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Angel Olsen Debuts New 11-Minute Song “Time Bandits” on Instagram: Watch

Angel Olsen has been on an absolute tear since releasing Whole New Mess in late August. Not only has she covered both George Harrison and Bobby Vinton — the latter for Miranda July’s latest film Kajillionaire — the folk songwriter also delivered an acoustic Tiny Desk (Home) Concert for NPR. Olsen is back today bearing another gift: a new 11-minute song called “Time Bandits”. Olsen performed the track in full on Instagram on Sunday; she was seated at her piano in her Asheville home, with the camera positioned right in front of her mic. According to the video’s caption, “Time Bandits” was written just a few weeks ago after Olsen returned from St. Louis. “Against better judgement I’ve decided to put new songs up,” she added. “It’s a business but it’s my business.” (We can’t say we’r...

Neil Young to Release Bottom Line 1974 Concert Bootleg

One of the most storied and coveted Neil Young bootleg recordings is finally being released as part of the musician’s Official Bootleg Series. The Bottom Line — Citizen Cane Jr. Blues captures Young’s surprise, late-night performance at The Bottom Line in New York City in May 1974. “In my mind it’s a hazy memory, but this moment really captures the essence of where I was in 1974,” Young recalled on his Neil Young Archives website. The impromptu set began around 2:30 a.m. and saw the songwriting legend take the stage alone, with nothing but his guitar by his side. Young played 11 songs that evening, including the first-ever performances of “Citizen Cane Jr. Blues”, “Long May You Run”, and “Pardon My Heart”. Other tracks, such as “Revolution Blues”, “Motion Pictures”, and “Ambulanc...

Joni Mitchell Shares the First Original Demo of Her Career, “Day After Day”: Stream

Joni Mitchell has shared a rare piece of folk history today: the first-ever demo from he illustrious career. The track is titled “Day After Day” and it comes from Mitchell’s forthcoming collection Joni Mitchell Archives Vol. 1: The Early Years (1963-1967), which is due out October 30th. Stream it below. “It was my firstborn,” said Mitchell of the track. “I didn’t know whether it was a good song or a bad song. It was just the first one that came out.” “Day After Day” was recorded as a demo for Elektra records co-founder Jac Holzman back on August 24th, 1965. While it’s not her earliest-known recording — that title goes to her cover of “House of the Rising Sun” from 1963, which is also included in the upcoming collection — it is her first original demo and one that was previously unavailable...

The 10 Best Covers of Neil Young’s After the Gold Rush

It’s nearly impossible to overstate the artistic influence and value of Neil Young. Born in Toronto, Ontario, in November 1945, he spent his first 20 years or so digesting as much rock ‘n’ roll, country, and doo-wop as possible in the midst of living a somewhat tumultuous life (including suffering from polio, moving around a lot, and becoming a child of divorce). As with many iconic musicians, he dedicated much of his teenage years to playing in multiple fledgling bands. That is, until fate introduced him to another singer-songwriter, Stephen Stills, with whom he’d form the beloved folk-country rock troupe Buffalo Springfield in 1966. (Of course, the two would also help start the arguably even more significant Crosby, Stills, Nash & Young a few years later.) As wonderful and enduring a...

Yusuf / Cat Stevens Reveals New Duet Version of “Father and Son”: Stream

Yusuf / Cat Stevens is celebrating the 50th anniversary of Tea for the Tillerman with a new version of the classic album. Titled simply Tea for the Tillerman², it consists of re-recordings of all 11 of the original songs. Some of the updates are more straightforward, while others, such as today’s rendition of “Father and Son”, have been completely reimagined for 2020. The narrative of this reworking of “Father and Son” remains the same, recounting the strain and discord that often exist in families as a result of a stark generational gap. What makes this version stand apart, however, is that it features Yusuf’s original 1970 vocals alongside voice arrangements recorded in 2020 — in effect allowing for the songwriting legend to “duet” with himself as both father and son. Neat trick, huh? “‘...

Joni Mitchell Announces Archival Series, Shares Early 1963 Recording of “House of the Rising Sun”: Stream

Legendary singer-songwriter Joni Mitchell is cracking open her vault for the very first time to present fans with a comprehensive archival series. Simply titled Joni Mitchell Archives, the campaign will highlight unreleased material from throughout her career, showcasing the artist’s evolution and lasting impact over the decades. The series massive archival project begins with Vol. 1: The Early Years (1963-1967). Set to hit streets on October 30th, the five-CD collection includes Mitchell’s earliest-known recording, a 1963 in-studio radio performance for CFQC AM in her hometown of Saskatoon, Saskatchewan. There are also early versions of songs like “Michael From Mountains” and “I Had a King”, a 1965 mini set for Let’s Sing Out on CBC TV, and her rare Neil Young cover of “Sugar Mo...

Julia Stone Reveals New Song “Unreal”, Produced by St. Vincent: Stream

St. Vincent (photo by Ben Kaye) and Julia Stone (photo by Brooke Ashley Barone) Julia Stone returned this past July with her first solo single in eight years, “Break”, produced by St. Vincent. It turns out there’s quite a lot more to come from this pair, as a “greater body of work” is eventually coming down the line, according a statement. As another preview of this larger collaborative project, Stone and St. Vincent are now sharing a new track called “Unreal”. Not unlike her previous offering, Stone again sidelines her folk roots here, leaning further into synthpop territory. It’s a new look for the veteran Australian songwriter, but one that works in much the same way acts such as Sylvan Esso have built electronic music using the foundation of folk stylings. According to Stone, this late...

50 Reasons We Still Love Bob Dylan’s Highway 61 Revisited

Gimme a Reason takes classic albums celebrating major anniversaries and breaks down song by song the reasons we still love them so many years later. This time we make like a rolling stone with Bob Dylan and Highway 61 Revisited. Highway 61 Revisited is unanimously considered not only one of Bob Dylan’s greatest albums, but also one of the most influential and enduring records of its genre and time. Released mere months after the highly controversial Bringing It All Back Home (whose focus on electric instrumentation and cryptic lyricism — punctuated by Dylan’s appearance at the 1965 Newport Folk Festival — left many devotees feeling betrayed and incensed), the LP saw its creator delve further into those polarizing elements. The end result was a collection that brilliantly and bravely mixed ...

Neil Young Details The Times EP, Shares “The Times They Are A-Changin’” Cover: Stream

Earlier in the month, Neil Young quietly announced a new EP called The Times. Today, he’s further detailed the release, which will come exclusively to Amazon Music HD on September 18th. As predicated, The Times EP captures July’s “Porch Episode” of Young’s Fireside Sessions series. The performance featured his updated “Lookin’ for a Leader 2020”, which contains revised lyrics to match the current state of political affairs in 2020. Also included are renditions of “Ohio”, “Alabama”, “Southern Man”, “Campaigner”, and the Homegrown cut “Little Wing”. Rounding out the collection — and giving it its name — is a cover of Bob Dylan’s enduring “The Times They Are A-Changin’”. Young has released the recording via his Neil Young Archives, and you can also stream it on Amazon Music or via ...

New Music Friday: 6 Albums to Stream

Aluna, The Avett Brothers (photo by Crackerfarm), and Christian Scott aTunde Adjuah (photo by Eric Ryan Anderson) Every Friday, Consequence of Sound rounds up some of the week’s noteworthy new album releases. Today, August 28th, brings fresh music from Aluna of AlunaGeorge, The Avett Brothers, Christian Scott aTunde Adjuah, Knot, Samia, and Sevdaliza. Take a listen to each of their new albums below. Also check out new albums from Angel Olsen, Dua Lipa, Nasty C, and Katy Perry. Aluna – Renaissance <img aria-describedby="caption-attachment-1032383" data-attachment-id="1032383" data-permalink="https://consequenceofsound.net/2020/04/stream-aluna-body-pump-song-solo/aluna-body-pump-alunageorge-new-song-release-stream/" data-orig-file="https://consequen...

Tim Heidecker and Weyes Blood Team For New Song “Nothing”: Stream

Tim Heidecker (photo by Heather Kaplan) and Weyes Blood (photo by Philip Cosores) Tim Heidecker has shared a new song called “Nothing”, written and performed with Weyes Blood. It’s off his upcoming guest-heavy album Fear of Death, which comes for us all on September 25th. As you might have guessed from the cheerful album title, “Nothing” answers the question: What matters in life? “Nothing! That’s what it amounts to, they say,” is how the song begins, and it only gets sunnier from there. “Black void waiting down the road for us one day/ We’re all gonna die alone/ There ain’t nobody gonna carry us home.” But in the meantime, we have gorgeous backing vocals from Weyes Blood to keep us company, because while “there ain’t no place where the angels roam,” that doesn’t mean we can’t find he...

Bright Eyes’ Down in the Weeds, Where the World Once Was Dances Through Grief and Love: Review

The Lowdown: It’s been nearly 10 years since Bright Eyes released an album, and somehow everything and nothing has changed. Gone, this time for good — as Conor Oberst once declared — is the “rootsy Americana bullshit” that colored career-defining records like I’m Wide Awake, It’s Morning. Sonically, the reunited trio’s newest work has one foot in the stylized hyper-production of their last album, The People’s Key, and another in the Gothic, orchestral sweep of Lifted or The Story Is in the Soil, Keep Your Ear to the Ground. Sure, some of the old emblems remain: the cryptic overture, the half-sentimental, half-ominous soundbites, Oberst’s brooding and beautiful lyrical histrionics. And yet, the album isn’t an outright gloomy one. In the past decade, the members of Bright Eyes have grown up....