper Baby Tate has been making music since 2015, though she hit her stride in 2020 after signing to Issa Rae’s label Raedio and releasing the ...
From rap and pop to R&B and soul, there is creative innovation happening in the music industry across genres. Perhaps now more than ever, musicians are utilizing social media and streaming platforms to collaborate, distribute and connect with new audiences through their music. To help curate your next mix, HYPEBEAST reached out to two tastemakers in the music industry — Tuma Basa, Youtube’s Director of Black Music Culture, and Carl Chery, Creative Director of Urban Music at Spotify — to discuss the modern intersection of Black culture and music and to highlight nine Black music artists currently on the rise. Baby Tate [embedded content]Atlanta rapper Baby Tate has been making music since 2015, though she hit her stride in 2020 after signing to Issa Rae’s label Raedio and releasing the ...
It is a truth universally acknowledged that if Dave Grohl moves even one finger, we sure as hell are going to write about it here at Consequence. Foo Fighters is the second most-written-about artist in the history of this site. Basically, we write about Grohl & Co. almost daily; the difference this time is that we’ve decided to formalize it as an actual week. Why are we like this, you may ask? Well, the running joke around here is that Grohl and his band keep the lights on, and we say that with the utmost gratitude and respect to that dude and his band. (Thank you for everything, Foos.) He makes headlines for doing good deeds, in addition to the usual rockstar stuff, and thus it is our jobs as humble scribes to give him attention on a regular basis. Advertisement But more than that, Fo...
Though a Long Island native, New York City is Billy Joel’s home. In fact, you could almost say Madison Square Garden is his residence, as he played a record-setting 73 consecutive monthly shows at the legendary venue between January 2014 and February 2020, a streak only interrupted by the pandemic. But the city is more than just the place he lives: It’s been the soul of much of his iconic discography over the last 50 years. Whether taking a Greyhound along the Hudson River, strolling The Village in tie dye jeans, or working Mr. Cacciatore’s down on Sullivan Street, Joel imbued numerous songs with the landscape of New York. His characters have cruised the Miracle Mile and Bedford-Stuy, while familiar locations like Astor Place and Mercer Street have appeared on his album covers. There’s har...