Indie folk outfit Woods have returned with a new rarities collection called Reflections Vol. 1 (Bumble Bee Crown King). The full album is available to purchase for Bandcamp Friday, and you can stream a few of its tracks below. The project follows Woods’ 11th studio effort, Strange To Explain, from this past May. In normal, pre-coronavirus times, they’d be touring the world in support of it, but they decided to roll with the punches and unlock some unreleased material from the vault. In a statement, Woods summarized all the goodies that can be found on Reflections, which they consider “a lost record”: “With no touring this year, and possibly next, we decided to take a deep dive into our archives and put together the first volume of our much discussed archival series, Reflections. Featuring ...
Adrianne Lenker of Big Thief has shared a tender new song called “dragon eyes”. It’s the second preview from the two solo albums she’s releasing later this month, songs and instrumentals. Following lead single “anything”, this new track is a stark and beautiful indie folk tune that features all of Lenker’s signature qualities: rustling percussion, bristly acoustic guitar, and her soft, soothing, and entrancing vocal delivery. As always, her lyrics strike a curious balance between poetic abstraction and vivid imagery. “Stars bloom/ On a warm summer night/ They have a clear view /Without the bedroom light,” she sings with care. Take a listen below. Even though the ever-prolific Lenker released two albums with Big Thief last year — U.F.O.F. and Two Hands — t...
The Lowdown: Earlier this week, folk outfit Fleet Foxes made major waves (no pun intended) upon the spontaneous release of their latest album, Shore, which is their first in three years following 2017’s Crack-Up. Released to coincide with the autumnal equinox, which marks the shift from summer to fall, the album is peppered with themes related to transition and change within oneself, in others, and in the world. What makes Shore feel special, though, is the multidimensional lens in which transition and change are explored. [embedded content] Through a tapestry of 15 tracks, Shore details how transitions often involve the pain of letting go (and sometimes before we’re ready to do so), the challenge that can come with accepting their presence, reckoning with the myriad of impacts they can ha...
Our new music feature Origins gives artists the challenge of digging into the various influences behind their latest tracks. Today, Dawes reveal the things that “Didn’t Fix Me”. Now more than ever, we’re all on our own journeys to try and feel just a little bit better. Of course, the double-edged sword of it all is no matter how good a place we find ourselves in, this year has made it ever more clear that such harmony is frail. But as anyone with any experience giving or receiving mental health advice will tell you, that’s normal. Feeling 100% all the time is an unfeasible expectation — and that’s okay. If you ever need a reminder of that, Dawes have delivered what could be the perfect musical hug with their new song “Didn’t Fix Me”. Taken from the band’s forthcoming Good Luck with Whateve...
The Lowdown: Anjimile Chithambo might be new to the spotlight, but he’s been paying attention for a long time. His debut album, Giver Taker, carries a wide variety of influences — among them church choirs, ’80s pop, African music, and indie-folk — and melds them together as if they were born for this, born to flow into one another. The Boston-based trans musician wrote much of Giver Taker while in treatment for drug and alcohol abuse, and many of the songs are also concerned with his experiences coming out as trans and non-binary. As such, the entire album is papered with transformation, but through lenses of tenderness: the love implicit in confessions and the awe of one’s own resilience in the face of socialization and struggle. The Good: Would that I could just plop every single lyric f...
Back in July, Focus Features shared the trailer for writer/director Miranda July’s new film, Kajillionaire. The preview promised some quirky cons — and a new cover of the Bobby Vinton classic “Mr. Lonely” from Angel Olsen and composer Emile Mosseri. Today, a standalone stream of the pair’s rendition has been revealed. It’s a soft and haunting version, sounding like it could have come from Olsen’s Whole New Mess sessions. Add in the distant organ, and there are definitely some David Lynch vibes. In a press statement, Olsen recalled receiving the first text message from July asking her to work on the song with Mosseri. “So I met with them both, and we talked about cadence and we talked about life and we talked about the film,” Olsen said. “And Miranda directed me to sing the cover in the way...
Next month, The Mountain Goats will drop their second album of the year, Getting Into Knives. A first preview came via “As Many Candles As Possible”, which featured contributions from Al Green’s own organist Charles Hodges. The indie outfit is now sharing another single in “Get Famous”. While most wish for popularity and success, The Mountain Goats are making us seriously reconsider these lofty dreams. The new song encourages listeners to follow their ambitions, but paints fame as something not at all worth coveting. Or as a press release succinctly puts it, frontman John Darnielle sings the title “as if it were a curse.” “Cold, grey world/ All these obedient sheep/ They act like they know, but they’re all sound asleep/ You arrive on the scene like a message from God/ Listen to the people ...
Phoebe Bridgers has kept up her prolific streak into September. After taking part in a Daniel Johnston livestream tribute, playing a Tiny Desk (Home) concert in a miniature Oval Office, and covering Radiohead in a church, Bridgers stopped by CBS This Morning over the weekend for a Saturday Sessions performance. Bridgers delivered a trio of tracks off her latest full-length, Punisher, one of our favorite albums of the year thus far. Dressed in her now familiar skeleton suit, she sang “Garden Song”, “I Know the End”, and one of 2020’s best songs, “Kyoto”. Watch all three performances below. Earlier this summer, Bridgers contributed to a voters’ rights compilation alongside R.E.M., Hayley Williams, Angel Olsen, and others; teamed with Courtney Barnett to cover Gillian Welch’s “Everything...
The pressure to be productive while in quarantine continues to be very real, but Angel Olsen has made it look fairly effortless. In addition to rolling out a stellar new album, Whole New Mess, she’s spent the last few months sharing cover after cover. In March, she took on Roxy Music’s “More Than This”, followed by the Tori Amos original “Winter” in April. For her latest reworking, Olsen has tackled “Beware of Darkness” by George Harrison. Originally appearing on The Beatles guitarist’s All Things Must Pass album, the 1970 track was described by Olsen as “pretty great.” Her rendition, uploaded directly to IGTV late Thursday night, is similarly impressive in its vulnerability and starkness. “I’m just messing around like a tired sad shit,” Olsen wrote of her version, which was filmed in...
Colin Meloy (photo by David Brendan Hall), Raye Zaragoza (photo by Cultivate Consulting), and Laura Veirs Folk artist and protest music songwriter Raye Zaragoza has announced a new album, Woman in Color. Due out October 23rd through Rebel River Records, it’s being previewed today with a single called “They Say”, featuring harmonica from The Decemberists frontman Colin Meloy and banjo arrangements courtesy of veteran folk musician Laura Veirs. A timely number, it finds Zaragoza taking the US government to task for its piss-poor response to the coronavirus crisis. “This song is about the dysfunction of American power structures. It’s about how the systems built to support the people don’t support all people,” she explained in a statement. “Especially during a pandemic, it’s been ex...
In addition to releasing one of the year’s best albums so far, Phoebe Bridgers has spent the summer months covering a number of iconic artists. In June, she shared her official recording of John Prine’s “Summer’s End”, which she then followed up with a rendition of Gillian Welch’s “Everything is Free”, done in collaboration with Courtney Barnett. Now, Bridgers has taken on an alt-rock classic in “Fake Plastic Trees”. The indie folk artist’s Radiohead cover came as part of the BBC Radio 1 program Phil Taggart’s Chillest Show. And chill it certainly was. Bridgers recorded her delicate version of The Bends original inside of a church with help from rising R&B star Arlo Parks, who provided icy piano accompaniment. Bridgers previously covered “Fake Plastic Trees” live in concert in 2017, as...