Veteran dance music producer LouCii has unveiled “Running Back,” an electrifying house banger built for the clubs. Elements of both electro and bass house pervade LouCii’s latest original track, which is out now by way of LouCii’s own Lalee Records label. “Running Back” has a bombastic, foot-tapping bass line paired with its punchy four-on-the-floor rhythm. The drops here are downright mean, chock full of menacing bass patches, crisp saws, and bouncy percussion designed for cutting shapes. After the first drop concludes, LouCii introduces infectious sound design in the break to add dimension to the arrangement. It’s here where the song’s catchy refrain kicks in (“I keep ’em running back”), stepping in unison with breakbeat-inspire...
Tate Sedar has unveiled his latest dance music stunner, a bubbly single called “Heaven.” Released independently, “Heaven” is a love letter sealed in a future bass anthem. Just like its name suggests, its an ethereal ballad at its core, but it doubles as a club-ready house jam. “Heaven” strikes that elusive contrast between melancholic and uplifting, thanks to Sedar’s pretty production. His use of vocoders is a nice touch in the verses, adding a warm layer to the sugarcoated lyrics and tugging at the heartstrings. Fans of Don Diablo’s HEXAGON brand will gravitate to this one thanks to its honeyed drop, which features pitched vocal chops and a bouncy electropop arrangement. He performed on the same bill with Diablo at the EDC Virtual...
With his new remix of Dolly Parton‘s “Jolene,” Destructo is officially EDM’s latest superstar to pop on a pair of cowboy boots and try his hand at a lil’ country twang. Only in this case, the boots are probably pink, paired with rhinestones and a V-neck for good measure. Out via RCA and Sony Music, Destructo’s version is one of the only official “Jolene” remixes to ever grace the ears of the public and, according to Parton in a press release, it’s her favorite. “It makes me want to dance!” she said. Notably, this isn’t the Queen of Country’s first foray into electronic music. In 2019, her collaboration with Galantis and Mr. Probz, “Faith,” topped the charts with its of-the-moment tro...
Dance music producer ALWZ SNNY is back with one of his strongest releases to date, a progressive house anthem called “I’ll Be Alive.” The track is uplifting in nature, featuring a poignant topline and ALWZ SNNY’s typical bubbly sound design. The lyrics invite listeners to embrace life and squeeze all the juice they can out of it—a theme we can all relate to after the isolation of the pandemic: “They say I’m a drifter ’cause I’m always on another road, maybe all the answers are a million miles away from home.” ALWZ SNNY expands on the storyline in a brilliant music video, directed by JDFilms. The song’s wanderlust motif is fleshed out by way of a real-world game of Monopoly, where the game’s pieces—like the banker a...
EDM’s favorite alien duo have finally unveiled their long-awaited debut album, Greatest Hits Vol. 1. When AREA21 made their debut back in 2016 with the massively successful singles “Spaceships” and “Girls,” they were rather hesitant to reveal their identities and opted for a secretive persona. Fast-forward to 2021, however, when Martin Garrix and Maejor are embracing themselves as AREA21 while showcasing immense growth in their storytelling abilities and collaborative power as a duo. Following a series of singles and animated music videos that were carefully rolled out over the past 9 months, AREA21 have now finally released Greatest Hits Vol. 1, fully realizing their potential as one of the most exciting crossover acts in dance music. Spanning 12 tracks, the record follows the ...
After the success of their first collaboration “Go Back,” Sherm and Flynninho appeared in Hood Politics Records‘ captivating, 20-track Hood Poli Summer of Love compilation with their second collaborative effort, “Boys Bass.” Now, Sherm and Flynninho have joined forces once again, delivering an introspective new tune dubbed “Used 2 Be.” Out now by way of BringTheKingdom, this track is unlike any other from the pair. In a statement, Sherm and Flynninho explained how it is a reflection of who they once were, who they are now, and who they want to become. Sherm and Flynninho’s new collab begins with a dreamy intro, textured with spacey vocals echoing the refrain, “used to be.” Before long, they introduce a hypnotic deep ho...
The electronic music community is constantly evolving with new sounds every week, as artists become more innovative with their compositions. EDM.com’s weekly “Playlist Picks” series highlights the top releases in the genre, helping uncover the latest tracks that will soon dominate the dance music scene. EDM.com Top Hits World We Used to Know – Alan Walker & Winona Oak 21 – AREA21 (Martin Garrix & Maejor) Young Right Now – Robin Schulz & Dennis Lloyd Festival Hits Call On Me (feat. Georgia Ku) [Justus Remix] – Sam Feldt Recommended Articles A Drug From God – Chris Lake & NPC You Give Me A Feeling – Vintage Culture & James Hype Electronic Avenue Never Surrender (feat. Sarah de Warren) – Adventure Club & Codek...
Besides the occasional lab experiment, you typically won’t find anything interesting in science class unless you want to grow up to be—well—a scientist. But when Zach Montoya and Brayden James found each other, it was instant chemistry. Connecting over a shared interest in music production, the duo launched their collaborative syence moniker after meeting in a college science class. Like the molecules and ions they studied, they formed a strong bond, eventually concocting their most potent compound yet: a five-track EP called bass pop. bass pop is not only a breakthrough for the duo, but also a showcase of a new genre, the EP’s namesake. Its goal is to encapsulate a new sound “that many may have never heard before,” according to syence. The five-track record, w...
EDM is for the birds. At least that’s the case for Canadian electronic music producer Hudson Lee, whose latest single “Flock Call,” a collaboration with Frequent, samples the voice of his pet cockatiel, Bijou. What’s next, a whole zoo? Bijou’s chirps can be heard amongst a host of distorted bass and spacey synths in “Flock Call.” Wildly experimental—literally—the song manages to weave together hypnotic sound design and biomusic elements as if it was recorded underwater. Coming in at a lengthy six minutes, “Flock Call” represents just a fraction of the adventures Bijou has in store with Lee. With a potential lifespan of 25 years, there’s no telling what this father-feather duo will come up with next. Recommended Ar...
House music virtuoso Chris Lake has unveiled “A Drug From God,” a hotly anticipated collaboration with Grimes. “A Drug From God” is hedonistic in nature, blending Lake’s signature down-and-dirty basslines with the sumptuous art pop sound of Grimes. Thanks to her madcap refrain, the song is subversive enough to infuriate EDM’s narrow-minded detractors and anthemic enough to become a festival favorite. In other words, “A Drug From God” is an instant classic for fans of dance music. Out today via a joint release between Astralwerks and Lake’s Black Book Records, it’s one of the biggest house records of 2021 and a dark horse for the Grammy Award for Best Dance/Electronic Recording. Check out the track below. The massive...
Tying a bow on a monster year, Canadian-English DJ duo VAVO have dropped “Highs & Lows,” a sensational slap house single and their last of 2021. Time-tested in 2021, the track’s formula helps concoct a dance anthem with the potential to dominate radio like its slap house predecessors. We saw it with Imanbek’s breakthrough remix of SAINt JHN’s “Roses” and again with Tiësto’s and Karol G’s “Don’t Be Shy“—and this time around, VAVO are poised to make their mark. “Highs & Lows” takes a page out of Joel Corry and MNEK’s playbook, using earworm-like adlibs akin to the ones heard in their global smash “Head & Heart.” It was a shrewd move, offering a catchy melody in the song’s i...