Foster The People and The Knocks have revisited three 90’s classics, delivering new spins on timeless originals from The Verve, Beck, and Moby on their collaborative Melody & Silence EP. In their rendition of The Verve’s now two-decade old hit “Bittersweet Symphony,” Mark Foster‘s delivery and tone bears an uncanny likeness to the original. While his performance impressively preserves the toiling and nihilistic spirit of The Verve’s 1997 work, the production side embraces brighter sonic elements, like clean-cut electronic drum programming and floating piano chords. Next up, the artists took to the grungier side of 90s rock with their remix of “Devil’s Haircut.” With their new spin, the artists lean into the distorted elements of the...
NXTSY and Seb C, two budding Vancouver-based artists, have teamed up to release a brand new genre-crossing collaboration titled “Guala.” Featuring the audacious vocals of Kid Sharif, the track blends the hip-hop lyricism with the booming bass elements of electronic dance music. Fitted with emphatic horns, a bobbin’ baseline, and warm synths, this house track has what it takes to be a fan favorite. The first drop in “Guala” is somewhat of a warm-up, building heat and hinting at more to come. Here, NXSTY’s signature sound design is introduced, adding a vigorous twist to the deep house track. Meanwhile the haunting vocals are phased in and out. Arriving at that second drop, it is clear NXSTY and Seb C had intentions for “Guala” to be a club-ready hi...
Throughout her storied career, electronic icon SOPHIE was known for both her solo catalogue and a lengthy list of production credits. Following her tragic passing in January, her work on tracks like “It’s Okay To Cry” and “Ponyboy” have become essential elements of her legacy. And now, with the posthumous release of a new SOPHIE-produced single by Basside, it’s obvious her legacy is one of a timeless nature. Out March 19th on Bandcamp via Sorry Records, “FUCK IT UP” is the titular track off a forthcoming, six-song EP produced in full by SOPHIE. Due April 2nd, the record will also include SOPHIE’s remix of Basside’s “NYC2MIA.” It was released posthumously on February 8th with all proceeds directed t...
Steve Aoki has arrived with his next star-studded collaboration. He’s joined forces with the multi-platinum selling pop songstress Kiiara for the new single “Used To Be,” along with none other than the Grammy and Golden Globe-nominated Wiz Khalifa. The track will sound familiar for those who were alive when CDs reigned supreme. It’s a bright reimagination of Matchbox Twenty‘s hit single “Unwell,” but instead of Rob Thomas belting out the iconic chorus, we have the angelic vocals of Kiiara leading the charge. The production leans towards a melodic pop crossover hit with soaring synths and strong drum patterns. Khalifa’s signature flow rounds out the track and brings some edge to the nostalgic collaboration. Along wit...
Following the success of his sophomore album BUBBA and his massive haul at the 2021 Grammy Awards, Kaytranada has shared an astounding amount of never-before-heard music with fans. Over 100 tracks dating back to 2009 have arrived by way of Bandcamp under his old alias, KAYTRADAMUS. All of the music is packaged neatly into 7 unique bundles. The tunes range from remixes of “Bad Girls” by M.I.A. and “Blue Magic” by Jay-Z to entire collections of originals. With such a high count of songs comes a great deal of variety. The Canadian super-producer provides funky, energetic beats while also introducing grimy, bass-heavy offerings. KAYTRANADA cites uncleared samples as the reason why these songs had never been released prior. Releases like th...
The techno community has been missing a singular figure since the Parisian DJ Technasia went silent. It has been five long years since he dropped the 2015 collaboration “Suga” with Green Velvet, but the dry spell is finally over. Technasia has made his triumphant return to Toolroom Records with the club-ready single “Bring It Back.” The track is an homage to the current state of dance music. Since Technasia left on hiatus, the scene has changed drastically with COVID-19 bringing live music to a standstill. “Bring It Back” embodies the sentiment we all are feeling: we want club culture back. The creative process to form the single is unlike anything we’ve heard, calling on his fellow Toolroom family to send voice notes of what they miss a...
Justin Bieber‘s Justice album is finally out. And while it may have been a major letdown for fans of electronic music looking for bangers courtesy of Skrillex and Virtual Riot, it was TroyBoi who swooped in to save the day. For electronic music fans, the TroyBoi-assisted “REDEYE” is far and away the best track on Justice. It’s a sultry melodic trap tune that interpolates Bieber’s honeyed vocals with TroyBoi’s signature sound, highlighted by the renowned producer’s distinctive plucks and thick 808s. You won’t be able to find “REDEYE” on streaming platforms just yet. The collaboration was released as a Justice bonus track and made available only to fans who purchased the album from Bieber’s official online store. You...
Mysterious German tech house producer Claptone has unveiled a new original track titled “Zero,” out today via Different Recordings. Incorporating mesmeric vocals, entrancing piano chords, and atmospheric synths, Claptone has expertly crafted a tech house anthem to light up any dance-floor. “Zero” brims with sensational sound design that shares a story with those who listen closely. The track’s anonymous vocalist sings about seeking an outlet for her “waterfall of thoughts,” worrying that they may end up for naught. The refrain in the chorus, “Zero is a bore,” can be interpreted as a shame to have one’s creativity go to waste. The release of “Zero” came accompanied with a visual, where we see Claptone driving ...
Denver-based producer Dreamers Delight has unveiled his latest single, the hypnotic bass jam “Carbon,” alongside a stunning audiovisual clip. Developed in collaboration with digital creator RubenFro, the visualizer takes viewers into a rabbit hole of kaleidoscopic imagery, soundtracked by the mind-bending melodic flair of Dreamers Delight. Within a few seconds of diving into the video’s polychromatic dreamscape, it’s easy to realize why the young artist’s first-ever live performance under his Dreamer’s Delight moniker took place at Electric Forest. Check out the “Carbon” music video below, premiered exclusively on EDM.com. “Carbon” will appear on Dreamers Delight’s forthcoming Atlas EP, which is due out late su...
It’s no secret that Latin pop and electronic music go together like wine and cheese. The two have lived in perfect harmony for years. However, unlike cheese, the ingredients of this unique marriage never spoil. In fact, like cheese’s boozy counterpart, the combination gets better with age. Cruz knows how to ferment the grapes of dance music’s vines to produce the finest wine. With an innovative approach to music production, the Grammy-winning artist has a profound ability to twist Latin pop and electronic music into his own unique blend. The proof is in the pudding: his global 2019 hit “Ya No Soy Asi,” a sultry collaboration with hotly-tipped singer-songwriter Thiago X, went viral on Spotify in 13 countries. Cruz’s latest crossover track, ̶...
It’s been just over five months since the release of Whethan‘s critically acclaimed debut album Fantasy, and the prodigious producer is already gearing up for yet another project. Due March 26th via Atlantic Records, Fantasy: Remixed will bring together an all-star lineup of artists to present their own takes on tracks off the original LP. Giving us a taste of what’s to come, Flux Pavilion has released his remix of “Upside Down” with Grouplove. Operating as a collaboration between EDM’s old and new guards—who famously teamed up back in 2016 for the global hit “Savage”—the partnership further reinforces Whethan’s ascent into the world of distinguished electronic music makers. Naturally, Flux Pavilion gave the b...