<span class="localtime" data-ltformat="F j, Y | g:ia" data-lttime="2021-04-08T21:20:19+00:00“>April 8, 2021 | 5:20pm ET Like a handful of other musicians during the coronavirus pandemic, Sparta frontman and former At the Drive-In co-founder Jim Ward spent the past few months hashing out music ideas that quickly turned into songs — and now he has a whole new album to show for it. Ward has just announced a solo full-length titled Daggers. It’s due out June 11th via Dine Alone Records, but you can stream lead single “Paper Fish” right now below. This is Ward’s first solo album under his name since releasing Quiet in the Valley, On the Shores the End Begins back in 2011. Unlike his alt-country project Sleepercar or the full-fledged post-hardcore of At the D...
<span class="localtime" data-ltformat="F j, Y | g:ia" data-lttime="2021-04-07T17:57:48+00:00“>April 7, 2021 | 1:57pm ET St. Vincent has fully embraced the ’70s aesthetic for her retro-sounding new record, Daddy’s Home. Today, she’s diving headlong into the animation styles of the era with the video for “The Melting of the Sun”. Presented as a “betamax deluxe release” rip from “Candy’s Music Video Archives,” the clip blends live action shots of St. Vincent herself with the wavy, intermittent animation frames any Schoolhouse Rock student is familiar with. The psychedelic lines fit a song called “The Melting of the Sun” perfectly, as do the drawings of the legends mentioned in the song’s lyrics like Nina Simone, Joni Mitchell, and Tori Amos. St. Vincent co...
<span class="localtime" data-ltformat="F j, Y | g:ia" data-lttime="2021-04-06T19:19:29+00:00“>April 6, 2021 | 3:19pm ET In February, British indie rockers Yuck shared news of their breakup. Now, vocalist/guitarist Max Bloom has announced a new solo album titled Pedestrian, out June 18th via Bloom’s own label Ultimate Blends. Bloom started recording the album over the past year after getting to running, a passion he shared with a regular group of musicians including Spoon, Beck, and Yellow Magic Orchestra. Their influence — plus Wilco, George Harrison, and Grandaddy — served as his primary inspiration for the project’s sound. Bloom elaborated further about the album and title track in a statement, saying, “I was contemplating a lot of things when I was t...
Last month, BLACKPINK member Rosé dropped a new solo single called “Gone” about the difficulties of moving on after a relationship comes to an end. Now, she’s back with a moving music video that captures that emotional turmoil in real time. Watch it below. In the clip, Rosé wakes up on the bathroom floor where it appears she fell asleep crying. She begins to recount a number of happy memories from her past, including a room filled with gorgeous flowers, laughter-filled dinners, and long conversations over the phone, all of which were presumably spent with her ex by her side. Slowly throughout, these scenes are spliced with footage of Rosé attempting to nurse her broken heart in the present while she looks gutted to do so. The visual is equal parts tragic and uplifting, and Rosé sells each ...
Spring is here and it looks like Freddie Gibbs is ready to hop to it. He’s just released a new single called “Big Boss Rabbit” alongside a grainy music video, both of which see him boasting about his undeniable talents in the hip-hop scene. Stream it below. “Big Boss Rabbit” is the third single Gibbs has released since partnering with Warner Records, following “4 Thangz” with Big Sean and his ScHoolboy Q collaboration “Gang Signs”. Over quick trap drums, Gibbs uses the new song to rap nonstop about the fruits of his labor, the cash in his pocket, and the designer luggage he totes around. “I’m the best in the world,” he chuckles at one point. “It’s facts.” In the music video, directed by JMP, Gibbs waxes each line from “Big Boss Rabbit” while strolling around in style. He lounges on expensi...
Back in 2008, ANOHNI released a song titled “Another World” while fronting her former band Antony and the Johnsons. Now, the track has received a new string rearrangement for The National’s Bryce Dessner and Australian String Quartet’s new album, Impermanence/Disintegration, made in collaboration with the Sydney Dance Company. “Another World (String Arrangement)” closes Impermanence/Disintegration, and is the sole song on the project to feature vocals. ANOHNI’s haunting vocals and sobering lyrics hit even harder on the new version. “I need another place/ Will there be peace?” she sings. “I need another world/ This one’s nearly gone.” The new music video is an excerpt from the Sydney Dance Company’s hour-long dance work that premiered in Sydney in March 2020. Both the album’s music and acco...
Tuareg psych-rock artist Mdou Moctar is one of the best guitarists of this current era, and he’s back with more new music up his sleeve. Moctar has released the title track from his upcoming album Afrique Victime, due out May 21st via Matador, along with a black-and-white music video that splices live performance scenes together. Stream it below. This is the second single Mdou Moctar has shared from Afrique Victime, following “Tala Tannam”. This new seven-minute rallying cry sees him knead a pulsing groove and mesmerizing guitar riff into a foundation that stabilizes his mournful chants. “The wind born in Tunisia spread all over Arabia/ Africa is a victim of so many crimes,” he sings. “If we stay silent it will be the end of us/ Why is this happening?” It’s dizzying and powerful ...
Spencer Krug of Wolf Parade has announced his new album, Fading Graffiti. Due out on April 16th as the first release on his own Pronounced Kroog label, the LP marks Krug’s first album under his own name. He previously released several solo projects as Moonface and Sunset Rubdown. Spanning 10 songs, Fading Graffiti reimagines piano ballads originally posted on Krug’s Patreon page, which was used to help fund the creation of the album. Aided by a full band, the tracks were recontextualized as indie rock songs. “It’s kind of neat the way these songs transformed,” Krug told Stereogum in a new interview. “The piano versions were more fussy and intricate, because that’s how I end up writing on piano. I had an urge to simplify them a little bit, because I could hear some mellow soft-rock numbers ...