Trayer Tryon, producer and multi-instrumentalist for Hundred Waters, has shared his new solo single called “cul de sac”. It’s from Tyron’s upcoming album new forever, and features such well-loved collaborators as Jónsi and Alex Somers, Moses Sumney, Julianna Barwick, and even Nicole Miglis, vocalist of Hundred Waters. While his day gig with the Waters is informed by pop sensibilities, Tryon’s new solo efforts have been more abstract. That has somewhat to do with the way it was written; he composed “cul de sac” and the rest of new forever in bits and pieces while on the go. The whole project came about at the end of a six-year relationship. In a statement, he said he, “lived through a half-year mania, worked one-off oddjobs, fell feverishly in love, went without a home, hopped ar...
Less than 24 hours after taking the MTV VMAs stage for the very first time, BTS have officially entered the K-pop music history books. Their explosive new “Dynamite” single has just topped the Billboard Hot 100 rankings, making BTS the first all-South Korean group to ever accomplish such a feat. The joyful and jubilant English-language track is also BTS’s first song to snag the Hot 100’s No. 1 spot. If that’s not enough excitement for the BTS ARMY, the beloved outfit has also shared “Ioniq: I’m On It”, a new jingle for Hyundai to help promote its new line of Ioniq electric and hybrid cars. Much like those vehicles, BTS’s tune is fun and sleek. .@BTS_twt‘s “Dynamite” officially debuts at No. 1 on this week’s #Hot100. They become the first all-South Korean group to hi...
Last week, word leaked that Devo frontman Mark Mothersbaugh was rushed to the ICU in June due to a severe bout with COVID-19. Thankfully, he has since recovered. But in a new interview with The Los Angeles Times, Mothersbaugh has recounted the brutal 18 days he spent at Cedar-Sinai Hospital battling coronavirus in hopes that it may convince others to approach the pandemic, and the dark reality of its life-threatening effects, more cautiously. Mothersbaugh avoided in-person recording sessions after news of the pandemic spread, but he believes he contracted the virus in May after unintentionally coming into contact with a group of people who were at his music production company Mutato Musika. He dismissed his initial symptoms as being unrelated issues until a nurse of three decades informed ...
Just as 2020 has been an unprecedented year, the 2020s VMAs were destined to be a show unlike anything we’ve ever seen. And indeed it was: a star-studded, mask-centric showcase featuring all your faves that managed to cram in tons of performances and singular events into just over two hours. We saw some truly special moments. Lady Gaga and Ariana Grande, both masked, unveiled “Rain on Me” to the world with its debut performance; BTS made “Dynamite” New York City memories from all the way in South Korea; The Weeknd dedicated his two awards speeches to justice for Jacob Blake and Breonna Taylor. And we’re barely even scratching the surface. Gaga and Grande, the night’s most-nominated artists, walked away with five and four wins, respectively, while B...
Not even a global pandemic can slow the Bailey sisters down. In June, Chloe x Halle dropped their second project, Ungodly Hour, which included collaborations with noted songwriter Victoria Monét and a sign-off from Beyoncé herself. Later that same month, they delivered one of the most memorable performances of this year’s BET Awards, in which they performed a sumptuous medley of the collection’s breakout singles “Forgive Me” and “Do It” in a dance-off against themselves. The duo, who are in their early ’20s, brought that same unstoppable energy to the 2020 Video Music Awards, then added a touch of polished chrome, with a bouncy performance preceding the show. Disco seems to be a running theme at this year’s Video Music Awards — the ...
Pat Benatar taught us that love is a battlefield, and to close out the 2020 VMAs pre-show, Machine Gun Kelly reminded us exactly what’s at stake with a medley performance of two of his heart-on-sleeve cuts: the chunky-riffed “My Ex’s Best Friend” and the pop-punky “Bloody Valentine.” Poised on a pinked-out rooftop and channeling so many modern-rock videos of yore, MGK’s energy traversed the cityscape that backdropped him, clutching a guitar and backed up by a spirited band. Of course, he didn’t do it alone – Blackbear, perched like a gargoyle on the roof, brought his signature panache to the tune as well. But things were just getting started. To smash into “Bloody Valentine,” MGK’s pal and frequent collaborator Travis Barker...
Here’s something left of the dial: Josh Boone is working on a biopic about The Replacements. In a new interview with Games Radar, The New Mutants and The Stand writer-director confirmed he’s moving from Mid-World to Minneapolis. “When we were shooting The New Mutants, I started working on, with [co-writer] Knate [Lee], we started working on an adaptation of Bob Mehr’s New York Times bestseller Trouble Boys, about the band The Replacements,” Boone shared. Hey, say what you will about the idea, but at least Boone is working from the right source material. Mehr’s 2016 novel is not only a bible for self-respecting ‘Mats fans, but one of the greatest rock and roll biographies of all time. Seriously. Give it a read. Based on Boone’s comments, it sounds like the project is pretty far along. He go...
Toots Hibbert, leader of Toots and the Maytals, is in the intensive care unit at a Jamaican hospital. Hibbert’s family confirmed his hospitalization in a statement, noting that he is awaiting the results of a COVID-19 test. Fortunately, they say Hibbert “is making positive progress” and “is showing signs of improvement by the hour.” While reports of Mr. Hibbert being in an intensive care unit at a private facility in the Corporate Area are true, the family would like to assure those concerned that he is making positive progress and is receiving the best possible treatment, while he awaits the results on his COVID-19 test. He is resting and in good spirits, and is showing signs of improvement by the hour. His family has asked everyone to hold him in their prayers, and would like to thank th...
By Lauren Rearick For one brief moment, Miley Cyrus took the audience of the 2020 MTV Video Music Awards on a trip through time. Performing her latest track, “Midnight Sky,” live for the first time, Cyrus took a cue from the single’s vintage-inspired visuals, incorporating elements of disco and dance into her VMAs return. In the feverish performance, Cyrus wore a shimming black dress with a slit up the thigh and accessorized with a huge chain holding a silver cross pendant. She stood in front of a circle of white light that flashed in time with her music. Throughout the delivery, the cherry-red circle below Cyrus grew bigger and brighter, rising in intensity with the track. Just as the song started to conclude, Cyrus climbed a set of stars, floating away on a disco wrecking ball, whic...
By Harron Walker The Weekend kicked off the 2020 MTV Video Music Awards with a live performance of “Blinding Lights” from a staggering stage overlooking New York City, and, well, you didn’t think he was going to give us “Blinding Lights” without literally trying to blind us with some lights, did you? Performing the chart-topping After Hours track before a live audience for the first time since taping Saturday Night Live in March, the Canadian hitmaker began his set lying on the floor, bloodied and bruised, as if waking up from a particularly debaucherous night—much like the song’s deeply chaotic Anton Tammi-directed video. After stumbling his way through flashing blue and orange light fixtures, Abel found his way to the edge of the Edge, a 100-story-high sky deck atop one of Manhatta...
DaBaby‘s “Rockstar,” featuring Roddy Ricch, just racked up its 11th week at the top spot on Billboard’s Songs of the Summer chart, and the Charlotte-based rapper brought his hit to the 2020 Video Music Awards. DaBaby is up for four awards this year, including Artist of the Year, but this marked his first time on the awards-show stage. “Get your popcorn because you’re dealin’ with Baby,” teased the Charlotte-based rapper on the VMAs Pre-Show when asked about his main show performance. As the show’s hostess Keke Palmer noted, DaBaby’s powerful performance spoke to the cultural moment, particularly in the wake of national uprisings in response to the deaths of unarmed Black citizens George Floyd, Breonna Taylor, and many others. The ...