Origins is a recurring new music series giving artists the opportunity to share exclusive insights into their latest release. Today, Jessie Baylin shares the background of her vintage-inspired new single. Jessie Baylin is taking a journey to the past for her new music, in more ways than one. “Time Is A Healer,” the Nashville singer-songwriter’s new single, feels like it was pulled out of a 1970s daydream. It arrives ahead of a new album, titled Jersey Girl, which will be landing in full on September 23rd. Baylin was born and raised in New Jersey, but left as soon as she could; this album encompasses her experience unpacking her roots from her current vantage point. Related Video “Time Is A Healer” is a meditative, acoustic rock track that Baylin describes as the “rock outlier” o...
In Los Angeles, it feels like everyone wants to be young — except for Mackenzie “Mack” Martin (Elizabeth Lail), a 30-year-old woman who’s ready to skip to her senior citizen days and live her best life. Cue some magical realism (via an ad hoc past lives regression machine/tanning bed), and Mack finds her consciousness now inside a 70-something woman who starts going by Rita (Diane Keaton). It’s a fun, 2022-esque spin on high-concept body-swap classics like Big and Freaky Friday, which did mark a big change from director Katie Aselton’s past experiences as a filmmaker. While Katie Aselton’s not a first-time director, she tells Consequence that she was eager to take on this project because “I hadn’t done a full-fledged comedy as a director, so I was really excited to lean into that.” Plus, s...
In our Track by Track feature, musicians and bands provide insight into each song on their newest project. Our latest edition comes from our August Artist of the Month Raffaella, who tells us the backstories behind her new EP LIVE, RAFF, LOVE (ACT I). Raffaella doesn’t just wear her heart on her sleeve — she wears it like a badge of honor. On her new EP LIVE, RAFF, LOVE (ACT I), our August Artist of the Month pours out her emotions through her sparkling indie-pop. But, as its ironic title might imply, the EP also carries an air of playfulness, with nods to old Lindsay Lohan movies, Joyce Carol Oates novels, and storied New York City bars. Today, the rising indie pop star is giving us a Track by Track breakdown of the EP, out Friday (August 12th). Produced by Raffaella’s real-life part...
Between 1964 and 1975, an estimated 40,000 Americans crossed the border illegally into Canada, mostly to dodge the threat of being drafted to the military and the fear of combat in the Vietnam war. Some came due to the threat of imprisonment as President Nixon declared the “war on drugs” and addressed drug use as “public enemy #1.” A significant portion of these “draft dodgers” came to find a new home and Canadian diaspora in the Kootenay region of British Columbia and the central hub in the town of Nelson, per BC: An Untold History. The historic past and culture of challenging the definition of war and reducing harm is still very much alive in the Kootenay region. Shambhala Music Festival’s harm reduction culture and programs are a timely testament. EDM...
Artist of the Month is an accolade bestowed upon an up-and-coming musician or group who is poised for the big time. For August 2022, we interview singer and songwriter Raffaella about her brand new mini album, LIVE, RAFF, LOVE (Act I). Upon entering Raffaella’s childhood home in New York City last weekend, a few things stand out to me: The walls are covered nearly inch-to-inch with both art and musical instruments, signed photographs and records decorate the hallways, and the busied look of the apartment feels quintessentially New York. Today, however, Raffaella is merely a visitor in her old abode — and she’s brought an exciting and radiant new collection of songs home with her. This Friday (August 12th), Raffaella — who is Consequence‘s August Artist of the Month — will release her ...
[Editor’s note: The following contains spoilers for Only Murders in the Building, Season 2 Episode 8, “Hello Darkness.”] It’s very, very likely that you’ve seen Michael Cyril Creighton on screen at some point over the past decade: The New York-based actor has popped up in a wide range of projects, from 30 Rock to The Post to High Maintenance to Dexter: New Blood. And right now, he’s one of the standout supporting cast members of Only Murders In the Building, playing cat-loving Arcadian resident Howard, who got an unexpected moment in the spotlight during the newest episode, “Hello Darkness.” Consequence spoke with Creighton for a larger feature about the full breadth of his fascinating career, but his Only Murders journey this season is a fascinating one on its own. “What’s interesting is ...
James Morosini’s I Love My Dad, which won both the audience and Grand Jury Award at the 2022 SXSW Film Festival, is a masterclass in cringe comedy. Morosini stars as Franklin, a troubled young man fresh off a suicide attempt. His father, Chuck, played with an incautious tenacity by Patton Oswalt, has been desperately trying to get a hold of him. We are first introduced to Chuck via a series of pathetic voice messages to his son. Chuck is a deadbeat. He might mean well, but the man seems to lack even the most basic skills of parenting. Rule numero uno: show up. Establishing his boundaries, Franklin blocks his father across the social media board. And that’s when the fun (a relative term) begins. Totally misunderstanding an anecdote told to him by a coworker (played by Lil Rel Howery), ...
[Editor’s note: The following contains spoilers for Westworld, Season 4 Episode 7, “Metanoia.” To read about the music of Episode 6, click here.] The most notable music featured in the penultimate episode of Westworld Season 4 wasn’t created by composer Ramin Djawadi — instead, he was a little in awe of David Bowie’s “The Man Who Sold the World,” which plays over the final minutes. “I didn’t dare to touch it,” he tells Consequence with a laugh. “It’s perfect as is.” Episode 7, “Metanoia,” delivered a new level of chaos to the good people surviving in what we’ve come to understand as a host-controlled dystopia, where the surviving humans are trapped in a system ruled over by Hale (Tessa Thompson). Of course, the balance of power changes dramatically by the end, with Hale incapacitated by a ...
They say success isn’t about luck, connections or even money. It’s the discipline to outwork everyone around you—a tenet which Ray Volpe has long been tethered to. The byproduct is Legend of the Volpetron, his new EP, out now by way of Disciple. The inventive record effectively pours gasoline on the broiling career of Volpe, who was named to EDM.com‘s Class of 2022 earlier this year. It’s a dazzling showcase of his generational production talents, which extend far beyond the confines of his breakout hit, “Laserbeam.” “It sounds cheesy, but it means everything to me! It’s a moment in time that I’ll look back on years from now,” Volpe tells EDM.com of his new EP. “I really wanted to mash everything I loved a...
Ahead of the release of her new album Takin’ It Back, Meghan Trainor sat down with Billboard News host Tetris Kelly to discuss the inspirations behind the project and how it feels to go viral on TikTok with her 2015 track “Title.” The singer explained that her past catalog inspired what’s to come on the new record, set for release in October. “I’m taking it back to my sound that apparently I had, because I started writing and one of my co-writers were like, ‘It’s crazy, these artists are coming in saying I want to do Meghan Trainor sound,’” she said. “I have the doo-wop sound. At the same time, ‘Title’ blew up on TikTok. I was like, ‘Wow, universe is talking to me, and I’m listening.’” Explore Explore See latest videos, charts and news See latest videos, charts and news Fans wi...
In a blacked-out rehearsal space in North Hollywood, The Interrupters have the absolute necessities as they prepare to head to Europe to tour in support of their fourth album, In the Wild (out on Aug. 5 via Hellcat/Epitaph). A handful of guitars and basses hang in a road case against the wall. A stack of drumsticks is tucked away inside some cardboard remains. Some light snacks rest underneath a folding table. And a few large boxes of vocalist Aimee Interrupter’s favorite types of water dot the remaining space around a central couch. “This one is from Hawaii, but it’s only my second favorite,” she says, handing me a liter of Waiakea Nui that feels like it costs as much as the dozen Arrowheads sitting on the aforementioned snack table combined. “But let’s get you the best water.” Aimee swap...
There was a time period, let’s call it 15th century Europe, where a select group of men made their bones in a variety of different occupations. Leonardo da Vinci, just to pull one name out of my hat, was not only a famous painter, but also a sculptor, scientist, philosopher, and mathematician. Apparently there’s some evidence that he was also a pretty good dancer. There were others, too. There are always others. Fast forward 400 years: Not content with just proving relativity, Albert Einstein was also a classically trained violinist. Sort of like how Axl Rose is some hayseed with chops like Chopin. We labeled these individuals Renaissance Men. Or, to use the parlance of our times, Idea Birthing Persons. I first met the writer, musician, and surprisingly nimble dancer himself, James Greer, ...