MUSIC RELEASES
Calvin Harris & The Weeknd Share Release Date and Artwork for Collaborative Single “Over Now”
After teasing the track on Instagram just a few days ago, fans of both Calvin Harris and The Weeknd have been begging for another look at what’s to come from their upcoming collaboration “Over Now.” Over the weekend, the duo revealed that the wait is almost over and the single will hit the airwaves on Friday. Posted across their respective social media accounts, the release date was included in the song’s official artwork. Some fans initially questioned if the track would be released by Calvin Harris’ alter-ego Love Regenerator, but the images show that this is not the case. This will be his first release as Calvin Harris since his January collaboration with Rag’n’Bone Man, “Giant.” The Weeknd has been busy as of late, as...
Nicky Romero Releases 2020 Edit of Breakout Single “Toulouse”
Nearly a decade since its release in late 2011, Nicky Romero has revisited the track that facilitated his big break. It’s safe to say the producer’s early hit single “Toulouse” has demonstrated enough staying power to become an all-time favorite for many dance music fans. It’s the type of track whose very mention brings back a wave of nostalgia, and it all comes back to that bright, unforgettable melody, which hasn’t aged one bit. The “I Need You To Know” producer made the decision to revamp his career-launching track with a special 2020 edit. Nicky Romero plays it right; he doesn’t try to reinvent the wheel, instead opting to make select changes that refresh “Toulouse” for the present day. The melody is crisper,...
Listen to the Marshmello-Produced “half alive” from blackbear’s New Album
Los Angeles-based rapper blackbear‘s long-awaited fifth album everything means nothing finally dropped this week, and his latest full-length record features a contribution from dance music heavyweight Marshmello. The masked artist produced the song “half alive,” which, upon first listen, is an immediate standout on the album carried by the spunk of punchy drums and driving pluck basses. It’s a particularly funky angle for the chart-topping producer, who underscores blackbear’s storytelling vocals with a dependable riff of shining guitar chords. The track aims for a rewarding grand finale, however, that puts the classic Marshmello sound straight in the driver’s seat with a euphoric synth solo that brings the party anthem to a satisfying co...
Apashe Shares Bladerunner-Styled Music Video “Behind My Eyes” with LIA
Apashe is a creative mastermind. He’s the Lady Gaga of bass music. His distinctive vision mixed with a robust sound places him at the forefront of superb visualizations, and fans can always expect something more next level than the last. Now he’s released his track “Behind My Eyes” with LIA accompanied with a futuristic music video. Directed by Adrian Villagomez, this cutting-edge music video is a unique blend between humans and devices that showcases sci-fi and street-fighter visuals. The team flew out to Japan before the pandemic to film the video. Villagomez is also the director of Apashe’s music video “Uebok” and his album documentary. Earlier this spring, Apashe released his album Renaissance and the aforementioned documentary detailing the behind-the-scenes story of ...
SVDDEN DEATH and SLANDER Collide on Neck-Snapping Single “Blood On Me”
Last week, SVDDEN DEATH and SLANDER announced the release date for their highly-anticipated collaboration, which they first premiered back in May. The day has finally come and “Blood On Me” is now available via the latter’s Gud Vibrations imprint. “Blood On Me” is an absolute juggernaut of a track, masterfully meshing SVDDEN DEATH’s signature bone-snapping bass and SLANDER’s unmistakable emotionality into one neck-breaking offering. The brighter elements of the tune are reminiscent of the former’s collab with Marshmello, “Crusade,” while still bringing plenty of originality to the table. While “Blood On Me” is heavier than most of SLANDER’s recent releases, longtime fans will be enamored by their return to b...
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![Cling to What’s Left of Summer with SIDEPIECE’s Sun-Kissed EDM.com Playlist [Exclusive]](https://www.wazupnaija.com/wp-content/uploads/2020/08/cling-to-whats-left-of-summer-with-sidepieces-sun-kissed-edm-com-playlist-exclusive-80x80.jpg)
Cling to What’s Left of Summer with SIDEPIECE’s Sun-Kissed EDM.com Playlist [Exclusive]
Seasons be damned, SIDEPIECE are here to prolong summer through their sun-kissed house sound. Never to be pigeonholed into one sonic space, SIDEPIECE’s Party Favor and Nitti Gritti have both built reputations for gliding through the electronic genre spectrum with the precision and grace of a heart surgeon. Whether they produce dubstep, Latin, or even nu-disco, they consistently churn out pristine arrangements with mass appeal. While each artists’ more popular music is rooted in the shadowy alleys of trap and bass, at its core is musicality with a bedrock of classical training. Harnessing their innate ability to devise authentic, poignant melodies, the duo recently manifested their love of house music into SIDEPIECE and watched the collaborative project mushroom into a bon...
Dua Lipa Reveals Stacked List of Collaborators in Official Tracklist for “Future Nostalgia” Remix Album
Following the reveal of the official tracklist for Club Future Nostalgia, the anticipation surrounding Dua Lipa‘s forthcoming remix album is bubbling over. In addition to previously announced featured artists Madonna, Missy Elliott, Gwen Stefani, and Mark Ronson, the tracklist flaunts a stupefying list of collaborators. It reveals a carefully curated stable of polished remixers, including Yaeji, Jayda G, and Mr. Fingers, among many others, as well as a number of high-profile samples, like Steve Nicks‘ “Stand Back” and Stefani’s “Hollaback Girl.” The Grammy Award-winning pop songstress has long been a champion of EDM, teaming up with its most recognized producers, such as Diplo (“Electricity”) and Calvin Harris (̶...
Khia Taps BENZI and BLVD. for 2020 G-House Remix of Trademark Single “My Neck, My Back”
Khia‘s iconic 2002 single “My Neck, My Back” is a ubiquitous track that has lasted throughout the decades, paving the way for fellow female sexuality anthems like Cardi B and Megan Thee Stallion‘s current chart-topper “WAP.” With empowerment jams like these dominating the airwaves, there is no better time for a trip down memory lane. Khia is now back with the help of BENZI and BLVD. to transform the raunchy rap hit into a certified G-House bop ready for 2020. The remix features new re-recorded vocals from Khia, which feel as if they were always meant to be paired with this increased tempo and thumping house beat. The two producers showcase their prowess in the G-House realm with a steady, hard-hitting bassline and deep pitch adjustments. It&nb...
WHIPPED CREAM Unveils Debut EP “WHO IS WHIPPED CREAM?”
WHIPPED CREAM is here to let you know she will not be put into a box with her debut EP, WHO IS WHIPPED CREAM?. The impressive nine-track collection is an intimate look into her mind, as an innovator who champions free expression and creativity to explore a bevy of styles ranging from electronic to hip-hop. The tracks serve as anthems for those striving to break free from any constructs and live life to the fullest. She opens the EP with the cinematic single “Us,” which makes you feel like the main character in a movie while listening to it. It features a spoken word monologue and a deep, soaring soundscape that would be perfect for a long drive. To drive home the message of connectivity, she enlisted her fans to send in videos with their loved ones, which she co...
DJ Snake Taps Malaa for Nasty House Remix of “Trust Nobody”
Earlier in the month of August, French compatriots DJ Snake and Malaa joined forces for “Best of Both Worlds,” a collaborative livestreamed DJ set. To no surprise, the tandem threw down, playing out a slew of their own originals as well as a number of unreleased tracks that had their fanbases clamoring to identify them. One of those IDs has now seen the light of day, thanks to the serendipitous release of Malaa’s remix of Snake’s thunderous hybrid trap tune “Trust Nobody.” Malaa takes his patented sound and twists a knife into it, delivering a more ominous take on his penchant for G-House. He produces nasty bass patches in the drop, which run roughshod through a thicket of saturated kicks and menacing percussive patterns. Malaa also decided to go haywire...
BTS are Releasing an EDM Remix of Their English Language Single “Dynamite”
Record-breaking K-pop group BTS are swerving into the dance music lane with a forthcoming remix. Shortly after they released their new English language single “Dynamite,” the group announced that an EDM rework is on the way. In addition to the electronic remix, the South Korean band also announced that an acoustic rendition of “Dynamite” will hit streaming platforms next week. Both versions are slated for release on Monday, August 24th at 1PM KST (12AM ET, 9PM PT). Big Hit Entertainment, BTS’ label, shared the news in a tweet today along with images from the group’s music video shoot for the single. That video was released today, and it has already racked up an eye-popping 67 million views at the time of this article’s publishing. It feat...
Bruno Martini Joins Forces with IZA and Timbaland on Empowering New Single “Bend The Knee”
Bruno Martini has released a bona fide summer anthem, titled “Bend The Knee,” in collaboration with IZA and Timbaland. The three artists are in their best form on this track, delivering an intoxicating performance that feels radio-ready for airwaves worldwide. When stars of this caliber enter the studio together, magic is bound to follow. “Bend The Knee” highlights the Brazilian songstress’ smooth, lush vocals with a beat that incorporates disco-inspired electric guitar chords and synths with a fresh perspective. The female-empowering lyrics and visuals champion respect, showcasing IZA as a goddess of the moon with a voice powerful enough to change the tides. The sporadic ad-libs from Timbaland, the Grammy Award-winning jack-of-all-trades, only reinforce...
