The Pitch: It’s not every day that you record the 20th studio album of your half-century career in music. When that time does come, it’s worth memorializing. Such is the case with Bruce Springsteen’s Letter to You, the new making-of documentary now streaming on Apple TV+. Shot last November at Springsteen’s home studio in New Jersey during a four-day recording session with the E Street Band, the film does more than simply capture a veteran band making a hard job look easy. It also gives Springsteen a chance to expand upon and espouse the thoughts on legacy, time, and the creative process that animate the new record’s material. New Jersey in Winter: While it’s unlikely that Springsteen and his crew opted for a late fall recording date to maximize the potential for cinematic poignancy, that ...
It’s not surprising that Tom Petty’s passing came to inspire an annual birthday festival. Anyone who ever attended a Heartbreakers show knows that infinite feeling and suspicion that a summer night and a favorite song might somehow go on forever. That may not have turned out to be quite true, but artists, friends, and fans have been flocking to Gainesville since Petty’s death to hold on as tightly as possible to what the man and his music meant to so many of us. This year, of course, posed additional challenges due to the COVID-19 pandemic, but that didn’t stop Petty’s family and friends from piecing together a heartfelt tribute that not only celebrated what would’ve been the artist’s 70th birthday but raised money for several notable, music-related causes. <img aria-describedby="c...
“Boo! Bitch!” In keeping with her Halloween tradition, Kim Petras is back with a spooky new single called “Party Till I Die”. Here, the German pop star is willing to do just about anything for the sake of a good time — as long as the terrifyingly fun festivities take place after the sun goes down. “Only time I come alive/ Is in the middle of the night/ Looking for another high,” sings Petras. “Don’t care if it’s killing me/ This is all I really need/ My body’s in ecstasy.” Is she a vampire? Hungry for a bedroom romp? Both? It’s easy to fall for her temptations and the lure of a “dark paradise”, especially with the song’s stabbing percussion and manipulated vocals. Tune in below if you dare. According to an Instagram Live video posted by Petras yesterday, “Party Till I Die” is taken from th...
Forget the pair of politicians on the presidential debate stage last night. Ariana Grande is the new Commander-in-Chief. In her stylized new video for “Positions” — a slinky song about being many things to one person — Grande occupies the Oval Office with support from her trusted advisors (including Victoria Monét, Tayla Parx, and her mother, Joan) before quite literally switching her position to whip something up in the kitchen. And then flash her heels while she signs an executive order. Ari can do it all. As the song explores the various hats a lover can wear, Grande naturally wears a few of her own, and the hyper-real direction by Dave Meyers finds herself extricated from certain situations (like a photo op) and placed into others (like the bedroom). She also finds time, in...
O-O-Ovy on the Drums! Colombian artist Karol G is coming in hot this fall with her newest single, “Bichota,” which dropped at midnight on October 23. Following the success of lighter, airier hits like “Ay, Dios Mío!” and “Tusa” (one of the best songs ever made, do not @ me), Karol returns to her edgy reggaeton roots with “Bichota,” which features a strong Latin bass and heavy, gorgeous vocals. The lyrics — as well as the stunning, warm-toned visuals by Colin Tilley — scream female empowerment, encouraging women to unapologetically own their bodies and sexuality, which is exactly Karol G’s brand. In a song that falls just under three minutes, “Bichota” really knows how to pack a punch. —Sarina Bhutani You Deserve to Make Money Even When you are looking for Dates Online. So we reimagined wha...
The visual spell cast by Euphoria still has a hold over fans even a year after its HBO debut, inspiring a trend that took TikTok by storm just last summer. Fans shared makeup transformations that showcased their unique spins on the wild, couture-level glam concocted by makeup artist Donni Davy — Rue’s glittering teardrops; Jules’s dramatic eyelash spikes — in short clips set to a mashup of Labrinth’s “Still Don’t Know My Name” and Bea Miller’s lyrically numb breakout “Feel Something.” “Clearly, I can’t do my makeup at all,” Miller tells MTV News over Zoom, her hair pulled into a ponytail. “I was like, fuck, I want to make one of these, but I don’t know how.” It’s a surprising, even bashful, statement coming from the rising 21-year-old pop singer: Miller made her first major performance in ...
By Caitlin Wolper Anna Lotterud played her last headlining show on March 6 in San Francisco — just a week before coronavirus shutdowns rocked the United States. Lotterud, who performs bouncy, upbeat electro-pop as Anna of the North, was wracked with indecision — she was working on music in Los Angeles and wasn’t sure if she should go home to Norway. For quite some time, flights were full and booked; she’s back home now, but spent a while stuck in California. The period of coronavirus-imposed uncertainty contributed to the dream-pop musician’s new EP, Believe. Out today (October 23), the release finds Lotterud pulling back on her usually upbeat production to offer something a bit slower. On Believe, she reimagines two of her own tracks — “Lovers” and “Dream Girl” — and offers up a new song,...
Indie folk singer-songwriter Briston Maroney has released new single “Freeway” and its video, and it’s a breath of fresh air in these dark timelines. The 22-year-old artist takes us on a dazzling journey down the Maine coastline, with caving expeditions and a blissful boat ride from a first-person POV. For a few precious minutes, we can pretend like we’re not locked in our apartments! The clip was directed by Joey Brodnax, who has worked with Maroney in the past. In it, Maroney is every bit the young, curious twentysomething, exploring the gorgeous scenery with dynamic enthusiasm that can’t help but uplift. There are witty moments, too, like when he can’t can’t a hitchhiking ride, and you feel his humor in his lyrics. “Consider this my confession/ Your love’s my obsession/ Go ahead and sen...
Having already shredded her way into the Rock and Roll Hall of Fame with Heart, guitarist Nancy Wilson is finally embarking on a solo career. Her debut album is expected in early 2021, and she’s now shared the lead single, a cover of Bruce Springsteen’s “The Rising”. Written in the aftermath of the September 11th, 2001 terrorist attacks, “The Rising” arrived as an instant classic. Springsteen wrote from the perspective of a firefighter rushing into the crumbling World Trade Center towers. As only The Boss can do, the song felt simultaneously hyper-specific and universal, with lines like “Can’t see nothin’ in front of me/ Can’t see nothin’ coming up behind,” capturing both an individual’s terrifying ascent and the national mood. When the uplifting chorus appeared, it did so with t...
Alexisonfire guitarist Wade MacNeil teamed up with Andrew Macpherson to create the music for the new Jay Baruchel-directed horror film Random Acts of Violence. Now, the pair are set to release the movie’s score. The album arrives just in time for Halloween on October 30th, and the duo shared the eery “Slasherman Theme Song” to preview the full release. It’s an ominous electronic piece befitting of a slasher movie villain, with some John Carpenter-esque synth spook to boot. “When you’re scoring a film, you are creating a soundtrack for a world that doesn’t exist,” MacNeil said in a press release. “Finding the sounds and melodies for that bleak stretch of rust belt highway in Random Acts was exhilarating. Making music to frighten people is such a unique way to spend your time in a studio. I ...