Yusuf / Cat Stevens is celebrating the 50th anniversary of Tea for the Tillerman with a new version of the classic album. Titled simply Tea for the Tillerman², it consists of re-recordings of all 11 of the original songs. Some of the updates are more straightforward, while others, such as today’s rendition of “Father and Son”, have been completely reimagined for 2020. The narrative of this reworking of “Father and Son” remains the same, recounting the strain and discord that often exist in families as a result of a stark generational gap. What makes this version stand apart, however, is that it features Yusuf’s original 1970 vocals alongside voice arrangements recorded in 2020 — in effect allowing for the songwriting legend to “duet” with himself as both father and son. Neat trick, huh? “‘...
Chicago’s own Growing Concerns Poetry Collective have announced their new album, BIG DARK BRIGHT FUTURES. Due out October 16th, the followup to 2017’s We Here: Thank You for Noticing once again reunites filmmaker, poet, and actor McKenzie Chinn; actor and DIY hip-hop prodigy Mykele Deville; and multidisciplinary visual artist/musical composer Jeffrey Michael Austin. In anticipation, they’ve shared a music video for their latest single “Shout Across Mountains”. Written and composed between 2017 and 2019, the new album offers “an emotional, expansive, no-holds-barred journey through both the shadowed valleys and hopeful peaks of our current moment,” a press release notes. The Collective cites influences of Afrofuturism, Solange, and Frank Ocean, insisting that it “finds the common place...
Miley Cyrus wants her new album to be “reflective” of the music she loves, which ranges from “Britney Spears to Metallica.” The pop singer spoke about the forthcoming LP in an interview with French radio station NRJ. She suggested that her new song “Midnight Sky” is one interpretation of those musical ideas, saying, “I think the first single comes with a lot of pressure because it does kind of show everyone where you’re going.” The combination of pop and metal ruled radio in the glam-rock heyday of the 1980s, and glam is certainly a reference for “Midnight Sky”. But it wouldn’t be a surprise if some other songs are wildly different. As Cyrus emphasized, she has wide musical taste. She said, “But again, in my sets, I cover Britney Spears to Metallica, so my record will be reflective of who ...
Yesterday mark the one-year anniversary of the death of Daniel Johnston. In honor of his memory, Electric Lady Studios organized “Honey, I Sure Miss You”, a livestream tribute headlined by Phoebe Bridgers, Wilco’s Jeff Tweedy, and Beck. But as it turned out, Johnston himself stole the show in a previously-unreleased home video. The event was named for Johnston’s 1991 track “Honey, I Sure Miss You”, and was organized with the cooperation of the Johnston estate. The musical memorial opened with a teaser of Johnston playing piano, followed by a few words from the man of the hour: “Hello, this is a recorded message,” it begins. “I am Dan Johnston. Though I am not with you physically, I am with you in heart. With all my heart. And I am thinking about you in hope that you are doing fin...
Emerging singer/rapper Audrey Nuna has uncorked her new song “damn right”. This satirical stunt track is the first single from her forthcoming debut EP. Nuna grew up in New Jersey, releasing Instagram covers that eventually attracted the attention of manager/producer Anwar Sawyer. After high school, she split time writing with Sawyer and attending the prestigious Clive Davis Institute of Recorded Music at NYU. But soon, her studies had to give way to the real thing. Now 21 years old and signed to Arista Records, Nuna has released a string of buzzworthy singles, of which “damn right” just might be the best. Producer Nate Donmoyer has built a thumper of a beat, but with delicate synth touches which keep the track from sounding overly serious. Nuna kicks off with a slurred, chest-banging flow...
On Friday night, The Flaming Lips appeared remotely on Fallon for a performance of “God and the Policeman”. This standout song from their just-released album American Head originally boasted the clarion tones of Kacey Musgraves. Perhaps her schedule kept her away from The Lips’ studio, or maybe Petco ran out of hamster balls. It wasn’t a matter of social-distancing, because the Lips have been pioneering that long before it was necessary. Their trademark personal bubbles served them well once again, allowing them to get a little closer than would normally feel comfortable. While many recent late night performances feature bands near each other on stage, the Lips seem to be actually playing together. “God and the Policeman” is a meditation on guilt. The words are simple enough...
Song of the Week breaks down and talks about the song we just can’t get out of our head each week. Find these songs and more on our Spotify New Sounds playlist. Cover songs often get a lot of shade thrown at them. That’s nothing new. Don’t we all get at least a little skeptical (and disappointed) when one of our favorite artists announces a covers album or drops a cover instead of an original single? While we may dig the song, it tends to feel like we’re being re-gifted something, and part of us might even suspect that the artist is holding out on us or, worse yet, has nothing else on creative tap. Of course, how quickly we forget that some of the best songs in our collective canon are cover versions and that all musicians (from The Beatles to those assholes who “practice” in your neighbor...
The pressure to be productive while in quarantine continues to be very real, but Angel Olsen has made it look fairly effortless. In addition to rolling out a stellar new album, Whole New Mess, she’s spent the last few months sharing cover after cover. In March, she took on Roxy Music’s “More Than This”, followed by the Tori Amos original “Winter” in April. For her latest reworking, Olsen has tackled “Beware of Darkness” by George Harrison. Originally appearing on The Beatles guitarist’s All Things Must Pass album, the 1970 track was described by Olsen as “pretty great.” Her rendition, uploaded directly to IGTV late Thursday night, is similarly impressive in its vulnerability and starkness. “I’m just messing around like a tired sad shit,” Olsen wrote of her version, which was filmed in...
Amigo the Devil has been making waves as a unique troubadour who appeals to fans of both folk and metal. While his music is acoustic-based, his lyrics are decidedly macabre. In the midst of a new “living” album project titled Covers, Demos, Live Versions, B-Sides, Amigo teams up with Heavy Consequence to premiere a stripped-down version of his song “Stronger Than Dead”. As he continues work on a proper follow up to Everything Is Fine, which made our list of the Top Hard Rock + Metal Albums of 2018, Amigo is rolling out rarities and alternate song renditions to create the ever-growing collection Covers, Demos, Live Versions, B-Sides. “Stronger Than Dead”, which originally appeared on Everything Is Fine, is stripped down to its bare bones in this version, simply featuring Amigo and his acous...
Shortly after the breakup of their band Calpurnia late last year, singer-guitarist Finn Wolfhard and drummer Malcolm Craig decided to team back up to form The Aubreys, a new indie rock band that’s more influenced by Jay Reatard than The Strokes. Today, the duo is back with a brand new song under that moniker called “Smoke Bomb”, and it comes with an excellent on-brand music video, too. This is the second track we’ve heard from The Aubreys so far following “Getting Better (otherwise)”, their debut single. It doubled as a contribution to the soundtrack for thriller The Turning, too. Whereas that track was meant to be an angst-filled burst of fuzz, though, “Smoke Bomb” is full guitar-pop bliss, complete with scruffy feedback tones. In the music video for “Smoke Bomb”, Wolfhard and Craig photo...