Mia Berrin’s rock project Pom Pom Squad has shared the new song “Until It Stops,” produced by Sarah Tudzin of illuminati hotties. This Spotify Singles release was recorded at the famed Electric Lady Studios in New York. Here, Berrin finds herself regretting attending a party, as she sings, “I told myself I’d be asleep/ I should’ve been in bed by three/ I’m wide awake/ Sailing/ A little drunk/ Wearing/ A dress too tight for me to breath.” In a statement, she said, “‘Until it Stops’ is my version of a drinking song. I’m not much of a partier but I’m in my early 20s so whenever I turn down an invite to go out I go through an internal dialogue wondering if I’m missing my youth. Then, when I actually do go out, I get uncomfortable and then I drink too much and put my fo...
After moving our clocks back an hour this past weekend, some people might be looking forward to holiday preparations. Don’t forget about yourself, however, as there are plenty of intriguing options for tickets going on sale this week, whether it’s indie folk, punk, hip-hop, or hard rock that tickles your fancy. Breakout Michigan rockers Greta Van Fleet are embarking on a headlining world tour, while Markéta Irglová and Glen Hansard are reuniting for the 15th anniversary of their breakout film, Once, for a trek that will also feature their music as the indie folk duo The Swell Season. Meanwhile, Chicago rapper Saba is gearing up for his upcoming third album with the “Back Home Tour.” Rounding out this week’s sales are a trio of punk acts at different points in their...
When Courtney Barnett turns on her Zoom camera, she’s squinting from the sun. The singer-songwriter, whose new album Things Take Time, Take Time arrives this Friday (November 12th) via Mom+Pop, is calling from outside the house she’s staying at in Joshua Tree, where she’s been rehearsing for her upcoming tour and, deservedly, taking some time to relax. “I’ve just woke up,” she tells Consequence with a laugh. Barnett began writing her follow-up to 2018’s Tell Me How You Really Feel in late 2019 and early 2020, before the you-know-what put most people’s plans on an indefinite pause. Strict COVID safety protocols in her native Australia meant that Barnett had an abundance of free time on her hands: “I was living by myself in Melbourne, and we were in lockdown, and I was writing...
beabadoobee has had quite a year. Following the release of her long-awaited 2020 debut album Fake It Flowers, the Londoner upped the ante and wrote and recorded Our Extended Play EP, released in June, with labelmates Matty Healy and George Daniel of The 1975. And finally, as restrictions have begun to lift and live music is returning, beabadoobee is back on the road, currently touring through North America with fellow Dirty Hit signees BLACKSTARKIDS and Christian Leave as support. As Bea’s sound has transformed from her lo-fi bedroom pop to a heavier, grunge-forward vibe, her songwriting itself has become much more specific and noteworthy. Seeing her show at Webster Hall in New York City last week, it was extremely clear that this sonic evolution has come to define the project and its futu...
At long last, Beach House have announced a new album. Titled Once Twice Melody, the dream pop duo’s first long player in four years will be released in four distinct chapters, with the first arriving tomorrow (!), November 10th. Chapter two will released on December 8th, followed by chapter three on January 19th. The full album will then be revealed when the fourth and final chapter is published on February 18th. All told, Once Twice Melody spans 18 tracks entirely self-produced by Beach House. Victoria Legrand Alex Scally are accompanied on the album by a live string ensemble. Advertisement Related Video To support the release, Beach House have mapped out an expansive tour that includes two separate North American legs, as well as a Eurotrip. Tickets go on sale starting Friday, Novem...
Phoebe Bridgers and MUNA put themselves on the prom court during a performance of “Silk Chiffon” on The Late Late Show with James Corden. A sea of pink balloons framed the stage, as MUNA stood in front of silver fringe curtain with the word “MUNA” spelled out in latex and helium. Vocalist Katie Gavin wore a flowing skirt and a tiara, though the skirt didn’t make it through the first verse before it was flung away. Bridgers stepped out of the wings before the second verse wearing a tiara of her own, and together they rocked through the irresistible track. Check out “Silk Chiffon” below. “Silk Chiffon” came out in September and we named it our Song of the Week. Both Phoebe Bridgers and MUNA are currently on tour. You can book tickets to see Bridgers here, and y...
Few indie rock bands can claim the sheer breadth, longevity, and sustained creative inspiration as They Might Be Giants, whose body of work spans nearly four decades, twenty-plus albums, and many hundreds of songs. John Flansburgh and John Linnell’s storied discography includes alt-rock hits (“Birdhouse in Your Soul”), college-rock classics (“Put Your Hand Inside the Puppet Head”), and the occasional TV theme (“Boss of Me”). Their new album BOOK (out Friday, November 12th) goes in another new direction: Its 15 tracks are available on their own, or accompanied by a large hardcover lyric book, featuring original art connected to the new batch of songs, as well as selected pieces from their last few releases. As always, the songs stand alone; this group is less ornate than some of the band’s ...
Camp Cope have returned with their first new song in three years, “Blue.” The Aussie rockers’ last studio effort was 2018’s How to Socialize and Make Friends, and the intervening years have included a solo album from vocalist Georgia Maq, Pleaser, as well as loosies such as the pop tune “Someone Stranger.” Camp Cope reunited in the studio during the pandemic, and their latest release flexes some of the freedom that Maq found in pop. The guitars on “Blue” are sunny and bright, even as the lyrics scan clouds on the horizon. “Phone in my hand, still checking if you called,” Maq sings. “I’m double texting. No, I’ve never been cool/ And I’ll burn that bridge when I get to it. Yeah, I’m on fire.” Speaking of fire, Maq’s voice still sizzles like no one else in DIY. Advertiseme...
On Friday, Lindsey Jordan released Valentine, her highly-anticipated sophomore album as Snail Mail. To celebrate the occasion, the indie rocker made her late-night TV debut on The Late Show With Stephen Colbert, performing the album’s fiery title track. Donning her own take on 19th century menswear, Jordan brought her ’90s alt-rock flair to Colbert’s live studio. In line with the album’s theme, the stage was adorned with bouquets of heart-shaped balloons, countless roses, and one final balloon drop at the end of the song for good measure — in short, enough decorations to make you forget that February 14th is still three months away. Still, Snail Mail’s performance of “Valentine” is good enough to make you swoon any time of year. Check it out below. Valentine follows Snail Mail’s ...
Love hasn’t gotten any easier for Lindsey Jordan, but her heart is better equipped to sustain it on Valentine, her second studio album as Snail Mail (out November 5th via Matador Records). The 22-year old indie rock upstart reemerges after grappling with a tumultuous rise to stardom from her 2018 breakout debut Lush, which recounted a series of relationships that left her burned. However, she returns not hardened by her experiences, but enlightened, accountable, and against all odds, open to falling in deep once again. Now in sequence as the opening track, the album’s debut single “Valentine” serves as an even greater introduction to Snail Mail’s next phase; the initial enveloping synths and warbling flourishes tucked deep into the verses hint at both the vast expansion of sound and subtle...
Artist of the Month is an accolade given to an up-and-coming artist or group who is poised for the big time. In November 2021, we give the nod to Brooklyn post-rockers Geese as they drop their highly buzzed debut album, Projector. Everyone’s been robbed of in-person experiences on way or another in this unprecedented pandemic era. Many already-plugged-in teenage musicians have seen some of their most formative years shunted online. For every breakout success spurred by TikTok, there’s a dozen more who haven’t been so lucky. How does an aspiring 16-year-old artist, for example, expand their horizons when live music is shuttered? How can they possibly hone their stage presence without stages on which to perform? “I remember for a minute in quarantine, we would just get together and watch liv...
It’s been a decade since Of Monsters and Men released their debut album My Head Is an Animal in their home country of Iceland in September 2011. The success of the LP and its rollicking lead single “Little Talks” led to a deal with Republic Records, over a million records sold, a permanent spot on the festival circuit both in Europe and Stateside, and an enduring, fervent fanbase. “It’s a super special album,” Ragnar (“Raggi”) Þórhallsson, the group’s co-lead vocalist/guitarist, tells Consequence over Zoom. “I’ve always cared for it — the simplicity of it is that it’s hard to create something simple and beautiful, and I think that album is that.” Released internationally in April 2012, My Head Is an Animal grabbed listeners not just for its catchy melodies, but for the group’s sense of adv...