Fresh off announcing their first album in 13 years, Canadian post-hardcore act Alexisonfire have unveiled dates for a 2022 North American tour. The band will hit the road in support of its new LP, Otherness, which arrives on June 24th. The North American dates are broken up into three legs, with the first one kicking off May 19th in Nashville, and wrapping May 29th with an appearance at the So What Music Festival in Dallas. The second leg commences July 13th in Ottawa, Canada, and runs through a July 23rd show in New York City, while the third leg launches September 14th in Cleveland and finishes up October 9th in Anaheim, California. Tickets for Alexisonfire’s upcoming shows go on sale this Friday (March 18th) via Ticketmaster, with pre-sales beginning today (March 14th) and tomorrow (Mar...
Hardcore vets Terror have announced a new album, Pain Into Power, arriving May 6th. The band has also shared the lead single “Can’t Help But Hate” featuring George “Corpsegrinder” Fisher of Cannibal Corpse. The new song clocks in at a minute and 26 seconds — ample time for the Los Angeles punks to rip through a blaster. Corpsegrinder is right at home amid the hardcore flurry, providing some beefy background growls to complement Terror frontman Scott Vogel’s aggressive throat-shredding vocals. For Pain Into Power, Terror reunited with founding guitarist and Nails leader Todd Jones, who produced the new record and brought along the crushing sound his projects are known for. Advertisement Related Video “Todd is super intense and focused and analyzes all angles of songs and band situations,” V...
Philadelphia hardcore band Soul Glo have shared the new song “Driponomics” from their upcoming album Diaspora Problems, arriving March 25th. Soul Glo blew us away with the album’s excellent lead single “Jump!! (Or Get Jumped!!!)((by the future))” and its invigorating music video. New song “Driponomics” takes a more experimental approach to the band’s fusion of punk, hip-hop, and industrial. Featuring a guest verse by Philly rapper Mother Maryrose, the track is an uncompromising sonic commentary “on capitalism and economic disparity.” “’Driponomics’ is for everyone doing what they have to do to get by and to get fly,” the band commented via a press release. “Oftentimes lower-income and working class people are criticized for how they survive out here, especially in times of crisis. People a...
Soul Glo have announced a new album, Diaspora Problems, arriving March 25th via Epitaph. The Philly hardcore outfit also shared the video for lead single “Jump!! (Or Get Jumped!!!)((by the future)).” The new album will be Soul Glo’s second full-length LP — following an EP released in 2020 — and the band’s first for esteemed punk label Epitaph. Soul Glo’s impactful brand of hardcore also garnered our attention when we picked them as one of our Top 5 emerging punk bands last year. They deliver on the hype with “Jump!! (Or Get Jumped!!!)((by the future)).” The rhythmically dynamic rager is dense with spitfire lyrics that tackle “the disposability of Black art and its creators” and the uncertainty of making plans with an uncertain future. Advertisement Related Video “Many artists feel as thoug...
Few — if any — artists have left as much of a legacy on punk rock as Henry Rollins, so it makes sense that fans were surprised at the former Black Flag frontman’s decision to stop making music 15 years ago. In a recent appearance on producer Rick Rubin’s podcast, Broken Record, Rollins explained how he arrived at the conclusion. “The smart thing I did as a younger man was one day I woke up in my bed and I went, ‘I’m done with music. I don’t hate it. I just have no more lyrics. There’s no more toothpaste in the tube,’” Rollins said. “Luckily, I had enough movies, voiceover, documentary work, writing, talking, where that just filled in, and now I’m busier than ever. But I walked away before I had to start saying, ‘Hey, kids, remember this one?’ So I didn’t have to put it on and go up t...
Fans hoping to catch the very cool hardcore bill at the Middle East club Tuesday night (December 7th) in Cambridge, Massachusetts, were instead treated to a surprise shower. A concertgoer apparently front-flipped off the stage and ruptured a sprinkler pipe on the ceiling, flooding the venue before headliners Show Me the Body even had the chance to play. As New England Sounds reports, the incident happened as Richmond, Virginia’s Candy were performing in the club’s downstairs room. Footage shows water gushing from the pipe, as the band continues to play. At first, it didn’t seem to faze the crowd, as a number of moshers can be seen reveling in the pouring water. Eventually, the fire department was called as it became clear that the venue was flooding. According to a Reddit thread about the ...
The Lowdown: After earning well-deserved buzz with their 2018 sophomore album, Time & Space, Baltimore’s Turnstile continue their sonic evolution on their new genre-defying effort, Glow On. It would be easy to just call Turnstile a hardcore band, but that only scratches the surface of the music that this adventurous quintet creates. The Good: Fans of Turnstile’s hardcore roots are treated to their fair share of heavy tracks on Glow On, but those songs are balanced with melodic alt-rock tunes that shine just as brightly. A handful of the songs on Glow On also appeared on the Turnstile Love Connection EP that preceded the full-length by two months, one of which is the infectious leadoff track “Mystery.” A candidate for best rock song of the year, “Mystery” roars with a Nirvana-like guita...
Turnstile have uncorked their hotly anticipated third album, Glow On. Stream it below via Apple Music and Spotify. Glow On is the follow-up to 2018’s Time & Space, and comes in the wake of the surprise June EP Turnstile Love Connection. The album features a collaboration with Blood Orange, “Alien Love Call,” as well as the singles “Blackout” and “Mystery.” It was co-produced by vocalist Brendan Yates with Mike Elizondo, and finds the Baltimore hardcore band continuing to expand their sound. There’s plenty of heavy thunder to keep the mosh pit roiling, but the band have also borrowed from emo, shoegaze, and alternative palettes to create something stunningly original. In his review for Consequence, our own Spencer Kaufman wrote, “Turnst...