“Raw,” “free,” “loosey-goosey” — these are adjectives no one would use to describe Animal Collective‘s Painting With, an album so bright and intense it often feels like staring into a solar eclipse without the proper eyewear. Six years later, Animal Collective has returned with Time Skiffs, which feels more like gazing casually into a psychedelic forest — the scenery is more textured and detailed, hidden with colorful surprises. And, as the band’s Noah Lennox (Panda Bear) and Brian Weitz (Geologist) describe, it’s, well, a lot more “raw,” “free” and “loosey-goosey.” “It’s pretty typical with us for the new thing to be some kind of reaction to the previous thing,” Lennox tells SPIN over Zoom, making gentle eye contact as he swivels in a brown desk chair. “We’ve completely gon...
It’s been nearly six years since Animal Collective released Painting With, their tenth studio album — but according to Noah Lennox (AKA Panda Bear), the time flew by. Each member of AnCo is immensely collaborative, constantly working on projects either in a solo capacity or with other members of the band. And now, on Friday (February 4th), Animal Collective are gearing up to release the gorgeous, captivating Time Skiffs. It’s their eleventh (!) studio album, and one of their finest to date. Time Skiffs was initially hyped to be something akin to 2007’s Strawberry Jam (which turns 15 years old this year), but upon listening, there’s an ease with which Animal Collective can pull off the most complicated and intricate patterns. On the album are meditations on growing older and parenthood...
The premise for Netflix’s new semi-unscripted comedy Murderville isn’t actually that hard to explain, on the surface: Each episode, shot in the style of a classic police procedural, features a new mystery being investigated by a tough mustachioed cop (Will Arnett) and his trainee partner. The catch is that said trainee is a celebrity, and they don’t have any idea what’s going on, because only Arnett and the other actors have the script. This leaves famous folks like Season 1 guest stars Conan O’Brien, Marshawn Lynch, Kumail Nanjiani, Annie Murphy, Sharon Stone, and Ken Jeong to improv their way towards solving the case — which they may or may not do correctly. If that sounds complicated to you, showrunner Krister Johnson (Medical Police) would agree. “I certainly had never figured this out...
For our Track by Track feature, artists open up about the stories behind each song on their latest album. Today, Erin Rae takes us track by track through her new album, Lighten Up. After releasing her debut effort, Putting on Airs, in 2018, Erin Rae was living as the troubadours do. She spent the years between that release and the start of the pandemic on the road and, like any other artist, found that life come to a screeching halt. On Friday, February 4th, she’ll return with her new album, Lighten Up, an appropriate title both for our times and for the album. This latest collection is an amalgam of dreamy, psychedelic country, indie-rock, and believably vintage folk. Thematically, too, the album is a bit like an old kaleidoscope — social commentary and musings on gender equality mor...
The upcoming Netflix series Murderville stakes an early claim to the title of “wildest comedy of 2022,” bringing together a number of elements, including cop parody, improv comedy, and famous people being pranked, to deliver something remarkably unique. And while the first season has yet to premiere, if you ask showrunner Krister Johnson who he might want to involve in Season 2, he has an answer: Dave Grohl of the Foo Fighters. Each episode of Murderville features a trainee detective (played by a celebrity) being paired up with senior detective Terry Seattle (Will Arnett) to solve a crime — the catch being that while everyone else involved has a script, the “trainee” has no idea what’s going on, and has to improv their way through each scene before ultimately coming up with the answer to w...
This feature was co-authored by Lev Kotia, Nakul Sharma and Bayleigh Bogan. As the streaming landscape competition continues to get more competitive between the likes of Spotify, Apple, Amazon and others, finding competitive advantages to drive paid subscribers has never been more complex. Despite a crowded landscape, some platforms have carved out a unique place for themselves in the world of music streaming that creates a focused and unique value proposition for creators and fans. One such platform is Audius, which uses blockchain technology to offer clarity and transparency for artists. Through Audius’ disruptive platform, artists can upload their music and have an immutable record of owning that content. If the content is misused, musicians can easily prove ownership of the intell...
If you’ve been a fan of David Bazan’s music for the past few decades, you know that releasing a surprise album is a sign of personal growth and acceptance. The veteran indie rocker has released numerous albums — both under the Pedro the Lion moniker and as a solo artist — that have dealt with his messy break with Christianity and the psychological damage the Church caused him. Keeping close tabs on his emotional state both with himself and his fans is something that he has always valued. But when it came time to release his new Pedro the Lion album, Havasu (which he spent the past year quietly recording), the idea of presenting this batch of songs all at once without advance singles seemed like the right thing to do. Since reviving Pedro the Lion after nearly 15 years, Havasu marks his sec...
It’s probably possible to spend an entire decade discussing Bill Cosby, the comedy legend who was eventually revealed to be a serial predator. For We Need to Talk About Cosby, director W. Kamau Bell got four hours. “Showtime was great about giving us every minute they could, to let us push it as far as we could. Some of these episodes are like 59:59,” he tells Consequence in a Zoom interview. Bell, who also currently hosts CNN’s United Shades of America, brought his insight as a comedian who grew up as a “child of Bill Cosby,” as well as his experience working in documentary television, to the four-part series, which premiered at the 2022 Sundance Film Festival before its Showtime debut. The series tracks the entirety of Cosby’s career, putting into context the importance of the strides he...
Stacked heels, glam Gucci ensembles and delightfully lascivious asides, Måneskin’s Saturday Night Live debut stunned. It was tamer than the quartet’s club show at New York City’s Bowery Ballroom gig in October, where bassist Victoria De Angelis played with only black electrical tape over her nipples and frontman Damiano David spat water (Iggy Pop-style) into the eager mouths of the rabid young female crowd. De Angelis and David then gleefully leaped into the arms of their adoring acolytes to crowd-surf, before David invited the entire audience on stage. They accepted. [embedded content][embedded content] Everyone who could fit clambered onto the stage and squeezed in next to the band as they played. Dozens of thrilled, disbelieving women shimmied onstage. Possessed of the smolder of Elvis ...