FKA twigs‘ next record is apparently done, but fans will have to wait a bit longer before hearing the true follow-up to 2019’s MAGDALENE. Instead, the British singer-songwriter has released the song “Measure of a Man,” a collaboration with the British rapper Central Cee that features on the soundtrack to the upcoming film The King’s Man. Rife with piano ballads and Biblical theatrics, MAGADLENE saw twigs bare her soul. “Measure of a Man,” meanwhile, is equally cinematic, but in the traditional movie soundtrack sense of the word. With creeping bass and twigs’ sultry voice mixed high, the track offers an ominous bravado that fits The King’s Man’s spy premise well. “Nobody feels the pain behind the love you show,” the R&B singer croons. “Nobody feels the burden that you be...
Aerosmith have dug up a rare 1971 recording, which the legendary band is releasing on Record Store Day Black Friday on November 26th. The previously unreleased seven-song rehearsal tape, will be issued on vinyl and cassette under the title Aerosmith – 1971: The Road Starts Hear, with the collection’s “Movin’ Out” available to stream below right now. The recording offers an extraordinary glimpse into the Rock & Roll Hall of Fame band’s early years, having been recorded just a year after they formed, and two years before the release of their 1973 self-titled debut album. According to a press release, “The landmark early recording was made with Joe Perry’s Wollensak reel-to-reel tape machine in 1971 by Mark Lehman, who owned the infamous van and became Aerosm...
In the just-under-a-year (!) since she surprise-released her ninth studio album, evermore, Taylor Swift has become well-aware of her title as the reigning queen of Sad Girl Autumn. To really drive that point home, the Scooter Braun kryptonite has shared yet another version of her 2012 masterpiece, “All Too Well” — this time, it’s Swift’s new 10-minute version, now recorded live at Aaron Dessner’s Long Pond Studios. At the risk of being almost too on-the-nose, this recording has been titled “All Too Well (Sad Girl Autumn Version).” “We hear Long Pond Studios is a great place to spend #SadGirlAutumn,” the official Taylor Nation Twitter account teased on Wednesday (November 17th), referencing last year’s live performance of folklore recorded at the same spac...
Our recurring new music feature Origins provides artists with a platform to share personal insights into their latest release. Today, The Wrens’ Kevin Whelan breaks down “Fade,” the latest single from his solo project Aeon Station. Back in late September, Kevin Whelan of The Wrens revealed he would be releasing a solo record under the moniker Aeon Station. Containing five songs he originally wrote for the band’s follow-up to 2003’s The Meadowlands, the album is titled Observatory and it arrives on December 10th via Sub Pop. Today (November 16th), Consequence is exclusively premiering Aeon Station’s latest preview from the project, “Fade,” and its accompanying music video. Advertisement Related Video “A key inspiration for the song was when my family and I moved from New...
Basia Bulat has announced The Garden, a new album that features string quartet reimaginings of 16 songs from her discography. The record is set to hit streaming services February 25th via Street City Records, with physical copies releasing March 25th. To preview the album, Bulat has shared its title track, which you can stream below. While Bulat has been known to play with string instruments (including her go-to autoharp), The Garden beefs up the Canadian folk singer’s past songs with complete arrangements by composers Owen Pallett, Paul Frith, and Zou Zou Robidoux. She co-produced the record with Mark Lawson, known for his work with Arcade Fire and Beirut. In a statement, Bulat said The Garden allowed her to revisit songs whose meanings have changed since she first wro...
It took The Antlers seven years to release this year’s Green to Gold, but now the duo is back with their second release in nine months. Today Peter Silberman and Michael Lerner surprise released Losing Light, an EP that reimagines four songs from their last record. They’ve also kept the ball rolling with word of their first tour since 2019. Losing Light trades The Antlers’ typical indie rock sound for an electronic edge. In a statement for the EP, frontman Silberman described the project as an exercise in imagining the future of music and technology. “How would these songs sound if they were being reconstituted from memory fifty years from now, after decades of technological evolution, alongside analog and digital degradation?” the artist asked. “I began to consider how...
Your Old Droog has announced a new album, Space Bar. It’s out November 29th, and as a preview YOD has uncorked the song “Meteor Man” featuring Lil Ugly Mane and billy woods. Space Bar will be Droog’s fourth (!) album of 2021, following TIME and his two collaborations with Tha God Fahim, Tha Wolf on Wall St and Tha YOD Fahim. As for “Meteor Man,” the song boasts a beat by Sadhu Gold. It opens with two thumps of a drum and an incessant whine that turns into a wall of sound, as the three MCs unspool an all-bars, no hook slugfest. Droog establishes the tone with his conversational flow, setting himself up, “Like Mace Windu priming for the great swindle/ Don’t act surprised when you see me poly with Kylie and Kendall.” Lil Ugly Mane raps, “If cops throw they l...
Ye, a.k.a. the artist formerly known as Kanye West, has dropped a deluxe edition of his latest album, Donda. Listen below via Apple Music or Spotify. The expanded tracklist boasts six new songs, including the André 3000 collaboration “Life of the Party,” which was previously leaked by Drake. Notably, Kanye has also released the explicit version of “Life of the Party” as a standalone track (André previously refused to clear the track for Donda after learning that Kanye intended to censor it.) Other new additions include “Remote Control Pt. 2” featuring Young Thug and Kid Cudi; “Never Abandon Your Family”; “Keep My Spirit Alive Pt. 2” featuring Westside Gunn, Conway the Machine, and KayCyy; and “Up From the Ashes”. Meanwhile, “Come to Life” has been updated to include backing vocals from Tyl...
Taylor Swift knows all too well what it’s like to break records, and with the release of Red (Taylor’s Version), she’s done it again. On Saturday, Spotify confirmed to Billboard that the re-recording smashed the record for the most-streamed album in a day by a female artist with more than 90.8 million streams around the globe. That number only surpasses Swift’s own folklore, which previously held the record at 80.6 million streams upon its surprise July 2020 release. And that’s not all: thanks to the hype around the new release of the fan favorite LP, the superstar also earned the distinction as the most-streamed female artist in a single day in the platform’s history with more than 122.9 million streams. Advertisement Related Video Red (Taylor’s Version) contains a massive 30 tracks — inc...
Canadian rapper Haviah Mighty has released a new mixtape. Stock Exchange, the follow-up to her 2019 album 13th Floor, is out now via Mighty Gang Inc. Mighty broke boundaries with her last album, becoming the first hip-hop artist and the first Black woman to win the coveted Polaris Music Prize. Now, she goes bigger with a record featuring a revolving door of international guests, from UK grime artist Yizzy to Spanish rapper Mala Rodríguez. In a press release, she explained that Stock Exchange offers a commentary on said modern success — the ways in which streaming numbers and follower counts dictate our definitions of good and bad art. “These statistics that we use to compare ourselves to others and to define our successes, have become proof of our worth. It’s all perce...
This week in her quest for world domination, Taylor Swift released her long-anticipated re-recording of Red, the 2012 album that helped cement her transition from country-pop singer-songwriter to complete pop superstar. Over the weekend, she took to Saturday Night Live to perform the 10-minute version of the fan favorite song “All Too Well.” “All Too Well” immediately became known upon Red’s release as some of the best of Swift’s storytelling. Its tale of heartbreak — written in the aftermath of her breakup with Jake Gyllenhaal — is rife with imagery of romantic trips upstate and “casually cruel” phone calls once the romance burned out. Written on the fly as a sort of soundcheck rant, the track’s original 10-minute minute version has been spoken of in hushed, reverent tones in fan cir...