William Sadler is a man of many faces. He’s played good guys. He’s played bad guys. He’s been the President of the United States. He’s played an illiterate convict with a heart caked in soot. There’s just no limit to what he can and cannot do. This weekend, he returns to the underworld in the highly anticipated sequel Bill and Ted: Face the Music. As the board game-failing, bass-jamming Reaper, Sadler brings some much-needed humility to Hades. Once again, he steals every scene. In anticipation, we connected with the veteran actor to revisit those faces across 10 Years and 10 Questions. Given his eclectic and exhaustive resume, it was next to impossible to squeeze everything in within the allotted 20 minutes, but we tried our damndest. So, enjoy the stories we did get below. 1989 <img ar...
When was the last time you tapped into a state of flow? It’s magical being swept up in the moment, a hypnotic trance where your nerves light an electric fire and the spirit of creation speaks through you. You’ve gotta bottle it like lightning, which for Disclosure, means writing 200 songs and whittling them down to 11 that are released today (Aug. 28) as the duo’s third album Energy. “That was the plan from the start, write a shitload of music and pick the absolute cream of the crop,” Guy Lawrence tells SPIN. “By cream of the crop I mean, the ones that were the most enjoyable to make; the easiest to make, where there wasn’t 20 versions of the same song. That’s what we’re referring to with this Energy idea. They are uplifting, big, positive, happy tunes … but the energy we’re talking about ...
It’s the moment practically every EDM fan has been waiting for: The return of ILLENIUM at his finest, releasing a sneak peak of his fourth studio album with its lead single, “Nightlight” featuring Annika Wells. Out today via 12Tone, ILLENIUM’s new record label, “Nightlight” is stunningly emotive. Wells’ ethereal vocal tone reverberates through the track’s stunning future bass drops, further reinforcing ILLENIUM’s dominance over the genre. With “Nightlight,” he also continues in the vein of his previous LP, ASCEND, by incorporating rock elements, such as strong percussion and guitar melody lines. At the same time, the track hearkens back to his roots with production techniques reminiscent of his earlier work, like his debut album, Ashes, dubbe...
Ten years after the release of their first single, “Offline Dexterity,” UK-act Disclosure are releasing their most accomplished work to date. Following the success of 2016’s Caracal, the duo took a year off to soak in life and allow the music to come to them. The result is today’s release of the 11-track album ENERGY, via Capitol Records. Disclosure have garnered nearly five billion streams and five million album sales to date, but on this third album, they prove their art is well beyond chart comparison and destined for longevity. Disclosure originates from Reigate, Surrey, England, but since their debut 2013 album Settle and its follow up, Caracal, were respectively nominated for Best Dance/Electronica Album at the Grammy Awards, they’ve spent mu...
Within the scope of electronic music, there are producers, and then there are producers: artists, really, whose motivations fall neatly in line with a fascination with sound design, a hunger for sonic exploration and—most importantly—an enchantment with music and its creation. There is perhaps no finer example of the latter than Danish-born artist Galimatias, 29, who, for the last five years, has relentlessly worked to refine and expand his toolbox of music-making skills. He even moved to Los Angeles in 2015 to “focus on [his] craft” following the breakout success of his debut EP, Urban Flora, with Alina Baraz. The resulting music culminates in today’s release of Renaissance Boy, a sophisticatedly arranged and aurally effortless debut solo album crediting Galimatias for the fir...
It’s hard to think of a performer who has aged more gracefully than Kyle MacLachlan. At 61, he’s still got that matinee-idol chin, full, robust head of hair, and the good-natured warmth to go along with it. Yet beneath the leading-man looks beats the heart of a considered, compelling character actor, a sensibility he’s brought to decades of beautifully idiosyncratic work in successes and flops alike. Even when he’s villainous, it’s impossible not to love him. (Except when he’s Mr. C in Twin Peaks: The Return, of course.) That kind of cerebral deadpan is key to his career-long collaboration with fellow Northwestern boy David Lynch, who plucked him from obscurity to star in his sprawling adaptation of Dune, whose disastrous reception nonetheless prepared him to become Lynch’s muse for Blue V...
This should have been a huge summer for Bush. Gavin Rossdale and company were set to release their eighth studio album, The Kingdom, in May, followed by a trek across the U.S. shortly thereafter. Once the pandemic struck, things changed, but it didn’t deter Bush. Their release may have been delayed, but the band found ways to push forward, including in the early pandemic-days when Gavin Rossdale performed on Instagram, and more recently, to celebrate their album release last month. The July 18th event, which came a day after The Kingdom’s release, featured a fully produced gig via live stream, with virtual fan experiences. “It was just exhausting and exhilarating as usual to be back in those [rehearsal] studios,” Rossdale tells SPIN about preparing for the arena-style performance. And it’s...
Despite the uncertainty of the pandemic, Erasure’s Andy Bell and Vince Clarke are calm and assured ahead of their 18th LP. Even if fans can’t mash to “Hey Now (Think I’ve Got a Feeling”) or fist pump to “No Point in Tripping” at one of the duo’s flamboyant concerts, the band have no qualms about The Neon falling on deaf ears. Erasure started work on the album after wrapping their World Be Gone tour in 2018. Clarke, already spending every day at his home studios in Brooklyn or Maine, quickly pulled together music for Bell to begin writing lyrics. Jumping from song to song in what Bell describes as “auto-writing,” they wound up with “whatever [came] out” — an approach exemplified on the abstract “Diamond Lies.” They shifted locations multiple times, from Clarke’s base in New York to Bell’s h...
Artist of the Month is an accolade we award to an up-and-coming artist who we believe is about to break out. In August, we watch as Awich explores the human impulses that extend across cultures. When Awich speaks, her voice is like a passport stamped with all the places she’s lived. Her vowels carry a whiff of subtropical winds while her vocabulary is warmed with American slang, picked up from college and her American husband. Words were her “earliest obsession,” she says; her first source of joy and last line of defense. Born Akiko Urasaki on December 16th, 1986, she grew up on the island of Okinawa, Japan, in the shadow of US military bases. Her family lore is steeped in the trauma of World War II and the Battle of Okinawa. As a girl, a jet crashed into her mother’s school, and when her ...
Gareth “Laserface” Emery is one of the world’s top trance DJ-producers, and while we kind of made up that nickname, the Brit earned it with his 2019 Laserface tour. The two-hour experience packed 122 lasers onto stages from New York City to San Francisco and used cutting edge technology to perfectly sync the beams to his progressive melodies and punchy rhythms. All that said, fans don’t flock to gigs solely because of the spectacle. Emery sets himself apart with intimacy and heart. His latest album, The Lasers, was released in July by indie distributor Create Music Group, explores some of the brightest and most harrowing moments of Emery’s life. “I’d written songs about being on planes that had nearly crashed, personal and professional battles, and major events in my family – but...
While typically flying under the radar, synthwave has become ingrained in popular culture. From the soundtracks of movies such as Drive to the iconic opening theme of Stranger Things, and even the critically-acclaimed video game series Hotline Miami, the genre’s sound and trademark aesthetic has pervaded nearly all forms of media. Case-in-point, one of the streaming world’s most popular creators, Dr. Disrespect, has styled his entire persona around synthwave culture, all the while regularly including music from some of the genre’s artists in his streams. However, despite synthwave’s prevalence, many aren’t familiar with the niche community. We spoke with one of the leading acts in the genre, The Midnight, to learn more about the history of the band, their new album Monsters, the future of ...
In 2018, Jeanette Kats had an idea to create a production workshop for female producers. As she spent more time thinking about the initiative, she became inspired to start a bigger group to connect music professionals from all facets of the industry. In February 2019, Kats officially created GRL GANG, an initiative and platform that lives in Discord, with the goal to expand the presence of women within electronic music. Currently consisting of over 200 members, the GRL GANG community is comprised of music producers, DJs, managers, publicists, journalists, label coordinators, A&Rs, promoters, and virtually every other music-related role. Through its various projects such as sample packs and virtual events, GRL GANG has empowered female producers and music professionals to network and le...