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Song of the Week breaks down and talks about the song we just can’t get out of our head each week. Find these songs and more on our Spotify Top Songs playlist. For our favorite new songs from emerging artists, check out our Spotify New Sounds playlist. This week, a tender new track from Big Red Machine and Taylor Swift is a welcome summer listen. For someone in a seemingly vibrant and loving relationship, Taylor Swift still knows exactly how to write about heartbreak. “Renegade” reunites Swift with folklore and evermore collaborators Aaron Dessner (of The National) and Justin Vernon (of Bon Iver), who have recently joined forces to create Big Red Machine. Swift has been honing her craft for more than a decade, exploring different production styles and avenues of storytelling, but she...
Fueled by the pain and beauty of her own journey, blossoming electronic music producer Sharlitz Web entangles listeners into her web of liquid basses and dark melodies. Growing up playing the flute and having a musical background in sound design, the “young Black Widow” started experimenting with flow art and making her own bass mixes to dance to. The natural high of self-expression through movement and music allowed her to progress and unlock more of her creative potential. But it wasn’t until her sister’s tragic death that she truly started developing as an artist. Sharlitz Web. Alex Varsa “My sister truly was my best friend and most important person in my life. Carrying this pain is what molded me into the artist I am today,” Sharlitz told EDM.com. “Spiders ...
For our Track by Track feature, artists break down the meaning behind each song on their latest project. Today, Declaime gives insight into his joint album with Madlib, In the Beginning (Vol. 1). Today, prolific producer Madlib and Oxnard rapper Declaime have released their collaborative album, In the Beginning (Vol. 1). Stream it below via Apple Music and Spotify, and read a complete Track by Track breakdown of the effort from Declaime. In the Beginning (Vol. 1) compiles 13 previously unreleased tracks recorded from 1993 to 1996, during which Declaime, aka Dudley Perkins, and Madlib lived across the street from each other. The two became fast friends outside of the studio, eventually leading them to enter the booth together. For Declaime, releasing the project is his way of paying tr...
Recently releasing her latest EP I. Entusiasmo and the new music video for its single “Diva,” Latin Grammy-nominated Javiera Mena has continued to impress over the last 15 years as a powerhouse vocalist, producer, and DJ. A highly introspective body of work, Mena shares some of her deepest and innermost thoughts on I.Entusiasmo. The record seemingly draw its sonic influences from electronica, disco, pop, and Latin music, examining the various feelings often associated with the gamut of euphoria to heartbreak. Highlights include “Diva,” “Flashback,” and “Dos,” the latter of which tells the story of a convoluted love triangle. After unveiling a cinematic, retrofuturistic music video for “Diva” back in May, Mena has now shared an exclusive live v...
Maybe you love the Fast & Furious moves, or perhaps you’ve never forgiven them for that reference to the “MoTeC exhaust”—but either way, it’s impossible to deny the impact the movies have had on society and car culture. With 10 films, including this year’s Fast 9, Fast & Furious is one of the most successful franchises in Hollywood history. It’s been 20 years since Brian O’Conner moseyed into Toretto’s Market and Café for a tuna on white with no crust, and the car world has never quite been the same. MotorTrend features editor Scott Evans well remembers the impact of 2001’s The Fast and The Furious: “The buzz was everywhere. Even in my small California town, everyone had heard about this new street racing movie. I went to ...
You can only ask this question in the context of a Fast and Furious film: How do you top a ’68 Dodge Charger with a jet engine in the trunk? Easy—a ’68 Charger with a Hellcat in the back seat. How does a Hellcat engine, even one tuned to Demon specification like this one, top a jet engine? Because it’s real. That’s right, kids, the jet engine sticking out the back of the “Ice Charger” in 2017’s Fate of the Furious was just a prop. The car was powered by a Chevy LS3 V-8 pushed back under the dashboard to make room for an all-wheel-drive system. Cool stuff, but the mid-engine Charger is the real deal. At least, two of them are. See all 15 photos “Now, when I say we built nine, they’re not all identical,” he explains. “There...
By the turn of the 21st century, The White Stripes had two respected and relatively popular albums under their belt: 1999’s The White Stripes and 2000’s De Stijl. Recorded at Jack White’s home studio, the collections did a fine job establishing the pair’s blues/garage rock revivalist formula, steadfast DIY outlook, and signature visual aesthetic of red, white, and black color combinations. Yet, they were only just starting to gain major industry and mainstream attention as they toured De Stijl, so it was clear that if they played their cards right, their next record would finally catapult them into being international superstars. Luckily, that’s exactly what White Blood Cells did. Released on July 3rd, 2001, the LP (their last on indie label Sympathy for the Record Industry) found them fur...
This article originally ran in 2016 and has been updated for the 30th anniversary of Terminator 2 on June 30th, 2021. Welcome to another installment of Vs. This time, in celebration of Terminator 2: Judgment Day‘s 30th anniversary, Mike Vanderbilt and David Buchanan battle over whether the original or the sequel kills it more. The Case for The Terminator Related Video The Terminator was a surprise hit in the fall of 1984, surprising audiences and critics alike with its blend of sci-fi, horror, brutal action, and a surprisingly bittersweet love story. James Cameron — a graduate of the Roger Corman school of hard knocks — cut his teeth on low-budget fare such as Battle Beyond the Stars and Piranha 2: The Spawning before selling the rights for The Terminator to producer (and fellow Corman pro...