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Girlpool Share New Single “Faultline”: Stream

Girlpool return today with a dreamy new single called “Faultline.” The Los Angeles indie duo’s latest arrives with a music video directed by the band alongside Julian Klincewicz. “The Faultline represents everything you do as a means of escape that pushes you further into the very thing you’re escaping,” Girlpool’s Harmony Tividad explains in a statement. The track seems directed at a neglectful partner, as Tividad’s poetic lyrics conjure some poignant imagery: “Every week keeps slipping by/ In this imitation paradise/ The angels make me sorry when I err/ From the way they want me everywhere,” she sings. “Will I die at this faultline?” The music video for “Faultline” is similarly idyllic, casting Tividad as the star in what could be her own coming-of-age drama. She rides a bike through sub...

Squirrel Flower Announces New Planet EP, Shares “ruby at dawn” and “unravel”: Stream

Squirrel Flower (born Ella Williams) released the album Planet (i) back in June, but it looks like she’s still got astronomy on the mind. Today the artist announced her Planet EP, out January 28th on Polyvinyl. To preview the release, she has shared two new singles: the original track “ruby at dawn” and a cover of Björk’s song “unravel.” Clocking in at seven tracks, Planet compiles Squirrel Flower’s self-recorded Planet (i) demos, leftover songs from the album’s studio sessions, and her Björk cover. In a statement, Williams explained that she saw releasing these odds and ends as a way for fans to better understand her artistic process. “I’ve always felt that the pieces and process and secrets behind a finished record are the most important parts,” Williams said. “Most of these so...

Beach House Unveil Once Twice Melody Chapter 2: Stream

Last month Beach House returned with their first new music in four years, and now, they’re back with more. The dream pop duo just released Once Twice Melody: Chapter 2, the second installment of their upcoming double album, Once Twice Melody. Take a listen below. Broken up into four chapters, Victoria Legrand and Alex Scally announced Once Twice Melody by sharing its first four songs. Once Twice Melody: Chapter 2 offers a look at the next four, and sees the pair try on a couple different hats: Frenetic keys pulsate in “Runaway,” while a gentle acoustic guitar line pokes out of “ESP;” “New Romance” keeps things light, and “Over and Over” extends into seven minutes. Each song comes with a fittingly psychedelic lyric video, which you can vibe out to below. Once Twice Melody was produced ...

HAIM Revamp Adam Sandler’s “The Chanukah Song”: Watch

We’re not here to pick favorites, but very few holiday songs have stood the test of time as well as Adam Sandler’s unforgettable classic “The Chanukah Song,” in which the canonically Jewish actor rattles off a few of his celebrity friends who also celebrate the Festival of Lights. But considering that song is 27 years old now, it’s time to update the name-drops: Cue canonically Jewish indie rock band HAIM, who revamped the Sandman’s tune as part of their annual “Haimukkah” festivities. Sandler debuted “The Chanukah Song” on this day in 1994 for an appearance on Saturday Night Live‘s Weekend Update. HAIM’s version respectfully swaps out Sandler’s pals in favor of the sister trio’s friends in music and beyond. “Maya Rudolph lights the menorah /So does Japanese Breakfast, and the Dessners do ...

Alice Phoebe Lou Drops Surprise Album Child’s Play: Stream

Alice Phoebe Lou just released Glow in March, but now she’s back with another new album. Today the South African artist surprise released Child’s Play, which you can listen to below. Lou reunited with Glow producer David Parry for Child’s Play, a 10-track record recorded in 10 days at Parry’s Dobro Genius studio in Vancouver. Working again with longtime collaborators Ziv Yamin (drums, keyboards) and Dekel Adin (bass), Lou described the process of making her second album in a year as both grueling and enjoyable. “The process was simple and intuitive,” Lou said in a statement, “using an 8-track tape machine and allowing the very new songs to grow into themselves. We worked tirelessly on a limited schedule to bring these personal songs to life, so used to each ot...

Phoebe Bridgers Performs “Savior Complex” in Austin City Limits Clip: Exclusive

Phoebe Bridgers has seemingly been everywhere in indie rock circles since her monster 2020 album Punisher. This weekend, she’ll cross another achievement off her list: performing on Austin City Limits. The singer-songwriter taped a set for the legendary PBS program in October in between performances at the festival of the same name, and today, Consequence has an exclusive first look at the show. Watch Bridgers perform “Savior Complex” below. Though she ditched her famous skeleton onesie (her backing band kept the uniform, however), Bridgers’ live rendition of the Punisher ballad otherwise stayed true to the original, down to the quiet cry of violin and smoky trumpet solo. Her resigned tale of a doomed relationship fills the theater with her trademark bittersweetness, especially with i...

Nilüfer Yanya Announces 2022 Tour Dates

Nilüfer Yanya’s got a big year ahead. Earlier this month, the London artist announced her sophomore album PAINLESS, and now, she’s shared a run of tour dates to accompany the record. To coincide with the album’s March 4th release date, Yanya’s tour kicks off March 10th in Scotland. After a trek through Europe, the singer-songwriter hits the States, starting in Austin on April 26th and wrapping up in Portland on May 22nd. Presale tickets become available November 30th, and general sale begins December 3rd. See the full list of tour dates below, and grab tickets through Ticketmaster. Advertisement Related Video Yanya announced PAINLESS with the single “stabilise,” a quick-moving rejection of modern mundanity. Her second full-length follows the 2020 EP Feeling Lucky? and h...

Anand Wilder Shares Origins of New Single “I Don’t Want Our Love to Become Routine”: Exclusive

With our recurring new music feature Origins, artists connect with listeners by revealing the inspirations behind their latest songs. Today, former Yeasayer member Anand Wilder shares his new solo track “I Don’t Want Our Love to Become Routine.” Two years after the breakup of Yeasayer, former member Anand Wilder is readying his debut solo album. I Don’t Know My Words is set to arrive on March 25th, 2022, and Wilder has today shared a new single off the LP, “I Don’t Want Our Love to Become Routine.” The track is a more delicate representation of the folk pop Wilder displayed on previous single “Delirium Passes.” With piano tip-toeing in the background, he sings of the realistic hardships of longterm relationships. “I see a couple that mate together/ Because they hate themselves,” he si...

Aimee Mann on Sad Songs, Mental Health, and Queens of The Summer Hotel

Listen via Apple Podcasts | Spotify | Google Podcasts | Stitcher | Pocket Casts | Radio Public | RSS Aimee Mann catches up with Kyle Meredith to talk about Queens of The Summer Hotel, an album that was written as the musical accompaniment for a planned stage adaptation of the book Girl, Interrupted. Advertisement Related Video The singer-songwriter discusses the heavy subject matter, her own experiences with depression and mental health, dissociation, spending time in a treatment center, and how it all relates to the characters and lyrics within the songs. Mann also tells us about the freeing nature of writing stage music and directing the music towards the Burt Bacharach period of the late-’60s. Elsewhere, she also talks abo...

Wet Leg Announce Self-Titled Debut Album, Share Two New Songs: Stream

British indie rockers Wet Leg have announced their self-titled debut album. Wet Leg arrives April 8th, 2022, and as a preview, the duo have shared two new songs, “Too Late Now,” and “Oh No.” The project of Rhian Teasdale and Hester Chambers, Wet Leg originally began as a humorous outlet for frustration. “Wet Leg was originally just supposed to be funny,” Teasedale said. “As a woman, there’s so much put on you, in that your only value is how pretty or cool you look. But we want to be goofy and a little bit rude. We want to write songs that people can dance to. And we want to people to have a good time, even if that might not possible all of the time.” In a statement, Teasedale said that “Too Late Now,” is “about sleepwalking into adulthood. I never imagined that my adult life...

Courtney Barnett Kicks Off Her North American Tour in the Desert: Photos and Recap

Joshua Tree got a real treat this past Saturday evening (November 27th), as Courtney Barnett kicked off her North American tour at the renowned Pappy and Harriet’s. Consequence was on site to catch all of the action; check out our full gallery of photos below. The Pioneertown, California restaurant and venue was fitting for the energy Barnett brings to her live shows. The show was also outdoors, so the only light shining down on attendees was that of gleaming stars. First, opener Azniv Korkejian — better known by her stage name Bedouine — produced a sound that combined ‘60s folk and ‘70s country, accompanied by her absolutely mesmerizing voice. They gave you the feeling like you were right at home with a hot cup of tea, by the fire, wrapped in a blanket. Advertisement Related Video Then it...

Sufjan Stevens Releasing Cover of Nick Drake’s “Pink Moon”

Sufjan Stevens may be taking an indefinite break from releasing new music, but we haven’t heard the last of him quite yet. The singer-songwriter’s label Asthmatic Kitty has announced Stevens recorded a cover of Nick Drake’s “Pink Moon” for an upcoming book of the same name by artist Marcel Dzama. The cover will be included with the special edition of Pink Moon as part of a 7-inch picture disc that also features Hannah Peel’s own take on Drake’s 1972 track. Pre-orders for the book are ongoing. Here’s the official description: “In Pink Moon, artist Marcel Dzama presents a raft of new works inspired by travelling through Mexico and Morocco which touch on the wonder that travel and the strange immersion in cultures aside from one’s own can so often engender. Taking visual cues from the evocati...