The 2022 Louder Than Life festival boasts one of the strongest lineups of any rock gathering in the United States this year. Led by legendary acts such as Nine Inch Nails, Slipknot, KISS, Red Hot Chili Peppers, and more, the four-day extravaganza is sure to bring a memorable experience to Louisville, Kentucky. Taking place September 22nd through 25th, Louder Than Life is absolutely jam-packed. Thursday’s lineup will see NIN joined by Bring Me the Horizon, Evanescence, Tenacious D, Ministry, and more. On Friday, Slipknot tops a bill that features Lamb of God, Shinedown, Mastodon, Meshuggah, Clutch, GWAR, and several others. Advertisement Related Video Saturday will see the iconic one-two-three punch of KISS, Alice Cooper and Rob Zombie, not to mention Body Count, Chevelle, Ghostemane, Seven...
It’s Consequence’s 15th anniversary, and all September long we’ll be publishing a series of retrospective pieces encompassing our publication’s own history — and the entertainment landscape in general. Today, Senior Entertainment Editor Liz Shannon Miller runs down her favorite television shows of the last 15 years. I enjoy all forms of entertainment, but my first love was television, a medium I became obsessed with back in the days when there were no DVRs, no streaming services, no DVD box sets — just your butt in front of a TV tuned to the right channel at the right time. Stressful, but also magical in its own way. It’s a good thing watching television has gotten a lot easier in the 21st century, because there is now a lot more than there used to be. Thus, when faced with this assig...
It’s Consequence’s 15th anniversary, and all September long we’ll be publishing a series of retrospective pieces encompassing our publication’s own history — and the entertainment landscape in general. Today, Senior Writer Clint Worthington runs down his favorite movies of the last 15 years. As I write this, it’s the day after my seven-year anniversary of writing for Consequence. That’s nearly half of its 15-year existence, spanning hundreds of reviews, interviews, features, news items, listicles, rankings, and scores of other pieces. Film critics age in dog years; every year feels like seven. There’s always more to watch — something new to evaluate, something old to celebrate. I have a great deal of affection for this place, even as editors, managers, and fellow writers come and go w...
There are few bigger indie success stories in the past 20 years than Death Cab for Cutie. The group, founded in Bellingham, Washington in the mid-’90s, began like many underground acts — with witty and intricate songs recorded on a budget. But they quickly displayed a penchant for radio-friendly rock anthems that tapped into a particular kind of youthful vulnerability. They’re not “emo” exactly, but there’s a good reason why the term stuck — it’s impossible not to feel something when listening to their music. That quality helped them become a household name (as referenced on shows like The O.C.) and eventually a popular staple on terrestrial radio. On Sept. 16, Death Cab for Cutie release Asphalt Meadows: their 10th album, second as a quintet, and first with producer John Congleton. T...
It’s Consequence’s 15th anniversary, and all September long we’ll be publishing retrospective pieces informed by our publication’s own history — and the entertainment landscape in general. Today, News Editor Wren Graves runs down his favorite tracks of the last 15 years. A good song is a good song, but a favorite song is a moment in time: The number one track on a cross-country road trip; the first dance at a wedding; the long hospital playlist that still didn’t cover 19 hours in labor. I’ve changed a lot over the last 15 years, and music has been there every step of the way, melody and memory hand in hand. Critics sometimes put on a mask of objectivity, but I can’t pretend that this collection of songs has anything to do with words like “greatest” or “best.” As someone who lives thei...
What makes a truly awful metal album? It’s not just a lack of riffs, awful production, or quarter-assed vocal takes. Most of these records suffer from overdosing on compromise, whether it’s hopelessly chasing a trendy sound or a failure to age gracefully; others have visions more realized yet too noxious to raise the horns with any pride. It shouldn’t shock you that most of these albums were released in the late 90s to the early 2000s – metal’s crisis years when older bands couldn’t make sense (or were outright hostile towards) nu-metal and what was left of alternative rock, and before the MTV2 Headbangers Ball revival both spread metalcore around the world and reignited a lot of older thrashers’ careers. Those really were the Dark Ages. Metal should make you want to sin for the greater go...
This article was originally published in 2014, but we’re dusting it off for Nas’ birthday on September 14th. Once upon a time, Nasir Jones was just a young kid stealing the show on Main Source’s “Live at the Barbeque,” self-aware enough to foresee that he’d be a force to be reckoned with in rap’s packed New York scene. Long before he was a household name, he was comparing himself to Spielberg and going to hell for snuffing Jesus, both proof of the grandiose nature of his vision. Over two decades later, he remains one of the preeminent voices setting the gold standard for the genre. Nas, a product of Queens, has often been hailed as the second coming of the God MC himself, Rakim, but it’s safe to say, given the lifespan of his career and his subsequent impact on the culture, that he tapped ...
It’s Consequence’s 15th anniversary, and all September long we’ll be publishing a series of retrospective pieces encompassing our publication’s own history — and the entertainment landscape in general. Today, we’re kicking it off with our new and improved 100 Greatest Albums of All Time list. Oh my God, we’re back again. It’s been over a decade since we first took a shot at boiling down all of popular music history into the 100 greatest albums of all time. Forget about how opinions have changed over those 12 years — the entire culture has shifted. Even the people taking part in this exercise are different, as only two staff members who were part of the OG list, published in 2010, remain with Consequence today. Understandably, things are going to be different this time. Tastes have bee...
This article originally ran in 2014, but we’re dusting it off for Moby’s birthday on September 11th. This week, Moby returns with his 15th studio album, Everything Was Beautiful, and Nothing Hurt, which takes its name from a quote that appears in the classic Kurt Vonnegut novel Slaughterhouse-Five. In celebration, we decided to re-open the Brooklyn-turned-Los Angeles composer’s exhaustive repertoire and carve out our top 10 favorite songs. What we stumbled upon was a list that we’ll be streaming again and again. Everywhere. Here are Moby’s 10 best songs. 10. “Raining Again” Album: Hotel (2005) The rare, oft-forgotten ambient side of Hotel trumps the actual disc that surfaced in 2005. Still, “Raining Again” still feels like a triumphant win for the pop-oriented DJ. It’s the slide guitar for...
For decades, having a signature guitar was reserved for classic rock legends — the Claptons, the Hendrixes, the Pages, the SRVs and EVHs. But that’s no longer the case. From pop-punk to heavy metal, alt-country to neo-soul, modern artists of all genres and backgrounds are getting signature guitars from companies big and small. Among the titans of the industry, that intentional shift came with a new generation being put into decision-making positions. “When I started, it was largely classic rock and very much a pantheonic Hall of Fame,” Fender’s Executive VP for Products Justin Norvell says of the early 2000s. “It was an end-of-an-iconic-career kind of thing. But it was my feeling that it should be something that people can use to reflect back upon themselves. A Telecaster can mean James Bu...
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This article was originally published in 2018, but we’re dusting it off for Freddie Mercury’s birthday on September 5th. Deep Cuts is a feature in which we look past the hits and dig into the buried gems of our favorite back catalogs. Queen’s discography doesn’t just cast an imposing shadow; it hovers over the musical zeitgeist of multiple decades and several movements within rock and pop music. We all know the hits — the infectious ditties and creative permutations that did as much to define rock as they did to inspire — but it’s safe to say there are plenty of songs within the band’s discography that still aren’t getting the attention they deserve. Advertisement So deep is their discography (15 albums across 22 years) that three separate Deep Cuts compilations were released in 2011… and ...