Heavy Metal
Stay Clean with Corpse-Paint Bar Soap in the Likeness of King Diamond, Abbath, Mayhem, and More
We all want heavy metal concerts to return, and the best way for that to happen is if we stay clean and wash our hands. Etsy shop CorpsePaintSoaps is making that all the more enticing with their bar soaps that look like legendary metal musicians. It’s not quite what you think. The minimal two-tone bars are subtlety ingenious and even kinda cute, depicting the iconic corpse paint of King Diamond and black-metal luminaries like Abbath, Mayhem, and more. You can also get a pentagram shaped dish on which to rest your corpse-paint bar soap. “This is one of the best things I’ve ever bought,” reads a customer review of the Euronymous soap, “they make the best gifts!” Even Cradle of Filth’s Dani Filth has endorsed the soap, calling it “the filthiest soap bar there is.” The soaps are hand...
Mastodon Unleash New Song “Fallen Torches”, Announce Medium Rarities Collection: Stream
Mastodon have unveiled the new song “Fallen Torches”, featuring frequent collaborator Scott Kelly of Neurosis. The track will appear on the newly announced career-spanning compilation Medium Rarities, which collects instrumentals, one-off singles, live tracks, cover tunes, and other obscurities. Medium Rarities, due September 11th, is the ultimate tide-over for fans eagerly awaiting Mastodon’s highly anticipated eighth studio album, which is now slated to arrive sometime in 2021. “Fallen Torches”, an uptempo track with heavy verses and a melodic chorus, was originally planned for release in support of the band’s 2019 European tour; however, Mastodon’s attention was diverted from completing the track by a worthy cause. “This classic Mastodon track [“Fallen Torches”] was recorded in Atlanta ...
Mining Metal: Bedsore, Defeated Sanity, Drouth, EMBR, Havukruunu, Maggot Heart, Rebel Wizard, and Skeleton
“Mining Metal” is a monthly column from Heavy Consequence writers Joseph Schafer and Langdon Hickman. The focus is on noteworthy new music emerging from the non-mainstream metal scene, highlighting releases from small and independent labels — or even releases from unsigned acts. Metalheads, permit me a brief digression into hip-hop fandom: Do you remember that last year rapper extraordinaire Megan Thee Stallion declared these months Hot Girl Summer? I sure do. In contrast, this year feels more like the Hot Seat Summer, with not much to look forward to besides an endless stream of anxiety-inducing news articles chronicling dire political and social climes, and not much anyone can do about it though there’s a constant fire under our butts to at least try to do something — anything. There’s n...
Portland Protesters Chant Rage Against the Machine’s “Killing in the Name” at Federal Agents: Watch
Tom Morello (photo by Amy Harris), Portland Protesters (via Twitter: Sergio Olmos) Portland, Oregon, has been an epicenter of sociopolitical unrest in America in recent weeks, and over the weekend, protesters channeled Rage Against the Machine to get their message across. While blasting the band’s “Killing in the Name” over loudspeakers, demonstrators chanted the song’s famous line “F**k you, I won’t do what you tell me” at federal agents. Footage of the scene posted to social media on Saturday looks straight out of a post-apocalyptic movie, with protesters in gas masks pumping their fists and flipping the bird while screaming the song’s profanity-laced line over and over again at federal agents on the other side of a fence. Rage Against the Machine guitarist Tom Morello shared the clip, a...
Korn Unveil Cover of Charlie Daniels’ “The Devil Went Down to Georgia” Featuring Yelawolf: Stream
Korn have unleashed a cover of the Charlie Daniels classic “The Devil Went Down to Georgia”, featuring guest vocals from rapper Yelawolf. Proceeds from the song will benefit the nonprofit organization Awakening Youth. The track was recorded during the sessions for Korn’s 2019 album, The Nothing, but sees its release less than a month after the passing of Charlie Daniels himself. The country music and Southern rock legend died July 6th at the age of 83 after suffering a hemorrhagic stroke. Korn’s version of the song features frontman Jonathan Davis trading verses with Yelawolf, as dueling guitar leads by Brian “Head” Welch and James “Munky” Shaffer offer a distorted take on the original track’s fiddle segments. Davis stated of the track, “I’ve always said it, but country music is some of th...
Biography: The Nine Lives of Ozzy Osbourne to Premiere on A&E in September
A&E has set a September 7th premiere for Biography: The Nine Lives of Ozzy Osbourne, a new documentary chronicling the metal icon’s life and career. The documentary, which was first announced in January, was slated to premiere at SXSW in March prior to the festival being canceled due to the COVID-19 pandemic. The 86-minute feature combines archival footage with new interviews, including sit-downs with Ozzy and his family (Sharon, Jack, and Kelly), Marilyn Manson, Rick Rubin, Post Malone, Rob Zombie, Jonathan Davis, Ice-T, and more. As a press release states, “Biography: The Nine Lives of Ozzy Osbourne traces Ozzy’s life from his childhood in poverty and time in prison, to fronting the iconic Black Sabbath and a successful solo career, to one of rock’s elder statesman and a lovable 21st...
Black-Metal Legend Ihsahn Calls Out Taylor Swift Over Album Artwork
Ihsahn (courtesy of Spinefarm Records), Taylor Swift (courtesy of Republic Records) The cover artwork of Taylor Swift’s surprise new album folklore immediately caused a stir on social media, thanks to the decidedly metal look of the gloomy black & white forest scene. Now, an actual black-metal legend, Ihsahn, is calling out the pop superstar for the folklore cover’s uncanny resemblance to the artwork for his “Stridig” single, released earlier this year. The woods and black metal have had a longstanding relationship over the decades. Many a time, our favorite corpse-painted musicians have found themselves stuck in the middle of a desolate forest, with their only way out a combination of shrieking vocals and heavily distorted guitars. Now, Taylor Swift has found herself in the same predi...
Manuel Gagneux (Zeal & Ardor) Returns as Birdmask, Premieres Music Video for New Song “Set Me on Fire”: Stream
Zeal & Ardor frontman Manuel Gagneux has revived his long-running solo project, Birdmask, and is premiering the music video for new song “Set Me on Fire” exclusively via Heavy Consequence. Birdmask is Gagneux in his own creative element. Although some of the atmosphere and experimental ideas of his metal outfit Zeal & Ardor are present here, Gagneux embraces a varied spectrum of sounds — “pop-rocked-bliss” as he calls it. Most notably, his soaring vocals remain right up front. “I’ve had this song ready for a couple of years now but being preoccupied with other projects kind of forced me to leave it on the back burner,” Gagneux says. “I feel like it’s about time to let it out. In the time between then and now I was lucky enough to tour the world with a different project, score ...
The Sword Announce Conquest of Quarantine Session, Cover T. Rex’s “Children of the Revolution”: Watch
The Sword have announced a new socially distant performance series, Conquest of Quarantine. The heavy rockers are today premiering the first tune from the three-song lockdown session, a cover of T. Rex’s “Children of the Revolution’, exclusively via Heavy Consequence. The new series comes on the heels of The Sword’s recent career-spanning compilations, Conquest of Kingdoms and Chronology 2006-2018. Both cull archival live recordings, B-sides, and rarities. As singer-guitarist J.D. Cronise told us in our recent interview, the band hoped to tour in support of the album before the pandemic effectively paused live music. Instead, The Sword performed together virtually in isolation and streaming the footage for fans. “Since we’re not touring this summer as originally planned, we figured we shou...
The Internet Has Spoken: Taylor Swift’s Folklore Album Cover Is Actually Very Metal
Remember when pop star Justin Timberlake retreated into the forest to get his “folk” on and became a bonafide Man of the Woods? It looks like Taylor Swift spent her quarantine attempting to take that same earthy path, and the result is a new album literally called folklore. What’s more, she put it together with help from Bon Iver’s Justin Vernon, himself A Wisconsin Man of the Woods, and Aaron and Bryce Dessner, members of quintessential indie outfit The National. As Fluxblog founder Matthew Perpetua so succinctly put it, “I guess Taylor Swift finally went out in the woods with the National and Bon Iver boys to actually make ‘some indie record that’s much cooler than mine,’” plucking choice lyrics from Swift’s 2012 hit single “We Are Never Ever Getting Back Together”. So I guess...
Clutch Announce Live from the Doom Saloon Volume II Livestream Concert
If you’ve ever wanted to build your own Clutch setlist, now’s your chance. The band might even play it during its upcoming livestream performance, dubbed “Live from the Doom Saloon Volume II”. Clutch are encouraging fans to pick their “dream 14-song setlist” for the virtual concert, which costs $9 and streams at 5:00 p.m. PT / 8:00 p.m. ET on August 7th (and available on-demand through that weekend). Donations from the show go to benefit the Innocent Lives Foundation. Any Clutch song from their 1991 “Pitchfork” 7-inch through 2018’s Book of Bad Decisions and their recent Weathermaker Vault Series is game. It’s a lot to choose from, but whoever submits the winning setlist — as picked by the band — will receive an insane prize pack including: a TremLord 30 combo amplifier from Orange Am...
Napalm Death Share New Song “Backlash Just Because” Ahead of Upcoming Album: Stream
Napalm Death have shared the new song “Backlash Just Because”. It’s the lead single and first music we’ve heard from the band’s upcoming album, Throes of Joy in the Jaws of Defeatism, out September 18th. The ferocious track finds the UK extreme metal pioneers in their thrashing element. The song’s chaotic noise and grindcore absurdity is anchored by frontman Barney Greenway’s subversive lyrics. “Backlash Just Because” set the blueprint for the rest of the album’s lyrical content and the skeptical optimism of its evocative title: Throes of Joy in the Jaws of Defeatism. “This song in particular really spurred me on when I was writing lyrics for the album overall,” Greenway said during an interview on Sirius XM’s Liquid Metal. “It’s raucous and traditional, but also quirky and discordant and ...
