Tekashi 6ix9ine and Nicki Minaj have unveiled a new collaborative single called “Trollz”. Stream the new release below. A portion of the proceeds from the song, as well as its corresponding merchandise, will benefit The Bail Project. “The fund provides free bail assistance to low-income individuals who can’t afford to pay bail while awaiting their trial,” Minaj explained on social media. “We want to protect and support the thousands of brave people working on the front lines of social justice, using their voices to demand AN END to the targeting and killing of Black Americans by the police.” For Tekashi, today’s offering marks his second comeback single since being released early from prison due to the coronavirus; revisit last month’s “GOOBA” here. The rapper had originally been sentenced...
Back in March, former R.E.M. frontman Michael Stipe shared a demo of a new song titled “No Time For Love Like Now”. Made in collaboration with Big Red Machine — aka The National’s Aaron Dessner and Bon Iver’s Justin Vernon — the studio version of the song has now been released, complete with a stylish music video. This time around, Stipe is fully immersed in Dessner and Vernon’s soundscapes, giving his vocals a more ethereal quality. There’s depth to the sound now, which isn’t too surprising given that Stipe was literally singing over their recording in the OG demo. While Aaron produced the track, his brother and National bandmate, Bryce Dessner, actually orchestrated it. As for Vernon’s part, he supplied electric guitar, clearly channeling his inner Peter Buck. In an interview w...
In recognition of National Gun Violence Awareness Day on June 5th, Pearl Jam unearthed the uncensored version of their 1992 video for “Jeremy”. To date, “Jeremy” remains one of Pearl Jam’s most chilling and affecting songs, based on the real-life suicide of high school student Jeremy Wade Delle, who shot himself in front of his classmates in January 1991. The accompanying video depicts the incident in graphic detail, though the edited version zoomed in on Jeremy’s face so that his gun could not be seen. The uncensored version includes the haunting final scene with Jeremy putting a gun in his mouth. “The increase in gun violence since the debut of ‘Jeremy’ is staggering,” Pearl Jam wrote in an accompanying social media post. “We have released the uncensored version of the video which w...
This past week has been rife in police protests, rampant looting, burning buildings, and a blatant lack of equality following the death of George Floyd. During all of this, President Donald Trump has been, to quote Taylor Swift, “stoking the fires of white supremacy and racism.” So it was only a matter of time until politically driven punk group Pussy Riot stepped in to write “1312”, a new song about ending police brutality. “1312” sees the Russian group collaborating with Argentinean artists Parcas, Dillom, and Muerejoven as a form of solidarity — similarly to their Vic Mensa track “Hangerz” — to honor “the bravery and strength shown in front of abusive police forces” at Chilean protests. Musically, “1312” is a hybrid of blown-out grunge beats, throat-scratching screams, punk rock br...
Terrace Martin, Kamasi Washington (Debi Del Grande), and Denzel Curry (Cat Miller) Protests are sweeping the nation from coast to coast following the murder of George Floyd, who died while in Minneapolis police custody last week. To express their own rage over police brutality, and the systemic racism in America that allows it, Terrace Martin, Kamasi Washington, and Denzel Curry have joined forces on a new single called “PIG FEET”. Producer Martin and saxophonist Washington deliver arrangements of frenetic, and sometimes clashing, jazz to mirror the present-day chaos of this country. Curry, meanwhile, recounts a tale too often told by young blacks. “Helicopters over my balcony/ If the police can’t harass, they wanna smoke every ounce of me,” the Florida-bred MC says. “You tell me life’s a ...
The Flaming Lips have returned with their first new song of 2020, “Flowers of Neptune 6”. It’s a psychedelic slow burn, and features backing vocals from Ms. “Slow Burn” herself, Kacey Musgraves. Over mellow acoustic guitars, frontman Wayne Coyne spins a tale of “Doing acid and watching the light-bugs glow.” But The Flaming Lips are never content to just rock on about getting high, and “Flowers of Neptune 6” quickly melts into the more introspective mode of a man searching his past. “John’s still a greaser and Tommy’s gone off to war/ James got busted and doesn’t give a fuck any more,” he sings. In a statement, Coyne explained how the track came together. “”Flowers Of Neptune 6″ track started off as a very evocative series of melodies that Steven Drozd had woven together. The first time he ...
Protomartyr were meant to release their new album, Ultimate Success Today, tomorrow. However, due to the coronavirus crisis, the band has now pushed the album’s release date to July 17th. To tide fans over until then, they’ve shared a new single in “Michigan Hammers”. For all its kineticism, “Michigan Hammers” feels extremely coalesced. Shots of staccato guitar are glued together with relentless but measured drums and the coaxing of horns. It’s like rubble being carefully reconstructed into art, which is fitting considering the track’s themes: “What’s been torn down can be rebuilt/ What has been rebuilt can be destroyed,” sings frontman Joe Casey. The song comes with a video made using only stock footage due to, as Casey puts it, the current “miasma.” “This video is a retelling of a well-k...
Flatbush Zombies have announced the new EP now, more than ever. With the June 5th release date fast approaching, the hip-hop trio have shared the lead single “iamlegend”. now, more than ever is their first official release since 2018’s Vacation in Hell. Compared to that 80-minute epic, releasing an EP is a change of pace. The six-track effort features guest vocals from UK singer Sophie Faith, and song titles that hearken back to some of their favorite themes, such as “herb” and “blessings”. As for the single, “iamlegend” is a ferocious first volley. This stunt track comes with slick flows and wildly varied deliveries. Meechy Darko attacks the lyrics like they murdered his parents, while Zombie Juice takes the hook at a whisper. Erik the Architect finds middle ground to bring up t...
This year marks the 25th anniversary of Electr-O-Pura, the seminal seventh album from indie favorites Yo La Tengo. To honor the occasion, the band will reissue the record on double-LP for the first time this September, offering “the highest quality of audio the album has had on vinyl to date.” They’ve also unearthed a high quality version of their “Tom Courtenay” music video. Released in 1995, it’s believed the clip aired sparingly, “at least once on MTV’s 120 Minutes,” per a statement. It’s since been ripped and shared many times over online, though existing only as a low resolution visual. That is… until now: The video has been “exhumed” from label Matador’s “sub-basement storage facilities”, and for the very first time, is making its high quality premiere on YouTube. This means YLT...
Grace Sings Sludge, the solo project from Grace Cooper of The Sandwitches, has shared the new song “Friend to All”. It’s the latest single off her forthcoming album Christ Mocked and the End of a Relationship, which just received the new release date of July 17th. Christ Mocked… is her fifth album under the Grace Sings Sludge banner, but the first recorded at a proper studio. If “Friend to All” is any indication, she’s definitely benefiting from crisper production. The new single is a lovely journey into gothic folk. Over gentle, minor-key guitars, Cooper spins an anxious tale of a downtrodden woman who’s “been friends to all,” in her own way. Cooper’s singing is expansive and expressive; she loves to whittle down a vowel until it’s little more than a hum, and then flip her voice upwa...
The Iranian-Dutch artist Sevdaliza has shared her new song, “Joanna”. The haunting single comes from an unnamed album, due out later this summer. For fans of Sevdaliza’s 2017 debut album, ISON, “Joanna” will sound stripped-down, even bare. ISON weaved together R&B drums and genre-bending synthesizers into rich sonic tapestries. In contrast, the backing track of “Joanna” relies on simplicity. An acoustic guitar picks out three notes at a time, so that the beginning of each measure is full of silence, while brief electronic flourishes accent the end of phrases. “Evil personified/ She preys on the dead/ Desert woman/ Veiled in silence,” Sevdaliza sings, pitching her husky voice somewhere between a whisper and a moan. “Joanna” utilizes this stark imagery to paint a bleak picture of u...