Indie Rock
Rostam Announces New Album Changephobia, Shares Single “4Runner”: Stream
After dropping a handful of standalone singles, Rostam has announced a new solo album is on the way. It’s called Changephobia and it’s due out June 4th via Matsor Projects/Secretly Distribution. Best of all, you can stream a new track from the record, titled “4Runner”, below. Changephobia spans 11 tracks in total, including the previously release singles “These Kids We Knew” and “Unfold You”, which Rostam used to explore new-to-him sounds like retro bebop and ’90s neo-psych rock. Not only is it the ex-Vampire Weekend member’s third studio album, but it’s also his first full-length LP in four years following 2017’s Half-Light. In a press release, Rostam said that he was compelled to write Changephobia after meeting a stranger on a park bench. The two opened up to one another ...
Song of the Week: Jay Som and Palehound Choose the Bachelor’s Life and Debut “Anything at All”
Song of the Week breaks down and talks about the song we just can’t get out of our head each week. Find these songs and more on our Spotify Top Songs playlist. For our favorite new songs from emerging artists, check out our Spotify New Sounds playlist. This week, two longtime friends form a new band and find a new sound. The past year of our lives has taught us that loneliness comes in several shades of blue. It can feel like total isolation, separation from dear friends, or even the tedium of seeing the same faces every single day. Those among us who have fared best have either found ways to beat the loneliness (a little Zoom went a long way there for a while, didn’t it?) or embrace it as a chance to remain in the moment and accomplish something. Jay Som (Melina Duterte) and Palehound voc...
I Don’t Know How But They Found Me on the Importance of Mystery
Kyle Meredith With… I DON’T KNOW HOW BUT THEY FOUND ME Listen via Apple Podcasts | Spotify | Google Play | Stitcher | Radio Public | RSS I Don’t Know How But They Found Me singer-songwriter Dallon Weekes talks with Kyle Meredith about the band’s debut LP, Razzmatazz. Weekes tells us about the breakthrough single “Leave Me Alone” being inspired by Bowie, Prince, and Don Henley, growing up on the Gen X / Millennial line, and the importance of keeping the band a bit mysterious. He also talks about theatrics and the beauty of a spoken word bridge. The former Panic! At the Disco member also hints at a possible graphic novel in the works with DC Comics and how he plans to work all of the high concept into the live show. Kyle Mere...
St. Vincent Details “Sleazy, Grimy” New Album Daddy’s Home
One of our most anticipated albums of 2021 is the impending new record from St. Vincent. Last year, Annie Clark confirmed that the LP would arrive by this summer, and earlier this week some eagle-eyed Reddit users spotted posters that indicated it’s titled Daddy’s Home and would be released on May 14th. In a new interview with The New Cue, Clark didn’t confirm either of those facts, but she did share some key details about the album’s theme, sound, and recording process. While speaking with the new weekly music newsletter, the Grammy-winning rocker revealed that it was co-produced by Jack Antonoff (who she worked with on 2017’s MASSEDUCTION ) and that it was heavily inspired by early ’70s New York City. “I would say it’s the sound of being down and out Downtown in New Y...
Julien Baker Unveils New Album Little Oblivions: Stream
Julien Baker has unveiled her highly-anticipated new album Little Oblivions. Stream it below via Apple Music and Spotify. As she did on her first album, 2015’s Sprained Ankle, and the 2017 follow-up, Turn Out the Lights, Baker wrote, performed, and produced every track. The biggest difference this time around might be Baker herself. In 2018, she formed boygenius with Lucy Dacus and Phoebe Bridgers, and their powerful self-titled debut introduced each artist to new fans and fresh approaches to songwriting. Still, despite everything good that’s come from her career, Baker lived through a “really difficult year,” and she sees Little Oblivions as a “pretty pessimistic record.” As she explained in an interview with Consequence of Sound on Kyle Meredith with…, “I wrote this record over...
Half Waif Unveils New 7-Inch with “Orange Blossoms” and “Party’s Over”: Stream
Nandi Rose and her Half Waif banner have unveiled a gorgeous new 7-inch that boasts the songs “Orange Blossoms” and “Party’s Over”. The part-time Pinegrove member has travelled a great distance from that sound. After striking out on her own with Lavender, she found a bigger, bolder tone on 2020’s The Caretaker. The new singles continue in the same expansive vein. “Orange Blossoms” opens with chilly pleas for somebody to help, as Rose sings, “I don’t want to be here.” The drama comes from the contrast of quiet and loud, with softer sections that swell into gusts of choral storms before giving way to eerie calm. The second song, “Party’s Over”, celebrates the bittersweet joys of being an outsider. “Don’t you know that the party is over,” she sings, “But you’re just getting started/ Just keep...
Wolf Alice Announce New Album Blue Weekend, Share “The Last Man on Earth”: Stream
The last album Wolf Alice put out, Visions of a Life, earned them the coveted Mercury Prize in 2018. Now, it looks like they’re preparing to turn heads again with a brand new full-length called Blue Weekend. It’s due out June 11th via Dirty Hit/RCA, but you can stream the lead single “The Last Man on Earth” in advance below. This is the band’s third studio LP, following Visions of a Life and 2015’s My Love Is Cool. The British alt-rockers created Blue Weekend in hopes of emboldening their storytelling and refining their musical style. “The Last Man on Earth” makes good on that promise by pushing singer Ellie Rowsell‘s voice to the front over ballad-style piano, lush vocal harmonies, and empowering percussion. Come the end, the Wolf Alice track could be mistaken for a rousing...
Horsegirl Share New Single “Ballroom Dance Scene”: Stream
Teenage Chicago noisy rock trio Horsegirl have released a new single called “Ballroom Dance Scene”. Watch its corresponding music video down below. Band members Penelope Lowenstein, Nora Cheng, and Gigi Reece wrote the song, which details the lives of various fictional characters, during the fall 2019 Chicago teacher’s strike. They created the accompanying video during this past winter break, shooting it on their phones and an old digital Canon camera. Street footage was filmed in the band’s “aux-less 2004 Buick LeSabre,” while the indoor scenes were shot in the attic of Reece’s childhood home. The song itself features layered vocal melodies and builds from restrained opening acoustic strum, bringing in swirling electric guitars midway through. “Ballroom Dance Scene” serves as an ampl...
Guided By Voices Announce New Album Earth Man Blues, Share “Free Agents”: Stream
Guided by Voices released three albums in 2020, and it looks like they plan on continuing that impressive pandemic pace in the new year. The legendary indie rockers have just announced another new record called Earth Man Blues, due out April 30th via Rockathon. Earth Man Blues is the 33rd studio album (!) of Guided by Voices’ career. It’s comprised of songs from the past decade that were never used on previous LPs and organized here to create an overall theme. After realizing it sounded like a musical stage production, Robert Pollard decided to lean into that style and named the album after his elementary school’s theater playbill. “I was blown away that I had discarded them,” Pollard said of the tracks in an interview with Rolling Stone. “Anyway, I combined some of them and created new ar...
Song of the Week: serpentwithfeet Gains Traction with Soulful “Same Size Shoe”
Song of the Week breaks down and talks about the song we just can’t get out of our head each week. Find these songs and more on our Spotify Top Songs playlist. For our favorite new songs from emerging artists, check out our Spotify New Sounds playlist. This week, serpentwithfeet gains traction with “Same Size Shoe”. There are two types of hype in the music business. One type makes it feel like an artist has the primal forces of nature behind them, controlling all media and advertising to make it seem like their next album will not only be the next canonical masterpiece to change music forever, but also the antidote to all that ails our suffering species and planet. And, then, there’s the type of hype that seemingly finds root in the tiniest speck of soil imaginable and slowly grows from th...
The National’s Matt Berninger Shares New Song “Let It Be”: Stream
Last year, The National’s Matt Berninger released his debut solo album Serpentine Prison. The record was delivered to streaming services with 10 songs, but fans who scooped the limited-edition double vinyl LP were treated to an additional six bonus tracks. Now, Berninger is giving everyone the opportunity to hear those extra cuts, starting with an original tune called “Let It Be”. Next month, the indie-rock veteran will include the bonus tracks in a proper deluxe edition of Serpentine Prison, which will be available both digitally and physically. The extra goodies include “Let It Be”, another original song, and four covers of tracks by Eddie Floyd, Morphine, Bettye Swan, and The Velvet Underground. Like the majority of the album, “Let It Be” is a soft and gentle track that moves at a ...
HAIM Share New Fire Remix of “Gasoline” Featuring Taylor Swift: Stream
HAIM and Taylor Swift have been friends for quite a while now, and they committed their friendship to wax last year when the sisters hopped on her evermore track “No Body, No Crime”. Now, they’re teaming up once again, this time with Swift putting her own spin on their Women in Music Pt. III cut “Gasoline”. As eagle-eyed fans pointed out, HAIM started teasing “Gasoline (Featuring Taylor Swift)” earlier in the week with some cryptic tweets and a TikTok video of them cranking the remix together in their car. As could be heard in that audio snippet, this new version of “Gasoline” sees Swift singing gracefully over the original version, all sweet harmonies and luscious tones. Swift had long been hot on “Gasoline” according to a statement from the sisters. “since we released wimpiii in june, ta...
