Jurassic Park
The 20 Greatest Summer Blockbuster Movie Trailers
Blockbuster Month is celebrating the true titans of the genre. In the weeks ahead, you’ll read through a variety of features digging deep into the greatest hits of Hollywood, from popcorn classics to underrated gems. Today, we head to the theater early with Editor-in-Chief Michael Roffman to revisit the greatest trailers in summer blockbuster history. Hype begins with the trailer. Sure, there’s the studio announcement, the lobby poster, even the intellectual property itself, but there’s nothing like first seeing those epic few minutes. If you’re lucky, you get some glimpses of the action, a sense of the film’s tone, maybe even pieces of a score, and a tagline that sends shivers up your spine. Yeah, that’s when the magic sets in. Today, we take the trailer for granted. We not only know ther...
Steven Spielberg Had the Two Highest-Grossing Films in the US Last Weekend
Some movie theaters across the US have begun the process of reopening, face masks required. However, as new titles, like Christopher Nolan’s Tenet, aren’t out until the end of July, cinemas are opting to screen old summer classics as a way to lure back potential moviegoers. It made for a big weekend for Steven Spielberg. The legendary director found himself with both the first and second highest-grossing movies of the weekend in the form of Jurassic Park and Jaws, notes The Hollywood Reporter. Spielberg’s 1993 Jurassic Park earned an estimated $517,642 from 230 locations. Following close behind was Jaws, Spielberg’s 1975 hit, which brought in $516,366 from 187 locations. A handful of Spielberg’s other movies also raked in a sizable amount this past weekend, including E.T. Th...
10 Years, 10 Questions With David Koepp: On Jurassic Park, Indiana Jones, Spider-Man, and Stephen King
“I love the idea that you can go into a house and your grip on reality starts to loosen,” says director and screenwriter David Koepp, who confesses, “I feel like I’ve been telling that story for 25 years, but what can you do? You like what you like.” Over Zoom, the Hollywood veteran weighs in on the parallels between his latest film You Should Have Left and his previous directorial efforts, particularly 1999’s Stir of Echoes and 2004’s Secret Window. He’s not wrong: All three films revolve around troubled male protagonists left to their own devices as they dig deeper holes for themselves. But Koepp is also being modest. After all, you don’t become one of the most successful screenwriters of all time by telling the same damn story again and again — and, to be frank, he hasn’t. For 30 years ...
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