The Pitch: It’s a tale as old as time: Gary (Pete Davidson) and Sheila (Kaley Cuoco) meet at a bar, and it’s basically love at first sight. She notices him because he’s the only one in the bar not watching the Big Game. He notices her because she’s funny, witty, unexpected, and a little kooky; their droll senses of humor bounce off each other like electricity. As their night goes from bar to restaurant to slow walks and talks along the riverside, it seems like their moment-one spark is too good to be true. Well, that might be because it is: It doesn’t take long for Sheila to fess up to the fact that their spontaneous meeting wasn’t so spontaneous: She’s lived this night dozens of times before, thanks to a magical tanning machine in a nearby nail salon that zaps you back 24 hours in ti...
According to Rotten Tomatoes, there has never been a movie quite like Ballistic: Ecks vs. Sever. The 2002 film, which stars Antonio Banderas and Lucy Liu as espionage agents on opposite ends of an action-packed conspiracy, turns 20 years old today, and it bears one of the most unfortunate distinctions in the entire entertainment industry: It has 118 reviews on Rotten Tomatoes, and every single one of them says it’s bad. Ballistic: Ecks vs. Sever is not the only movie with a 0% on the internet’s best-known review aggregator, but not all the zero-percenters are equal on that site. Even notorious duds like Jaws: The Revenge and Highlander II: The Quickening only have a fraction of the reviews have been logged for Ballistic. The odds that out of 118 critics, not a single one of them ever gave ...
The Pitch: Irwin M. “Fletch” Fletcher (Jon Hamm), an investigative journalist of some repute, arrives in Boston to help his lady friend Angela (Lorenza Izzo) retrieve some of her father’s paintings from an eccentric art dealer (Kyle McLachlan). But before he can unpack his bags, he finds a dead body in the apartment he’s borrowing. Pegged by two homicide detectives (Roy Wood Jr. and Ayden Mayeri) as the primary suspect, Fletch has to clear his name, secure the missing artwork, and fend off the advances of Angela’s stepmother (Marcia Gay Harden). Cards on the Table Time: Since he broke into the global consciousness through his still-outstanding work as morally bankrupt ad man Don Draper in AMC’s Mad Men, Jon Hamm has seemed content to serve as a utility player: For the better part of 15 yea...
The Pitch: The new David Bowie documentary, Moonage Daydream, succeeds not only for what it is, but what it isn’t. That has a lot to do with the clichés — and, occasionally, limitations — of the well-trodden format of the music documentary. We know bad ones — or just boilerplate ones — when we see them. They typically open in medias res; the subject mumbles something backstage through celluloid grain and a plume of smoke. Here come the talking heads: Jakob Dylan, Dave Grohl, Bono. The director takes us from the cradle to the grave — and you’re left a few bucks poorer, wondering if this is all music is, in the end. But never fear: Brett Morgen is at the wheel of Moonage Daydream, the new documentary plumbing the depths of Bowie. You may remember Morgen because he directed Kurt Cobain: Monta...
The Pitch: In part thanks to Daniel Craig’s Benoit Blanc, detective stories are having a bit of a moment right now, but stories of mysterious murders have been around for eons, with Agatha Christie being one of the 20th century’s pioneers in the genre. It’s Christie’s legacy that plays a huge role in See How They Run, which takes its inspiration from a famed play of the writer’s, but still has its own original mystery to unfurl. In the new film, directed by first-time feature director Tom George, it’s the 1950s, and a murder has taken place at the theater where Christie’s The Mousetrap has just celebrated its 100th performance. Enter Inspector Stoppard (Sam Rockwell) and Constable Stalker (Saoirse Ronan) to investigate, with everyone present the night of the death, including producer Petul...
This review is part of our coverage of the 2022 Toronto International Film Festival. The Pitch: Famous Southern detective Benoit Blanc (Daniel Craig), whom we first met in the 2019 flick Knives Out, is in a pandemic-induced funk when he receives an invitation from eccentric billionaire Miles Bron (Edward Norton) to his next big case in Greece. There, on a remote island, Bron’s closest friends and “disrupters” congregate for a murder mystery party at his Glass Onion house — a spot so lavish even the Mona Lisa is there, on loan from the Louvre. There’s former model-turned-fashion-designer Birdie Jay (Kate Hudson), controversial social media star Duke Cody (Dave Bautista), brilliant scientist Lionel Toussaint (Leslie Odom Jr.), right-wing politician Claire Debella (Kathryn Hahn), and Bron’s s...
This review is part of our coverage of the 2022 Toronto International Film Festival. The Pitch: You have heard of Mozart, Beethoven, and countless other European composers that helped shape music as we know it. However, it’s likely that you have never heard of Joseph Bologne, known professionally as Chevalier de Saint-Georges, whose work was largely destroyed when slavery was reinstated throughout France in 1802. It is an absolute shame, but thankfully, what has been preserved has been rediscovered over the years, establishing him as the first Black composer of the classical eras. Now, his story, or at least some of it, has been adapted for the screen thanks to director Stephen Williams and screenwriter Stefani Robinson. Chevalier shows Bologne, played by Luce breakout Kelvin Harrison Jr.,...
This review is part of our coverage of the 2022 Toronto International Film Festival. The Pitch: If you are familiar with Steven Spielberg beyond his movies, you likely know that he had a bit of an unconventional upbringing. His mother was an eccentric character, while his father seemingly loved her unconditionally as they moved around the country. However, that came to a halt when they suddenly announced their divorce when he was a senior in high school. It was this critical event, and the infidelity that Related Video fueled it, that helped shape the themes of Spielberg’s movies for the rest of his career. This influence is especially apparent in his latest film, The Fabelmans. Swapping out the Spielberg name with that of the titular family, this film is nonetheless his most personal to d...
This review is part of our coverage of the 2022 Toronto International Film Festival. The Pitch: In 1950s Britain, same-sex relationships are illegal. Gay men are arrested and thrown in jail for “unlawful” acts, or beaten by a hateful public. Those who pursue relationships must do so in secret or risk everything — their careers, families and maybe even lives. Enter a handsome but simple policeman named Tom (Harry Styles), who falls in love with an educated museum curator named Patrick (David Dawson). The pair hide their affair until Tom meets a schoolteacher named Marion (Emma Corrin) and decides to marry her in pursuit of a “normal” life. Related Video Fast forward several decades and Marion (now played by Gina McKee) takes in Patrick (Rupert Everett) following a stroke, angering Tom (Linu...
The Pitch: On a dark and stormy night in Detroit, Tess (Georgina Campbell) shows up at her AirBnB only to find someone already staying there: sensitive, looming, but slightly disarming Keith (Bill Skarsgård). Turns out they’ve both rented the place on the same night, and there’s nowhere else to stay, so Tess decides to take Keith up on his offer to crash together. After all, what’s the worst that could happen? Eat Your Heart Out, Gabriel: How do you write a review of a film that’s genuinely, truly, deeply best enjoyed blind? That’s the challenge ahead for us, dear reader, but let’s give it a shot. The solo feature directorial debut of Zach Cregger (one of the founding members of The Whitest Kids U’Know), Barbarian shares a surprising amount of DNA with Psycho, especiall...
The Pitch: Alithea (Tilda Swinton) is an aloof and solitary scholar who travels to Istanbul for a conference; browsing through the markets one day, she purchases a small glass bottle that intrigues her. Back at her hotel room, she uses her electric toothbrush to clean some dirt off the bottle, and poof! Out comes a Djinn (Idris Elba) who, after taking a few minutes to catch up with the 21st century and the existence of the English language, does his job and offers Alithea three wishes. Alithea, though, is a scholar of mythology, and so she’s immediately wary of the Djinn’s offer, given the centuries of precedent which suggests that no good can come of magical wishes. So she asks the Djinn to tell her his life story: How he came to be imprisoned in the bottle, and why he has been imprisoned...
The Pitch: You’ve heard of Superman. You’ve heard of the Punisher. You’ve even heard of Hancock, but you likely have never heard of Samaritan. However, Overlord director Julius Avery wants you to know his name. Adapted from the Mythos Comics series of the same name, this film centers around a young boy named Sam (Javon Walton) with a love for the titular long-thought-dead superhero named Samaritan. Sam has a hunch that the revered hero is still alive, but can’t really prove it as more than a fan theory. The legend goes that Samaritan went to battle with his equally strong yet villainous brother Nemesis over twenty-five years ago, both of them dying in the chaos. Without any real evidence that he’s right about Samaritan still being alive, Sam spends his time doodling, finding scrap metal to...