Mining Metal is a monthly column from Heavy Consequence writers Joseph Schafer and Langdon Hickman. The focus is on noteworthy new music emerging from the non-mainstream metal scene, highlighting releases from small and independent labels — or even releases from unsigned acts. Metal is eternal. While its popularity ebbs and flows in the macro, its genres in the micro persist. A subgenre might experience a resurgence in popularity long after its progenitors have become elder statesmen — thrash exploded again long after its mid-’80s heyday in the early ’00s, for example. Even minuscule representations of a genre might persist after its innovators metamorphose. For example, Carcass have a new album out this month, one that sounds nothing like the grindcore permutation of the group from their ...
Mining Metal is a monthly column from Heavy Consequence writers Joseph Schafer and Langdon Hickman. The focus is on noteworthy new music emerging from the non-mainstream metal scene, highlighting releases from small and independent labels — or even releases from unsigned acts. I’d hoped to be done with obituaries for a while after last month’s one-two punch of Metal Church’s Mike Howe and Slipknot’s Joey Jordison. No such luck. As I’m writing this, the metal world received news that Eric Wagner, vocalist of The Skull and former singer for Trouble had passed away from complications related to COVID-19. He was 62 years old. Advertisement Related Video Wagner had a singular voice and lyrical approach. He used his warbling upper register without apology, channeling the rough-around-the edges t...
As I write this introduction, I’ve just found out about the passing of Mike Howe, vocalist of the criminally underrated band Metal Church. He was 55 years old — too young. The last time I memorialized a musician in this column, it was Entombed vocalist L.G. Petrov. Howe’s story differs from Petrov’s in two critical ways. First, because Petrov’s passing was unfortunate but expected, whereas Howe’s was surprising. Second, while Petrov and Entombed had gone their separate ways, the band had achieved notoriety commensurate with their artistic output. In contrast, Howe had been an active member of Metal Church at the time of his death. Despite 40 years of existence, the band isn’t as well known as they deserve to be. Metal Church was one of the Seattle-area ’80s heavy metal bands that, alongsid...
Mining Metal is a monthly column from Heavy Consequence writers Joseph Schafer and Langdon Hickman. The focus is on noteworthy new music emerging from the non-mainstream metal scene, highlighting releases from small and independent labels — or even releases from unsigned acts. When the COVID-19 pandemic hit, many anticipated that a year or more without touring would prompt musicians to create a surplus of material to be released afterward. Now that America’s becoming increasingly vaccinated, that prediction looks to be panning out. Not only are there a slew of spectacular releases on the horizon (and I don’t just mean Carcass, though their new song “Kelly’s Meat Emporium” is a must-listen), but many of them come from bands that never broke up but also haven’t been particularly active, eith...
<span class="localtime" data-ltformat="F j, Y | g:ia" data-lttime="2021-05-27T20:53:46+00:00“>May 27, 2021 | 4:53pm ET Mining Metal is a monthly column from Heavy Consequence writers Joseph Schafer and Langdon Hickman. The focus is on noteworthy new music emerging from the non-mainstream metal scene, highlighting releases from small and independent labels — or even releases from unsigned acts. While this column discusses recorded music first and foremost, metal to me is a live art form. What I want out of music is the adrenaline rush of the circle pit, the camaraderie of screaming along to the hook, and the out-of-body experience that only comes when your torso is being pulverized by distorted guitar at high volume. In spite of the framed first edition ...
<span class="localtime" data-ltformat="F j, Y | g:ia" data-lttime="2021-04-29T17:48:50+00:00“>April 29, 2021 | 1:48pm ET “Mining Metal” is a monthly column from Heavy Consequence writers Joseph Schafer and Langdon Hickman. The focus is on noteworthy new music emerging from the non-mainstream metal scene, highlighting releases from small and independent labels — or even releases from unsigned acts. This is an auspicious day, dear readers. This edition of “Mining Metal” marks the second anniversary of Consequence letting Langdon and I bring you scintillating selections from the blow the major-label water line where metal is concerned. But of course, we thank you for your continued support, it means the world to us. And if you’re new, jump on in, the water...
“Mining Metal” is a monthly column from Heavy Consequence writers Joseph Schafer and Langdon Hickman. The focus is on noteworthy new music emerging from the non-mainstream metal scene, highlighting releases from small and independent labels — or even releases from unsigned acts. The heavy metal community lost a real one this month. On March 7th, Swedish death metal vocalist L-G Petrov passed away after a battle with bile duct cancer. It’s the latest in a series of metal vocalists gone too young in the past twelve months, including Alexi Laiho of Children of Bodom, and Riley Gale of Power Trip. Petrov was one of the musicians who brought death metal to the masses as the vocalist for Swedish legends Entombed. A quick history lesson, while Entombed did not originate death metal in Sweden, the...
“Mining Metal” is a monthly column from Heavy Consequence writers Joseph Schafer and Langdon Hickman. The focus is on noteworthy new music emerging from the non-mainstream metal scene, highlighting releases from small and independent labels — or even releases from unsigned acts. The year 2020 is nearly done, and we’re sure most “Mining Metal” readers can join us in wishing it good riddance. The global pandemic left the international metal community, not to mention the entire music world, in a precarious spot: tours and festivals canceled, venues closed, and hard-working metalheads losing jobs. With all that darkness, the resilience of the genre remained a hopeful light. 2020 offered no shortage of excellent albums, some of them recorded during the pandemic itself. Diverse in their aims, st...
“Mining Metal” is a monthly column from Heavy Consequence writers Joseph Schafer and Langdon Hickman. The focus is on noteworthy new music emerging from the non-mainstream metal scene, highlighting releases from small and independent labels — or even releases from unsigned acts. Now is the winter of our discontent made glorious summer by … hold on let me look outside. Nope, still the winter of our discontent, my mistake. This is the eighth Mining Metal introduction essay that I’ve had to write during the COVID-19 pandemic, and to be honest with you, dear readers, I’m running out of even vaguely optimistic spins to ladle onto our monthly roundup of underground metal’s finest riffs. I guess I could say – at least we know who will lead our nation next year, right? How’s this: when we began th...
“Mining Metal” is a monthly column from Heavy Consequence writers Joseph Schafer and Langdon Hickman. The focus is on noteworthy new music emerging from the non-mainstream metal scene, highlighting releases from small and independent labels — or even releases from unsigned acts. Normally, the autumnal months mark a high point in the year for metal fans. This year, of course, is no average year, and the looming economic uncertainty and a persistent global health crisis are enough to sap the pumpkin spice right out of my latte and lend a bitter hit to the smell of bonfire smoke. But some joys, thankfully, cannot be snuffed out. They include: the equinox, 31 days of scary movies and, of course, boatloads of metal. As the designated “Scary month” in the commercial calendar, October usually del...
“Mining Metal” is a monthly column from Heavy Consequence writers Joseph Schafer and Langdon Hickman. The focus is on noteworthy new music emerging from the non-mainstream metal scene, highlighting releases from small and independent labels — or even releases from unsigned acts. Like many, I’ve spent much of the last month practically hermetically sealed-in to my domicile, just to avoid too much Pacific Northwest wildfire smoke from clogging my already-punished lungs. Extended isolation leads to eccentricity, and this month’s metal selections skew toward the insular. Expect progressive and cavernous odes to hyper-niche sounds, perfect for deep headphone listening. Of course, there’s a little old-time rock ‘n’ roll to buoy spirits in darkening times and earlier sunsets, but as autumn rolls ...
“Mining Metal” is a monthly column from Heavy Consequence writers Joseph Schafer and Langdon Hickman. The focus is on noteworthy new music emerging from the non-mainstream metal scene, highlighting releases from small and independent labels — or even releases from unsigned acts. As I’m writing this, the metal underground is still reeling from the unexpected passing of Riley Gale, vocalist for Texas thrashers Power Trip. Gale was known for his unabashedly political lyrics, charismatic live performances, and interpersonal messages of kindness. The underground will be feeling his loss for some time. I first heard Power Trip a few days after publishing an essay on Invisible Oranges declaring the post-Municipal Waste thrash revival dead. Power Trip’s debut album, Manifest Decimation rendered my...