Barcelona indie rockers Mourn have announced a new album. Titled Self Worth, the follow-up to 2018’s Sopresa Familia will arrive October 30th through Captured Tracks. As its title indicates, the forthcoming effort finds Mourn rediscovering themselves after a bout of trials and tribulations, including the departure of drummer Antonio Postius. “This album gave us what we needed: self-worth, the desire to go forward, to love ourselves, with everything, with the good and bad,” the group, now a trio, notes in a statement. “This album empowers us.” “Call You Back”, released in May, offered fans their first peek at the new LP. A second single, “This Feeling is Disgusting”, has now been revealed. The track is a literal reaction to the world — as it is in this present moment and what it may ha...
Bright Eyes returned last week with their long-awaited comeback album, Down in the Weeds, Where the World Once Was. In support of the release, Conor Oberst and his crew recorded a SiriusXM Session that featured a pretty unexpected cover song: Thin Lizzy’s “Running Back”. They also appeared on CBS This Morning over the weekend. While the indie/emo rockers maintain the folkier aspects of Think Lizzy’s 1976 Jailbreak original, Oberst’s distinctly raspy growl make this “Running Back” rendition a unique one all their own. We’ve certainly missed Oberst in Bright Eyes mode like this. As for the Omaha-bred band’s appearance on CBS This Morning, they performed Down in the Weeds singles “Persona Non Grata” and “Mariana Trench”. Oberst was joined by fellow Bright Eyes mates Mike Mogis and Nathan...
Bright Eyes have returned with their first new album in nine years, Down in the Weeds Where the World Once Was. Stream it below through Apple Music or Spotify. Conor Oberst, Mike Mogis, and Nate Walcott released nine albums from 1998 through 2011. Together they led an indie rock revolution off of Dylan-esque folk tunes, but by the time of 2011’s The People’s Key, Oberst had somewhat soured on his earlier work, calling it “rootsy Americana shit.” In retrospect, perhaps they just needed a break. Oberst especially has been busy these last nine years, pumping out solo records, founding Better Oblivion Community Center with Phoebe Bridgers, and then co-writing five songs on her outstanding new album Punisher. While Oberst helped Bridgers become a star, she’s now returning th...
Every Friday, Consequence of Sound rounds up some of the week’s noteworthy new album releases. Today, August 21st, brings fresh music from Cut Copy, Guided By Voices, Awich, The Lemon Twigs, Bully, Duckwrth, The Front Bottoms, and Maya Hawke. Take a look to each of their new albums below. Also check out new albums from Nas, The Killers, and Bright Eyes, and new singles from Deftones, BTS, and Jay-Z and Pharrell. Cut Copy – Freeze, Melt <img aria-describedby="caption-attachment-1058624" data-attachment-id="1058624" data-permalink="https://consequenceofsound.net/2020/08/cut-copy-like-breaking-glass-stream/cut-copy-photo-by-tamar-levine-2/" data-orig-file="https://consequenceofsound.net/wp-content/uploads/2020/08/Cut-Copy-photo-by-Tamar-Levine-.jpg?qualit...
In addition to mastering his own original creations, Four Tet knows how to transform a simple remix into something magically refreshing. We’ve heard Kieran Hebden do this for years, reworking everyone from Destiny’s Child and Rihanna to Radiohead and Lana Del Rey. (My personal favorite would be his take on The xx’s “A Violent Noise.) Four Tet has now turned his attention to Tame Impala and The Slow Rush single “Is It True”. Over the course of five minutes, the British producer manages to draw listeners further into Kevin Parker’s world. Here the swirls of psychedelia stretch on a little longer, their pulses slowed down a bit for maximum blissed out daydreaming. Stream Four Tet’s “Is It True” remix down below. Editors’ Picks Four Tet released a new album earlier this year titled ...
Whether you think Hinds are the Spanish CHAI or CHAI or the Japanese Hinds, there’s an undeniable kinship between the bands. So even though they live in different corners of the world, it was probably only a matter of time before the two bands joined forces. Today, they’ve released their oh-so-fitting collaborative single “UNITED GIRLS ROCK’N’ROLL CLUB”. The trilingual track (Spanish, Japanese, and English) sees the eight musicians reveling in the joy of collaborating with fellow female artists. “Because we have been fans way longer than in bands,” they sing together. “And now the music has more power in our hands.” In a joint statement, the bands said, “‘UNITED GIRLS ROCK’N’ROLL CLUB’ is a song that screams GIRL POWER. You might be from different countries, different languages, but at the...
Seraphina Simone began writing original songs as a way to transform her childhood musical upbringing into a canvas for the inevitably life-changing experiences of adulthood. While the rising indie pop artist doesn’t have a stack of albums under her belt just yet, she does have an impressive range of influences she draws from, including Bat for Lashes, Human League, Blondie, and Lorde. On her newest single, though, Simone channels her inner St. Vincent to create the dark alt-pop hit that is “Hollywood $$$”. This is the second song Simone has released so far, following her debut single “Cherry <8”. While that track earned her digital hype via tastemaker playlists, it’s “Hollywood $$$” that sounds like a verifiable breakout hit. Perhaps its because Simone makes a sharpe critique of the ver...
On Thursday, Perfume Genius delivered a #PlayAtHome performance of “Whole Life” on The Late Show. Despite not actually broadcasting from a proper TV studio, the artist born Michael Hadreas still held viewers captive, thanks to some dramatic lighting and his magnetic body language. The whole thing was shot in a dimly lit room in Los Angeles with longtime collaborator Alan Wyffels. Hadreas can be seen performing in front of a projection screen rolling footage of collapsing water towers. Between that imagery, the song itself, and Hadreas’ body and shadow dancing in tandem with one another against the screen, it all felt somewhat poetic. You could almost say that the emotive potency of Perfume Genius is so powerful it transcends quarantine borders. Watch it for yourself below, and then revisit...
After releasing a string of EPs, including this year’s Miracle, Nashville songwriter Briston Maroney is ready to drop his full-length debut album. The effort is slated for arrival sometime in 2021 ,and as a preview, he’s sharing a new single called “Deep Sea Diver”. A freewheeling and folksy number, it finds Maroney struggling to pull himself out of a major rut. “Sick and tired of this old routine,” he laments early on, adding, “I’m a deep sea diver, I’m in too deep.” Maroney goes on to ponder his own “selfish pride” and “fear of rejection”, and whether they are keeping him from being an authentic and honest person. He also considers taking drugs to escape the present, but only momentarily. (Maroney might just be a genius for rhyming “Bowling Green”, “ketamine”, and “next week” all in one ...
After a brief pandemic-related delay, veteran rockers The Killers have released their new album. Stream Imploding the Mirage below via Apple Music and Spotify. The band’s sixth full-length overall and follow-up to 2017’s Wonderful Wonderful was recorded in Los Angeles, Las Vegas, and Park City, Utah. Production was handled by Shawn Everett (Alabama Shakes, Julian Casablancas) and Foxygen’s own Jonathan Rado. Frontman Brandon Flowers spoke about the group’s sessions in Utah, telling NME, “That’s where I fell in love with music for the first time; so it’s interesting to be there again and hear some of that music with the geography matching the sensation.” Editors’ Picks In a separate interview with Rolling Stone, Flowers drew parallels between the recording of Imploding ...
The Lowdown: The Killers have always sounded like a band born to run. Living in the desert of Las Vegas will have that effect. For 16 years, Brandon Flowers and company have been running away down highway skylines, on the backs of hurricanes with Springsteen-like abandon. However, until now, they’ve always seemed to be running from what plagues them — fears, depressions, and the oppressive trappings of Small Town America — instead of toward what inspires them. Despite Flowers’ advice on Wonderful Wonderful single “Run for Cover”, The Killers have always seemed to have one eye looking back over their shoulder as they blow across an expansive wilderness, seeking some sort of escape from it all through romantic, heartland lyricism and rock and roll bombast. 2017’s Wonderful Wonderful caught T...
After Republican fundraiser Louis DeJoy took over as Postmaster General on June 16th, 2020, he enacted a series of cost-cutting measures that could potentially interfere with the election. The issue of whether we should fund mail services has become politicized, and it’s no surprise that Ben Gibbard has come down on the side of “pro-mail.” The frontman for Death Cab for Cutie once wrote music under the moniker The Postal Service. Now, 17 years after the indie classic Give Up, Gibbard has fulfilled his destiny, and played “Such Great Heights” by The Postal Service in an attempt to save the Postal Service. Gibbard shared the performance in a video titled “#TeamJoeSings”, which is also the name of an initiative he’s launching for the Democratic National Convention. The two-song set is an...