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MUSIC RELEASES

TYNAN Shares Otherworldly Drum & Bass Heater “FMSU”

TYNAN has whipped up yet another insane track with his latest release “FMSU.”  In usual TYNAN fashion, “FMSU” makes use of otherworldly sound design and thrashing percussion to unleash hell on listeners. The haunting intro is unrelenting, making use of hollow, eerie effects and distorted samples that sound as if they’re leading his fans to their doom.The track builds into teetering synths, wihch eventually transform into distinctive sonic elements unique to TYNAN that are as impressive as they are intimidating. TYNAN has undoubtedly mastered his sound and it only gets more and more creative with each release. Longtime fans will certainly be pleased with “FMSU,” as it speaks to his artistry as a whole. TYNAN first made waves on SoundCloud, wher...

CloZee Unites Listeners on Spiritual New Single “Winter is Coming”

From the South of France to the Black Rock Desert and beyond, global bass artist CloZee has entranced an international tribe with art that provokes and unifies. Earlier today, the sensational producer delivered the first single off of her upcoming LP, Neon Jungle. “Winter is Coming” is a poignant track that builds on her strengths and revisits her ability to evoke emotion and harmony through sound. CloZee originates from Toulouse in Southern France. In 2015, she broke out with the success of her song “Koto,” which set the stage for her Evasion EP (2018) to compel listeners across the globe. Her music has been coined as “world bass,” defined by her fanatical knack for organic sounds and freeform melodies.  Between playing high-profile gigs at Coachella, appearances at Burning...

Three New Bassnectar Tracks Appear in New “SOUND IN MOTION” Mixtape

It’s always a good day when we get new Bassnectar, especially when the dubstep don teases multiple new songs from his forthcoming All Colors LP. That’s exactly what he did in his newly released “SOUND IN MOTION” mixtape, the second edition of his LOCKDOWN MIXTAPES series. He took to Twitter this morning to joyously announce the “shimmering collage of sound” and divulge that the mix includes “tons of new flips, edits, remixes & exclusive versions.” For what the 30-minute “SOUND IN MOTION” mix lacks in length, it more than makes up for in energy. Kicking things off with the aptly-titled All Colors cut “Rise & Shine,” Bassnectar goes on to take us on a relentless journey of unparallel...

Wakaan Unites Jantsen and Mersiv for Wild Dubstep Single “Get Crazy”

Bass music fans have much to rejoice over today. In addition to Bassnectar dropping his “SOUND IN MOTION“ mixtape, acclaimed bass acts Jantsen and Mersiv have finally debuted their highly anticipated collab, “Get Crazy.” Over the course of the last few years, the Wakaan label has established itself as a celebrated and respected musical imprint. Today’s release adds to that pedigree by featuring two of the most talked about dubstep acts around. Mersiv has been an undeniable force since beginning his “Mersiv Sound Project” in 2015. In the past two years, he’s played major festivals, like Coachella and the inaugural Wakaan Music Festival. His “dark-loud” style, which fuses old-school dubstep and more modern alt-bass influen...

Seven Lions’ Ophelia Records Unleashes Debut Compilation EP, “Advent Volume 1”

Seven Lions‘ Ophelia Records imprint has lifted the veil on its latest project, entitled Ophelia Presents: Advent Volume 1. The Advent EP series is set to highlight a handful of talented newcomers with each volume.  Without a doubt, the first rendition of Ophelia Records’s Advent EP series encapsulates the energy the label brings to the table as a whole and fits perfectly into the rest of their discography. Ophelia Presents: Advent Volume 1 kicks off with Thrillogy‘s “Enough,” a six-and-a-half minute epic that tells a tale of moving on through Gaille Fisher‘s emotive vocals and slow-climbing synths. Luke Anders and HGHLND then bring a heap of passion to a lush soundscape with the help of Roxanne Emery‘s vocals on their coll...

Dash Berlin Channels “The Matrix” for Colossal Remix of Steve Aoki’s “Closer To God” [Premiere]

When two of the top producers in the industry come together on a track, you know magic is in the works. This was the case when Steve Aoki passed the production baton to Dash Berlin to remix the opening track of his Neon Future IV album, titled “Closer to God.” The new rework is featured in Aoki’s huge remix package for the album, which dropped today.  “Closer to God” serves as the prologue to the journey Aoki launches us on, welcoming us back into his futuristic world. It starts with the opening monologue, delivered in haunting, mechanical fashion, explaining that in the neon future, “we are searching into the unknown, exploring an ever-expanding frontier, trying to find answers to understand hope.” Dash Berlin th...

GANZ Works His Magic with “Lost Boys” EP on Quality Goods Records

Following the release of its lead-off single, “Rufio’s Theme,” bass music heavyweight GANZ today dropped his full Lost Boys EP. The themed EP not only draws inspiration from Hook and the tales of Peter Pan and The Lost Boys, but also showcases the producer’s musical journey from the past to the present, and into the future. Aside from “Rufio’s Theme,” “Fairy Dust” and “UGH!” are the undisputed bangers of the ensemble, but none of the melodic elements within the collection of tracks are lost amid the barrage of bass. Those elements are retained throughout the whole EP, and “No Naps” and the title track convey melodic themes that seem nearly cinematic.  Sitting pretty somewhere between futu...

Adventure Club Is Back with the 11th Edition of Their “Superheroes Anonymous” Mixtape Series

Over the course of their storied career, Adventure Club have released a series of mixtapes called “Superheroes Anonymous,” which have become just as fervently popular as the producers behind them. Each eclectic, soaring mix is a microcosm of not only the iconic melodic dubstep duo’s forward-thinking sound, but also of the fact that they are still at the top of their game as one of EDM’s truest tastemakers. These mixes do not represent listening experiences where you fast-forward to the loudest points in the waveform because you’re eager to hear only the drops. They contain a myriad of peaks and valleys, which showcase Adventure Club’s nuanced mixing techniques and masterful song selection chops, which they have acquired over a long and lucrativ...

Vanic and K.Flay Unveil Melancholy New Single, “So Slow” [PREMIERE]

The time it takes to heal from heartbreak can be excruciating and seems to last forever. Reminiscing on the good times and mourning love lost go hand in hand with those circumstances. After a short break from releasing music, bass music veteran Vanic has teamed up with GRAMMY-nominated musician, vocalist, and songwriter K.Flay on a new single that explores those painful experiences and encapsulates what the heartbroken may be feeling after such events.  “So Slow” is a melodic future bass tune that not only captures the essence of heartbreak through its melancholy and pensive lyrics from K.Flay, but also mirrors that emotion within the production itself. The main section’s gloomy synth wails out a dejected melody that carries the weight of K.Flays ...

Alt-Rock Meets Electronic in Saint Punk’s Scintillating Two-Track Remix Pack of The Used’s “The Taste of Ink”

Grunge house producer Saint Punk is here with his latest electro-inspired bomb, a two-track remix bundle of platinum-selling rock band The Used‘s debut 2002 single “The Taste of Ink.” Rapidly gaining traction in the electronic dance music world for his unique blend of alt-rock and electro, Saint Punk does a brilliant job of breathing new life into the early 2000’s pop-punk jam with two contrasting reworks. The “Summer Lockdown Edit” is a bona fide pre-summer bop, as Saint Punk uses crunchy guitar riffs and crisp percussion elements to crystallize the original into a foot-tapping future house thumper. The “Underground Lockdown Edit,” on the other hand,” strikes a more sinister chord. The remix pack’s second and ...

Tokyo Machine Debuts “Get Up” on NCS with Guy Arthur and an Arcade Game

The ever-elusive Tokyo Machine has been cranking out some of the hottest and most unique electro house of the modern dance music era. He’s developed his signature style with bits of classic video game sounds splashed into intricate and impressive productions. Now, he’s back with Guy Arthur to serve up another dose of electro madness called “Get Up,” and the single has its very own arcade style video game included to slam dunk your nostalgia trip.  Once again, the intro is reminiscent of the main menu music of a classic Nintendo game, getting the listener into an 8-bit mindset and building the energy for what’s to come. Hype-man vocal samples demand that the audience “get the f*ck up,” and at the drop that’s exactly what they...

Dillon Francis and BabyJake Deliver Hilarious New Video for “Touch”

Dillon Francis and BabyJake had their fans dancing to their recent pop-centric nu-disco hit “Touch” back in April. They are now back to make us all chuckle with the new music video to accompany it. With quarantine in place, the visuals are social distancing-approved, showcasing the duo’s undeniable musical and comical chemistry with a nod to some classic movies out of the ’80s. The video opens to the two artists waking up to another day home alone, but instead of wallowing in the isolation, they erupt into a full montage of cheerful lip-syncing antics. The shots cut between Francis and BabyJake as they go about their morning routines, channeling the auras of “Ferris Bueller’s Day Off” and “Risky Business,” with the latter bein...